Indian Books in Print


Book Description




A Year with the Maha-Puranas


Book Description

Why did Lord Shiva, at the instigation of Brahma, tease Parvati?Why do we not use the champak flower to worship Lord Shiva?In which purana would you learn about a prayer for Lord Vishnu to protect you in all four directions with his sudarshana chakra, koumodaki gada, sounanda hala, and shatana mushala?Why did Sita mata curse fire, the river Phalgu, the ketaki flower and the cow?Which Purana tells us the story of the lake that turned four black swans to white, and why?Why did Draupadi have five husbands?What does it mean to read abridged translations of all nineteen Puranas in one year? This is the book of questions and answers, of those nineteen books, thirty-eight reviews, and the year that went by. Anvita and Anika, sisters, read abridged translations of the nineteen maha-Puranas over the course of a year. In addition to thirty-eight reviews, there are also several anecdotes of their experiences through the year as they read and wrote, and how school, studies, exams, and a maniacal father drove them to ever greater depths of despair. In the book you will find over a hundred stories, factoids, and nuggets from the Puranas. How Parvati became Gouri, stories about Kurukshetra, the punya that accumulates from reading the Puranas, the types of fasts to observe and their benefits, the types of donations one can give, episodes from the Mahabharata, different accounts of how Ganesha was born and how he broke a tusk, and many, many more - as seen from the eyes of two young children!




Ancient Indian Social History


Book Description

A collection of papers that interprets afresh, known facts about the early period of Indian history up to the end of the first millennium AD. The papers discuss several associated themes such as society and religion, social classification and mobility and the study of regional history. A useful reference book for postgraduate students of History.




Hindu Mythology and Tradition


Book Description

Hindu mythology and tradition is an unchanged, high-quality reprint of the original edition of 1864. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres.As a publisher we focus on the preservation of historical literature.Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.




The Rise of the Goddess in the Hindu Tradition


Book Description

This book explores the rise of the Great Goddess by focusing on the development of saakti (creative energy), maya (objective illusion), and prakr(materiality) from Vedic times to the late Puranic period, clarifying how these principles became central to her theology.




Ashtanga Yoga - The Intermediate Series


Book Description

In this much-anticipated follow-up to his first book, Ashtanga Yoga: Practice and Philosophy, Gregor Maehle offers a detailed and multifaceted guide to Ashtanga Yoga’s Intermediate Series. An expert yogi and teacher, Maehle will guide you to your next level with an unprecedented depth of anatomical explanation and unparalleled attention to the practice’s philosophical and mythological heritage. You will learn: • The background and applications of each of the three forms of yoga: Karma, Bhakti, and Jnana • How to use Indian myth and cosmology to deepen your practice • The importance of the Sanskrit language to the yogic tradition • The mythology behind the names of the Intermediate Series postures • The functions and limitations of body parts integral to the Intermediate Series, including the spine, the sacroiliac joint, the shoulder joint, and the hip joint • How to reap the full benefits of practicing the Intermediate Series Maehle meticulously explores all twenty-seven postures of the Intermediate Series through photos, anatomical line drawings, and practical, informative sidebars. He also discusses the philosophical and spiritual background of Ashtanga Yoga and places the practice within the context of Indian cultural history. With passionate erudition, Maehle will prepare you to reap physical, spiritual, and mental fulfillment from your evolving practice.




The Purāṇas


Book Description




Cultures of Memory in South Asia


Book Description

Culture of Memory in South Asia reconfigures European representations of India as a paradigmatic extension of a classical reading, which posits the relation between text and context in a determined way. It explores the South Asian cultural response to European “textual” inheritances. The main argument of this work is that the reflective and generative nodes of Indian cultural formations are located in the configurations of memory, the body and idiom (verbal and visual), where the body or the body complex becomes the performative effect and medium of articulated memories. This work advances its arguments by engaging with mnemocultures-cultures of memory that survive and proliferate in speech and gesture. Drawing on Sanskrit and Telugu reflective sources, this work emphasizes the need to engage with cultural memory and the compositional modes of Indian reflective traditions. This important and original work focuses on the ruptured and stigmatised resources of heterogeneous Indian traditions and calls for critical humanities that move beyond the colonially configured received traditions. Cultures of Memory suggests the possibilities of transcultural critical humanities research and teaching initiatives from the Indian context in today’s academy.




Saundaryalahari


Book Description

Hymn to Tripurasundarī (Hindu deity).




The Theory of Citrasutras in Indian Painting


Book Description

The study of technical treatises in Indian art has increasingly attracted much interest. This work puts forward a critical re-examination of the key Indian concepts of painting described in the Sanskrit treatises, called citrasutras. In an in-depth and systematic analysis of the texts on the theory of Indian painting, it critically examines the different ways in which the texts have been interpreted and used in the study of Indian painting, and suggests a new approach to reading and understanding their concepts. Contrary to previous publications on the subject, it is argued that the intended use of such texts as a standard of critique largely failed due to a fundamental misconceptualization of the significance of ‘text’ for Indian painters. Isabella Nardi offers an original approach to research in this field by drawing on the experiences of painters, who are considered as a valid source of knowledge for our understanding of the citrasutras, and provides a new conceptual framework for understanding the interlinkages between textual sources and the practice of Indian painting. Filling a significant gap in Indian scholarship, Nardi's study will appeal to those studying Indian painting and Indian art in general.