Ancient Rome in 1885 (Classic Reprint)


Book Description

Excerpt from Ancient Rome in 1885 Great as must always be the value of documentary evidence, such as that which is supplied by inscriptions, coins, and the long list of classical writers mentioned below, yet it is of quite equal importance for the student to learn to read the story told by each building itself - a record by no means clear, and which requires long and careful study of what may at first sight appear to be matters of small moment. It is not only the general design of a building, the contours of its mouldings, or the style Of its sculpture, which supplies valuable evidence as to its history, but no less important help is often to be gained by the minute examination of such purely constructional points as the composition of the concrete, the form of the wood centering shown by its imprints on the vaults, and countless other technical. Details. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.







Ancient Rome in 1885


Book Description










A writer's guide to Ancient Rome


Book Description

‘A really fun idea for a book - and full of great stuff.’ Greg Jenner, Public Historian This is the perfect guide for any writer who wants to recreate the Roman world accurately in their fiction. It will aid any novelist, screenwriter, games designer or re-enactor in populating their story with authentic characters and scenes, costumes and locations. Written from a historian’s perspective, this guide pulls back the curtain to show the reader what life in Ancient Rome was really like: what they wore, what they ate, and how they spent their time at work, at home, at war, and at play. Individual chapters focus on different aspects of Romans’ lives, to give you specific knowledge of what they looked like and how they behaved, as well as a broad appreciation of what held their civilisation together, from religion, to the economy, to law and order. You may wish to work your way through the book from cover to cover, or focus specifically on individual chapters as you hone your creative writing skills. Covering the period between 200 BCE and 200 CE, A writer’s guide to Ancient Rome surveys the vast amount of sources and scholarship on the Classical world so you don’t have to! It outlines current scholarly debates and changing interpretations, suggests further reading, and recommends particular resources to mine for each topic. It gives you plenty to consider while you construct your own Roman world.




The Family in Ancient Rome


Book Description

Provides a general picture of the main features of the Roman family and looks at important legal aspects such as property rights, dowries, divorce, and the authority of the male with its links to political power.




B.H. Blackwell


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Classics in Extremis


Book Description

Classics in Extremis reimagines classical reception. Its contributors explore some of the most remarkable, hard-fought and unsettling claims ever made on the ancient world: from the coal-mines of England to the paradoxes of Borges, from Victorian sexuality to the trenches of the First World War, from American public-school classrooms to contemporary right-wing politics. How does the reception of the ancient world change under impossible strain? Its protagonists are 'marginal' figures who resisted that definition in the strongest terms. Contributors argue for a decentered model of classical reception: where the 'marginal' shapes the 'central' as much as vice versa – and where the most unlikely appropriations of antiquity often have the greatest impact. What kind of distortions does the model of 'centre' and 'margins' produce? How can 'marginal' receptions be recovered most effectively? Bringing together some of the leading scholars in the field, Classics in Extremis moves beyond individual case studies to develop fresh methodologies and perspectives on the study of classical reception.