And the Vultures Sang a Warrior's Ballad


Book Description

Anand is a middle-class boy who experiences a strange phenomenon. Whenever he sleeps at night, he goes back 1500 years in time and wakes up in the ‘past’ as Narasimha, the son of Vimshati Veera Deva—the last warrior of the Vimshati clan. Whenever he sleeps in the ‘past’ as Narasimha, he wakes up in the ‘present’ as Anand. In the ‘past’, as he struggles to become the finest warrior in history, he learns that he was dissolved in the ruins of history whereas his father’s legacy is still preserved in the ‘present’. Through the pointlessness of his training and a complicated romantic life, he learns about a war which would wipe out the entire kingdom in the ‘past’. His desperation to stay alive makes him take certain decisions which would affect his life in ways beyond imagination.




Thorgil Bloodaxe: The Vultures of Khurasan


Book Description

In a savage world ruled by the sword, the mercenary leader Thorgil Bloodaxe stands apart, a man feared and respected across all the bloodstained lands from west to east. Well aware of his reputation, it is to Thorgil that the Caliph of Baghdad sends an emissary, his high commander, Rafi ibn Abdallah. The Caliph decides he must end the depredations of the rebel leader Ya’qub and his fanatic followers, the Vultures. It is said of Thorgil that he has fought in so many battles during his lifetime he cannot remember them all, so what is one more? He does not hesitate to accept the commission and, with his warriors, embarks on a hazardous, bloody journey to the Khurasan Mountains, guided by Rafi…who has a secret plan of his own. Along the way, they draw the ire of the Cilician pirates, who hound them from the port city of Latakiyah in Syria to the foothills in Khurasan. They face treachery, battle, and sorcery even before they face the Vultures themselves in their massive mountain fortress. The Vultures of Khurasan takes you on a glorious sword-and-sorcery adventure alongside Thorgil and his warriors, with page after page of neverending action, accompanied with illustrations by the renowned artist Pablo Marcos.




Zulu Terror


Book Description

The historian and author of The Great Trek recounts the devastating period of violence among indigenous peoples in early 19th century southern Africa. From 1815 to 1840, southeastern Africa experienced a devastating period of warfare between the Zulus, the Matabele, and other indigenous peoples. Though the causes of the unrest—which the Zulu called the Mfecane—are still debated by historians, we know that hundreds of thousands of lives lost. Some estimate the total number of deaths to be near two million. At the center of the turmoil was the Zulu Kingdom and its King Shaka, whose wars of expansion sparked mass migrations among smaller tribes. One of Shaka’s lieutenants, Mzilikazi Khumalo, escaped execution and began a trail of destruction from Zululand north to the Highveld. Refugees from Mzilikazi’s warpath then formed their own alliance—including with the Dutch-speaking Voortrekkers, arriving on their own “Great Trek” to escape British control. Finally defeated in 1836 by the Voortrekkers in a nine-day battle, Mzilikazi and his followers crossed the Limpopo River and founded the kingdom of the Matabele in what is now Zimbabwe.




Adaptations of Shakespeare


Book Description

Shakespeare's plays have been adapted or rewritten in various, often surprising, ways since the seventeenth century. This groundbreaking anthology brings together twelve theatrical adaptations of Shakespeares work from around the world and across the centuries. The plays include The Woman's Prize or the Tamer Tamed John Fletcher The History of King Lear Nahum Tate King Stephen: A Fragment of a Tragedy John Keats The Public (El P(blico) Federico Garcia Lorca The Resistible Rise of Arturo Ui Bertolt Brecht uMabatha Welcome Msomi Measure for Measure Charles Marowitz Hamletmachine Heiner Müller Lears Daughters The Womens Theatre Group & Elaine Feinstein Desdemona: A Play About a Handkerchief Paula Vogel This Islands Mine Philip Osment Harlem Duet Djanet Sears Each play is introduced by a concise, informative introduction with suggestions for further reading. The collection is prefaced by a detailed General Introduction, which offers an invaluable examination of issues related to




The Way of an Indian


Book Description

"The Way of an Indian" is one of the few books that look at the colonial expansion of American wild west through the eyes of a Native Indian. The book faithfully captures their spiritual beliefs, agency and speech to show what it was like to be the original inhabitants of a land that was taken away from them. A must read western classic! Excerpt: "White Otter's heart was bad. He sat alone on the rim-rocks of the bluffs overlooking the sunlit valley. To an unaccustomed eye from below he might have been a part of nature's freaks among the sand rocks. The yellow grass sloped away from his feet mile after mile to the timber, and beyond that to the prismatic mountains...." Frederic Remington was an American painter, illustrator, sculptor, and writer who specialized in depictions of the Old American West, specifically concentrating on the last quarter of the 19th-century American West and images of cowboys, American Indians, and the U. S. Cavalry. Remington's fame made him a favorite of the Western Army officers fighting the last Indian battles.




Aves de piedra, barro y oro en la Costa Rica precolombina


Book Description

A scholarly and physically stunning presentation of the use of bird imagery in pre-Columbian Costa Rican art, with an equal balance of photos and text. Includes indigenous culture, contemporary links, and comparative photos of artifacts and actual birds













African Art and the Colonial Encounter


Book Description

Focusing on the theme of warriorhood, Sidney Littlefield Kasfir weaves a complex history of how colonial influence forever changed artistic practice, objects, and their meaning. Looking at two widely diverse cultures, the Idoma in Nigeria and the Samburu in Kenya, Kasfir makes a bold statement about the links between colonialism, the Europeans' image of Africans, Africans' changing self representation, and the impact of global trade on cultural artifacts and the making of art. This intriguing history of the interaction between peoples, aesthetics, morals, artistic objects and practices, and the global trade in African art challenges current ideas about artistic production and representation.