Book Description
In spite of its wide international success, Rieu's mix of waltzes, popular music, comedy, and pathos has attracted its critics. Chris Boyd, a critic writing for Melbourne's Herald Sun newspaper, did not criticize his playing, but described his main stage function as "blarney and delegation." Of Rieu's popularity and the media debate surrounding him, Eamon Kelly wrote in The Australian newspaper: "It is disappointing to see professional journalists indulging in cheap, inaccurate stereotypes to dismiss criticism of Rieu." But he goes on to add: "Equally misguided are those who cursorily dismiss Rieu. Rieu's live and recorded performances have brought joy to millions of people. Few in his audiences are regular classical music attendees and it could be seen as promising that, via Rieu, they are listening to standards of the classical canon. The fact that Rieu's focus is on highly accessible, enjoyable repertoire is not an argument against his musical credentials.