Andy Warhol's Blow Job


Book Description

In this ground-breaking and provocative book, Roy Grundmann contends that Andy Warhol's notorious 1964 underground film, Blow Job, serves as rich allegory as well as suggestive metaphor for post-war American society's relation to homosexuality. Arguing that Blow Job epitomizes the highly complex position of gay invisibility and visibility, Grundmann uses the film to explore the mechanisms that constructed pre-Stonewall white gay male identity in popular culture, high art, science, and ethnography. Grundmann draws on discourses of art history, film theory, queer studies, and cultural studies to situate Warhol's work at the nexus of Pop art, portrait painting, avant-garde film, and mainstream cinema. His close textual analysis of the film probes into its ambiguities and the ways in which viewers respond to what is and what is not on screen. Presenting rarely reproduced Warhol art and previously unpublished Ed Wallowitch photographs along with now iconic publicity shots of James Dean, Grundmann establishes Blow Job as a consummate example of Warhol's highly insightful engagement with a broad range of representational codes of gender and sexuality. Roy Grundmann is Assistant Professor of Film Studies at Boston University and a contributing editor of Cineaste.




"Our Kind of Movie"


Book Description

Examines Warhol films, including "Blow Job," "Screen Test, No. 2," and "The Chelsea Girls," arguing that new forms of sociality are made visible and exemplify the filmmaker's inventive techniques.




Materialist Film


Book Description

A polemical introduction to the avant-garde and experimental in film (including making and viewing), Materialist Film is a highly original, thought-provoking book. Thirty-seven short chapters work through a series of concepts which will enable the reader to deal imaginatively with the contradictory issues produced by experimental film. Each concept is explored in conjunction with specific films by Andy Warhol, Malcolm LeGrice, Lis Rhodes, Jean-Luc Goddard, Rose Lowder, Kurt Kren, and others. Peter Gidal draws on important politico-aesthetic writings, and uses some of his own previously published essays from Undercut, Screen, October, and Millennium Film Journal to undertake this concrete process of working through abstract concepts. Originally published in 1989.




Great Demon Kings


Book Description

A rollicking, sexy memoir of a young poet making his way in 1960s New York City When he graduated from Columbia in 1958, John Giorno was handsome, charismatic, ambitious, and eager to soak up as much of Manhattan's art and culture as possible. Poetry didn't pay the bills, so he worked on Wall Street, spending his nights at the happenings, underground movie premiers, art shows, and poetry readings that brought the city to life. An intense romantic relationship with Andy Warhol—not yet the global superstar he would soon become—exposed Giorno to even more of the downtown scene, but after starring in Warhol's first movie, Sleep, they drifted apart. Giorno soon found himself involved with Robert Rauschenberg and later Jasper Johns, both relationships fueling his creativity. He quickly became a renowned poet in his own right, working at the intersection of literature and technology, freely crossing genres and mediums alongside the likes of William Burroughs and Brion Gysin. Twenty-five years in the making, and completed shortly before Giorno's death in 2019, Great Demon Kings is the memoir of a singular cultural pioneer: an openly gay man at a time when many artists remained closeted and shunned gay subject matter, and a devout Buddhist whose faith acted as a rudder during a life of tremendous animation, one full of fantastic highs and frightening lows. Studded with appearances by nearly every it-boy and girl of the downtown scene (including a moving portrait of a decades-long friendship with Burroughs), this book offers a joyous, life-affirming, and sensational look at New York City during its creative peak, narrated in the unforgettable voice of one of its most singular characters.




Andy Warhol


Book Description

An intimate depiction of the visionary who revolutionized the art world A man who created portraits of the rich and powerful, Andy Warhol was one of the most incendiary figures in American culture, a celebrity whose star shone as brightly as those of the Marilyns and Jackies whose likenesses brought him renown. Images of his silvery wig and glasses are as famous as his renderings of soup cans and Brillo boxes—controversial works that elevated commerce to high art. Warhol was an enigma: a partygoer who lived with his mother, an inarticulate man who was a great aphorist, an artist whose body of work sizzles with sexuality but who considered his own body to be a source of shame. In critic and poet Wayne Koestenbaum’s dazzling look at Warhol’s life, the author inspects the roots of Warhol’s aesthetic vision, including the pain that informs his greatness, and reveals the hidden sublimity of Warhol’s provocative films. By looking at many facets of the artist’s oeuvre—films, paintings, books, “Happenings”—Koestenbaum delivers a thought-provoking picture of pop art’s greatest icon.




Orgasmology


Book Description

For all its vaunted attention to sexuality, queer theory has had relatively little to say about sex, the material and psychic practices through which erotic gratification is sought. In Orgasmology, Annamarie Jagose takes orgasm as her queer scholarly object. From simultaneous to fake orgasms, from medical imaging to pornographic visualization, from impersonal sexual publics to domestic erotic intimacies, Jagose traces the career of orgasm across the twentieth century. Along the way, she examines marriage manuals of the 1920s and 1930s, designed to teach heterosexual couples how to achieve simultaneous orgasms; provides a queer reading of behavioral modification practices of the 1960s and 1970s, aimed at transforming gay men into heterosexuals; and demonstrates how representations of orgasm have shaped ideas about sexuality and sexual identity. A confident and often counterintuitive engagement with feminist and queer traditions of critical thought, Orgasmology affords fresh perspectives on not just sex, sexual orientation, and histories of sexuality, but also agency, ethics, intimacy, modernity, selfhood, and sociality. As modern subjects, we presume we already know everything there is to know about orgasm. This elegantly argued book suggests that orgasm still has plenty to teach us.




Pornographic Art and the Aesthetics of Pornography


Book Description

What happens when art and pornography meet? By providing a plurality of disciplinary approaches and theoretical perspectives this essay collection will give the reader a fuller and deeper understanding of the commonalities and frictions between artistic and pornographic representations.




The Black Hole of the Camera


Book Description

"One acclaimed filmmaker takes the measure of another! Murphy's candid and richly personal account of Andy Warhol's filmmaking is a brilliant contribution to our understanding of one of cinema's most original and prolific masters, exploring the artist's multiple forms of psychodrama with a filmmaker's insight and attention to detail. As more and more of the restored Warhol films become available, this book will remain an indispensable handbook for film historians and general moviegoers alike--especially because it is such a genuine pleasure to read."--David E. James, author of The Most Typical Avant-Garde: History and Geography of Minor Cinemas in Los Angeles. "Those of us who care about independent cinema have always struggled with Andy Warhol's massive oeuvre. At long last J.J. Murphy, who has spent a lifetime making contributions to independent cinema, has undertaken the Herculean task of helping us understand Warhol's development as a filmmaker. Murphy's precision, stamina, and passion are evident in this examination of an immense body of work--as is his ability to report what he has discovered in a readable and informative manner. The Black Hole of the Camera helps us to re-conceptualize Warhol's films not simply as mythic pranks, but as the diverse creations of a prolific and inventive film artist."--Scott MacDonald, author of A Critical Cinema: Interviews with Independent Filmmakers (5 vols.). "In his careful firsthand study of Andy Warhol's films, J. J. Murphy contributes to the ongoing revision of the enduring but misplaced perceptions of Warhol as a passive, remote, and one-dimensional artist. Murphy's discussions of authorship, the relation of content to form, the role of "dramatic conflict," and the complexity of Warhol's camera work show these perceptions to be stubborn myths. The Black Hole of the Camera offers a clear sense of the nuances of Warhol's fascinating, prolific, and influential activities in filmmaking."--Reva Wolf, author of Andy Warhol, Poetry, and Gossip in the 1960s.




Materializing Queer Desire


Book Description

How did the queer subject come to occupy such a central, and in many respects, contradictory place in the modern world of the early twentieth century? What role has capitalism played in the development of modern gay and lesbian identities? Materializing Queer Desire focuses on the figure of the dandy to explore how and why gay and lesbian subjects became heroes of modern life. Elisa Glick argues that the gay subject emerged out of the specifically modern, capitalist contradiction between the public world of production and industry and the private world of consumption and pleasure. Boldly bringing modernism into dialogue with Marxist and queer theory, Glick offers an innovative, materialist account of modern queer consciousness that challenges tendencies to oppose "private" eroticism and the systems of value that govern "public" interests. In the process she illuminates the connections between aesthetic, sexual, and social formations in modern life—between modernity's disruptive, "queer" desires and their unfolding in an increasingly rationalized society.




So What, or How to Make Films with Words


Book Description

A series of philosophical meditations on the nature of aesthetics across a wide array of filmmaking styles Images, whether filmic or not, cannot be replaced by words. Yet words can make images. This is the general thesis underlying So What, a collection of essays on canonical filmmakers like Luchino Visconti and Orson Welles; more experimental directors, such as Marguerite Duras and Albert Serra; and visual artists, including Hollis Frampton and Agnes Martin. Alexander García Düttmann aims to make their films as if they did not precede his text, capturing their idea and experience. If the relationship between filmic image and text is a heterogeneous one, then this heterogeneity must leave a trace. This is why the book’s chapters are organized not according to historical periods or on the basis of film theories but rather by single concepts that function like dictionary entries. The chapters adopt different forms, blurring the lines between art and philosophy. So What is a practical exercise in “making films with words,” inviting readers to draw out insights from its conceptual play. So What compiles previously untranslated and hard-to-find essays into a single volume, one that represents the absorbing and singular thought process of a major contemporary philosopher.