Indian Kavya Literature


Book Description

It is multi-volume series work. The main pupose of this work is literary criticism, evaluating a great tradition of literature and to present comprehensive study of sanskrit literature. So far 6 volumes have been published. Each volume presents literature itself in successive periods of its development. Volume VI continues the exploration of Indian Literature (Kavya) into the eleventh century, from Padmagupta and Atula to Hilhana and Manovinoda. In the eleventh century besides what seems to be the culminating point of the storytelling tradition (Bhoja, Ksemendra, Somadeva, etc.), there are a number of surviving long novels, bu Soddhala, Jinesvara, Dhanesvara and Vardhamana. Even epics (e.g. Padmagupta`s) seem to be assimilated to fiction, and that even when extracted from Tradition (Laksmidhara). The Jaina narratives of jinas and the like, supposed to be historical, are likewise subject to the all-pervading influence of fiction (Bhavacandra, Gunapala).Beyond the scope of this influence, the rich imagination of the lyric poet Vallana composed verses in the best, and original, tradition of kavya. Among the rare dramas surviving from the eleventh century is Krsnamisra`s allegorical religious play personifying Vedic categories and the virtues, led by Discrimination, and vices, led by elusion.




Cultures of Memory in South Asia


Book Description

Culture of Memory in South Asia reconfigures European representations of India as a paradigmatic extension of a classical reading, which posits the relation between text and context in a determined way. It explores the South Asian cultural response to European “textual” inheritances. The main argument of this work is that the reflective and generative nodes of Indian cultural formations are located in the configurations of memory, the body and idiom (verbal and visual), where the body or the body complex becomes the performative effect and medium of articulated memories. This work advances its arguments by engaging with mnemocultures-cultures of memory that survive and proliferate in speech and gesture. Drawing on Sanskrit and Telugu reflective sources, this work emphasizes the need to engage with cultural memory and the compositional modes of Indian reflective traditions. This important and original work focuses on the ruptured and stigmatised resources of heterogeneous Indian traditions and calls for critical humanities that move beyond the colonially configured received traditions. Cultures of Memory suggests the possibilities of transcultural critical humanities research and teaching initiatives from the Indian context in today’s academy.










The Satsaī of Bihārī


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Aṅga Kāvya


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New Indian Antiquary


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THE INDIAN LISTENER


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The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 December, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.In 1950,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. NAME OF THE JOURNAL: The Indian Listener LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 22-08-1947 PERIODICITY OF THE JOURNAL: Fortnightly NUMBER OF PAGES: 92 VOLUME NUMBER: Vol. XII, No. 17 BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 21-22, 28-73, 75, 77 ARTICLE: 1. The New Beginning of a New Age 2. Our Common Allegiance Is To India 3. Make The Indian Union Great and Prosperous 4. The Battle Of Freedom Is Over 5. Prefect Freedom Lies In Service AUTHOR: 1. Sri Aurobindo Ghosh 2. Pandit Jawaharlal Nehru 3. Acharya J.B. Karipalani 4. Mrs. Sarojini Naidu 5. Hon. Rajkumari Amrit Kaur KEYWORDS: 1. Divine force, Spirituality, Humanity, Evolution, Divine will, Constuent Assembly 2. Indian people, Peace, Freedom, Production, Gandhiji 3. Non-violence and Truth, Freedom, British rule, Patriots, Mhatma Gandhi, Indian Union 4. Queen Victoria, Mahatma Gandhi, Justice, Human rights, Independence struggle 5. Tranfer of power, Poorna Swaraj, Freedom, Leadership, Non-violent struggle, Indian Union Document ID: INL-1947 (J-D) Vol-II (04)




The Orissan Art of Weaving


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