Animals in Far Eastern Art


Book Description




Metalwork in Medieval Islamic Art


Book Description




The Connoisseur


Book Description




Animals in Art


Book Description

Representations of animals in painting sculpture and drawings, from the prehistoric Lascaux caves to the masterpieces of today.




Early Art of the Northern Far East


Book Description




Art of Islam


Book Description

Islamic art is not the art of a nation or of a people, but that of a religion: Islam. Spreading from the Arabian Peninsula, the proselyte believers conquered, in a few centuries, a territory spreading from the Atlantic to the Indian Ocean. Multicultural and multi-ethnical, this polymorphic and highly spiritual art, in which all representation of Man and God were prohibited, developed canons and various motives of great decorative value. Thorough and inventive, these artists expressed their beliefs by creating monumental masterpieces such as the Al-Aqsa mosque in Jerusalem, the Taj Mahal in Agra and the Alhambra in Granada, architectural works in which one recognises the stylisation of motives of the Muslim ceramics. Lively and coloured, Islamic art mirrors the richness of these people whose common denominator was the belief in one singular truth: the absolute necessity of creating works whose beauty equaled their respect for God.




Ottomans Looking West?


Book Description

The 'Tulip Age', a concept that described the beginning of the Ottoman Empire's westward inclination in the eighteenth century, was an idea proposed by Ottoman historian Ahmed Refik in 1912. In the first reassessment of the origins of this concept, Can Erimtan argues the 'Tulip Age' was an important template for various political and ideological concerns of early twentieth century Turkish governments. The concept is most reflective of the 1930s Republican leadership's attempt to disengage Turkey's population from its Islamic culture and past, stressing the virtues of progress, modernity and secularism. It was only the death of Ataturk in 1938 that precipitated a hesitant revival of Islam in Turkey's public life and a state-sponsored re-invigoration of research into Turkey's Ottoman past. In this exciting reassessment Erimtan shows us that the trope of the 'Tulip Age' corresponds more to Turkish society's desire to re-orientate itself to the Occident throughout the twentieth century rather than to early eighteenth-century Ottoman realities.




Sacred Animals of India


Book Description

Animals are worshipped in India in many ways: as deities—the elephant-god Ganesha and the monkey-god Hanuman; as avatars—like Vishnu’s fish, tortoise and boar forms; and as vahanas—the swan, bull, lion and tiger were all vehicles of major deities and are thus sacred by association. Some animals, like the snake, are worshipped out of fear. Birds such as the crow are associated with the abode of the dead, or the souls of ancestors, while the cow’s sanctity may derive from its economic value. There are also hero-animals, such as the vanaras, and animals which were totemic symbols of tribes that were assimilated into Vedic Hinduism. Sacred Animals of India draws on the ancient religious traditions of India—Hinduism, Buddhism and Jainism—to explore the customs and practices that engendered the veneration of animals in India. This book also examines the traditions that gave animals in India protection, and is a reminder of the role of animal species in the earth’s biodiversity.