Animal Figures in the Maya Codices


Book Description




Animal Figures in the Maya Codices


Book Description

In 'Animal Figures in the Maya Codices,' readers are afforded a meticulous exploration into the rich tapestry of Mesoamerican literary tradition, with a keen focus on the depiction and symbolism of animals within Maya literature. The collection stands as a paramount anthology that delves into the diverse literary styles and themes prevalent in Pre-Columbian texts, highlighting the profound relationship between the Maya civilization and their natural environment. This anthology is marked by its comprehensive coverage and the significant intricacies of animal symbolism in Maya culture, drawing on the expansive knowledge and interpretative skills of its editors to illuminate this aspect of Maya literature. The editors, Alfred M. Tozzer and Glover M. Allen, bring to the collection a wealth of expertise in anthropology and zoology respectively, harmonizing their interdisciplinary approaches to decode the complex symbolism embedded in the codices. Their backgrounds are instrumental in shedding light on the intertwined nature of cultural and biological narratives within Maya society, situating the anthology at the confluence of historical, cultural, and literary movements. This collaboration enriches the anthology, broadening our comprehension of ancient Maya thought and the role of animals in their cosmology. This anthology is an exemplary resource for both enthusiasts and scholars of Mesoamerican studies, offering a singular opportunity to immerse in the multifaceted narrative of Maya literary and cultural traditions. Readers are invited to traverse the symbolic and literal landscapes portrayed in the codices, gaining unique insights into the environmental and spiritual ethos of the ancient Maya. 'Animal Figures in the Maya Codices' does not only serve as a testament to the sophisticated symbology of an ancient civilization but also as a bridge connecting the past with contemporary inquiries into the human-animal relationship and the wider natural world.




Carving Wild Animals


Book Description

Introduces carving tools and techniques, and shows how to carve a weasel, squirrel, rabbit, skunk, wolf, bear, raccoon, fox, badger, beaver, and deer




Ceramics for Beginners


Book Description

An easy-to-follow beginner's workshop in creating the human form and self-supporting, standing animals in clay simple. This revised and updated edition includes 4 new projects.




Animal Capital


Book Description

The juxtaposition of biopolitical critique and animal studies--two subjects seldom theorized together--signals the double-edged intervention of Animal Capital. Nicole Shukin pursues a resolutely materialist engagement with the "question of the animal," challenging the philosophical idealism that has dogged the question by tracing how the politics of capital and of animal life impinge on one another in market cultures of the twentieth and early twenty-first centuries.




Creating Lifelike Figures in Polymer Clay


Book Description

Katherine Dewey's expressive and elegantly detailed sculptures enchant all who see them. With the magical medium of polymer clay and this book, you can follow in her footsteps. Thorough instructions supported by more than 400 step-by-step color photos and 200 detailed drawings cover the entire process of sculpting realistic figures, from selecting clay and gathering essential tools to the basics of modeling the human figure, to incorporating poses, facial expressions, ethnic and gender subtleties, costumes, and painted finishing touches. Easy-to-read maps of the figure illustrate the landmarks of the body, while scale diagrams indicate the simple shapes hidden within the human form, as well as how to combine and model those shapes. For anyone who loves fantasy, romance, nature—or sophisticated crafting—this book is a must-have.




Summaries of Tariff Information


Book Description




Newfoundland mummers' Christmas house-visit


Book Description

An examination of the practice of mummery in Newfoundland including a discussion of mummering time, groups, costumes, and behaviour. The author argues that mummery reflects cultural values and is a ritual response to a liminal state.




Prehistoric Painting Of Bhimbetka


Book Description

Prehistoric Rock Paintings Of Bhimbetka By Dr. Yashodhar Mathpal Is The First Exhaustive Study Of A Single Rock Art Site In India. It Covers The Entire Art Activity In The Form Of Paintings Found In 133 Caves At Bhimbetka, Central India, The Largest Concentration Of Rock Paintings In The Country. For The First Time Copies Of Prehistoric Cave Paintings Have Been Made On The Spot, In Original Colour, To Scale And With Original Background. All The Superimpositions Of Figures Have Been Copied. For The First Time Indian Rock Paintings Are Dated 10,000 Years Back On The Firm Ground Of The Archaeological Findings From The Excavations Of Painted Caves. For The First Time Indian Rock Paintings Have Been Studied In Their Historical Perspective. For Example, The First Discovery Of Rock Paintings Was Made In India 12 Years Before Their Discovery Of Altamira In Spain. India Is Also The First Country To Recognize The Antiquity Of Rock Paintings. For The First Time Too The Maximum Literary, Ethnologic And Archaeological Evidences Have Been Researched For Evidence Of Drawing Material, Motivation And The Antiquity Of Rock Paintings. In His Foreword To This Monumental Work Professor H.D. Sankalia Says: This Work Is Unique Because For The First Time Prehistoric Indian Paintings Are Evaluated By A Scholar Who Is Artist By Nature And Training And A Trained Prehistorian, And Thus Eminently Qualified To Write On The Subject.




Animals and Other People


Book Description

In Animals and Other People, Heather Keenleyside argues for the central role of literary modes of knowledge in apprehending animal life. Keenleyside focuses on writers who populate their poetry, novels, and children's stories with conspicuously figurative animals, experiment with conventional genres like the beast fable, and write the "lives" of mice as well as men. From such writers—including James Thomson, Daniel Defoe, Jonathan Swift, Laurence Sterne, Anna Letitia Barbauld, and others—she recovers a key insight about the representation of living beings: when we think and write about animals, we are never in the territory of strictly literal description, relying solely on the evidence of our senses. Indeed, any description of animals involves personification of a sort, if we understand personification not as a rhetorical ornament but as a fundamental part of our descriptive and conceptual repertoire, essential for distinguishing living beings from things. Throughout the book, animals are characterized by a distinctive mode of agency and generality; they are at once moving and being moved, at once individual beings and generic or species figures (every cat is also "The Cat"). Animals thus become figures with which to think about key philosophical questions about the nature of human agency and of social and political community. They also come into view as potential participants in that community, as one sort of "people" among others. Demonstrating the centrality of animals to an eighteenth-century literary and philosophical tradition, Animals and Other People also argues for the importance of this tradition to current discussions of what life is and how we might live together.