Animating Space


Book Description

Animators work within a strictly defined, limited space that requires difficult artistic decisions. The blank frame presents a dilemma for all animators, and the decision of what to include and leave out raises important questions about artistry, authorship, and cultural influence. In Animating Space: From Mickey to WALL-E, renowned scholar J. P. Telotte explores how animation has confronted the blank template, and how responses to that confrontation have changed. Focusing on American animation, Telotte tracks the development of animation in line with changing cultural attitudes toward space and examines innovations that elevated the medium from a novelty to a fully realized art form. From Winsor McCay and the Fleischer brothers to the Walt Disney Company, Warner Bros., and Pixar Studios, Animating Space explores the contributions of those who invented animation, those who refined it, and those who, in the current digital age, are using it to redefine the very possibilities of cinema.




Animating Space


Book Description

'Animating Space' explores how animation has evolved in line with changing cultural attitudes, as well as examining the innovations that have helped raise the medium from a novelty to a fully-fledged art form.




If I Were an Astronaut


Book Description

Discusses activities astronauts do while they're in space.




Animate(d) Architecture


Book Description

At their peak, architectural marvels such as the Sagrada Família, the Tower of London, the Mosque–Cathedral of Córdoba, and the Eiffel tower, had a combined annual visit of almost 16.4 million people. The animated icebound castle in Disney’s (2019) Frozen had 116.4 million views, from one single YouTube trailer, in less than 24 hours. The spaces of such massively consumed animation have for generations informed the architectural imagination of people across the globe and from very early in their lives. Yet, not only have the architectural disciplines remained rather absent in the design of these massively consumed spaces, architectural theory has likewise failed to articulate a framework to approach the architecture of animation. To address this void, this book offers an interdisciplinary approach to survey the role of space in animation, including in creating humorous moments in early cartoon shorts, generating action and suspense in Japanese anime, and even stimulating erotic pleasure in pornographic Hentai. Exploring the imagined architecture of animation, from early motion picture to digital animation and from computer graphics to game engines, offers an analytical frame to reconceptualize space.




The Animation Studies Reader


Book Description

The Animation Studies Reader brings together both key writings within animation studies and new material in emerging areas of the field. The collection provides readers with seminal texts that ground animation studies within the contexts of theory and aesthetics, form and genre, and issues of representation. The first section collates key readings on animation theory, on how we might conceptualise animation, and on some of the fundamental qualities of animation. New material is also introduced in this section specifically addressing questions raised by the nature, style and materiality of animation. The second section outlines some of the main forms that animation takes, which includes discussions of genre. Although this section cannot be exhaustive, the material chosen is particularly useful as it provides samples of analysis that can illuminate some of the issues the first section of the book raises. The third section focuses on issues of representation and how the medium of animation might have an impact on how bodies, gender, sexuality, race and ethnicity are represented. These representations can only be read through an understanding of the questions that the first two sections of the book raise; we can only decode these representations if we take into account form and genre, and theoretical conceptualisations such as visual pleasure, spectacle, the uncanny, realism etc.




Samurai from Outer Space


Book Description

Why are Westerners of all ages now so fascinated by Japanese animated films, movies made purely by Japanese animators for Japanese audiences? The U.S. audience for Japanese animation ranges from millions who don't even know that what they're watching is Japanese, to the growing anime cult, with anime fan clubs on almost every college campus, as well as anime fan magazines and social anime sections in video stores. In Samurai from Outer Space, Antonia Levi uncovers the hidden meaning of Japanese animation: the symbols and stories drawn from Shinto, Buddhism, and Japanese art - the things that Western viewers will overlook unless they are pointed out. With 20 color illustrations, Samurai from Outer Space is both an introduction for beginners and a goldmine of information for the already addicted.




Re-Imagining Animation: The Changing Face of the Moving Image


Book Description

What’s new in animation? Find out! * Works from artists, animators, film-makers, scholars, archivists * Ideal for serious students of film making and animation In this detailed look at animation today, a series of intriguing case studies are explored from production to final outcome. Each one is considered in terms of meaning, purpose, and effect, then put into context as part of today’s animation culture. Hundreds of illustrations make it easy to follow experimental work from script to screen, exploring the intersections between animation, film, graphic design, and art. With insights from leading U.K. authors on animation, as well as Oscar-winning animators, artists, film makers, scholars, and archivists, Re-Imagining Animation offers the definitive look at animation today.




Cartoon Vision


Book Description

In Cartoon Vision Dan Bashara examines American animation alongside the modern design boom of the postwar era. Focusing especially on United Productions of America (UPA), a studio whose graphic, abstract style defined the postwar period, Bashara considers animation akin to a laboratory, exploring new models of vision and space alongside theorists and practitioners in other fields. The links—theoretical, historical, and aesthetic—between animators, architects, designers, artists, and filmmakers reveal a specific midcentury modernism that rigorously reimagined the senses. Cartoon Vision invokes the American Bauhaus legacy of László Moholy-Nagy and György Kepes and advocates for animation’s pivotal role in a utopian design project of retraining the public’s vision to better apprehend a rapidly changing modern world.




Personal Space Camp


Book Description

Teaching children the concepts of personal space. Louis is back! And this time, he's learning all about personal space. When Louis, the world's self-proclaimed space expert, is invited to Personal Space Camp by the school principal, he soon learns that personal space really isn't about lunar landings, Saturn's rings, or space ice cream. Written with style, wit, and rhythm, Personal Space Camp addresses the complex issue of respect for another person's physical boundaries. Told from Louis' perspective, this story is a must have resource for parents, teachers, and counselors who want to communicate the idea of personal space in a manner that connects with kids.




Light: The Shape of Space


Book Description

Light: The Shape of Space Designing with Space and Light Lou Michel Every design professional who touches a space shapes the light and the feeling of that space. Architect, lighting engineer, interior designer, lighting or home furnishing manufacturer: each contributes an aesthetic layer, sometimes yielding unexpected results. All too often the best laid plans of one professional are unintentionally subverted by another. Removing surprises and guess work from design, Lou Michel, honored architectural lighting educator, has created Light: The Shape of Space, showing how to design with the effects of light rather than light itself. The book is a revolutionary resource for all design professionals and manufacturers of surfacing materials. Drawing on over fifteen years’ experience of research and teaching in the architectural Space and Light Laboratory at The University of Kansas, Michel masterfully examines the interrelationship of lighting and the design of architectural space as perceived not in architectural photos or paint chips and fabric swatches, but by human vision — the gateway to emotional response. The book was written for professionals who care about how people feel in the spaces they design, and focuses on the humanization of architecture. Taking a non-stylistic approach to design, Michel analyzes architecture from the perspective of how the users see their surroundings as they move through space. The reader will learn what pleases and what disturbs people based on how the human visual system responds to color, texture, pattern, and brightness. The book features principles of design for the student and professional, and is generously supported by illustrations and research. Michel also provides a method for evaluating the visual effectiveness of building materials and lighting systems, including those that will appear on the market long after this book is dog-eared. Michel unveils a groundbreaking luminance brightness rating system (LBR) and a nine-zone brightness scale to aid designers in previsualizing the appearance of surfacing materials at every stage of the design process, from schematics to development to refinement. Among the topics treated are: the interaction of lighting and spatial design color theory for space and light the luminance relationships between free-standing objects and the surrounding spatial boundaries against which they are seen the appearance of building materials in color and brightness when modified by light and spatial location lighting spatial connections, including the perception of rooms adjacent to the observer lighting and perception of spaces screened by architectural grilles creating lighted space Designing with the effects of light is both an art and a science. No other book on the market bridges that gap as successfully as Light: The Shape of Space.