The Parthenon Sculptures


Book Description

The Parthenon sculptures in the British Museum are unrivaled examples of classical Greek art, an inspiration to artists and writers since their creation in the fifth century bce. A superb visual introduction to these wonders of antiquity, this book offers a photographic tour of the most famous of the surviving sculptures from ancient Greece, viewed within their cultural and art-historical context. Ian Jenkins offers an account of the history of the Parthenon and its architectural refinements. He introduces the sculptures as architecture--pediments, metopes, Ionic frieze--and provides an overview of their subject matter and possible meaning for the people of ancient Athens. Accompanying photographs focus on the pediment sculptures that filled the triangular gables at each end of the temple; the metopes that crowned the architrave surmounting the outer columns; and the frieze that ran around the four sides of the building, inside the colonnade. Comparative images, showing the sculptures in full and fine detail, bring out particular features of design and help to contrast Greek ideas with those of other cultures. The book further reflects on how, over 2,500 years, the cultural identity of the Parthenon sculptures has changed. In particular, Jenkins expands on the irony of our intimate knowledge and appreciation of the sculptures--a relationship far more intense than that experienced by their ancient, intended spectators--as they have been transformed from architectural ornaments into objects of art.




The Inheritance


Book Description

Elizabeth A. Povinelli’s inheritance was passed down not through blood or soil but through a framed map of Trentino, Alto Adige—the region where family's ancestral alpine village is found. Far more than a map hanging above the family television, the image featured colors and lines that held in place the memories and values fueling the Povinelli family's fraught relationships with the village and with each other. In her graphic memoir The Inheritance, Povinelli explores the events, traumas, and powers that divide and define our individual and collective pasts and futures. Weaving together stories of her grandparents' flight from their village in the early twentieth century to the fortunes of their knife-grinding business in Buffalo, New York, and her own Catholic childhood in a shrinking Louisiana woodlands of the 1960s and 1970s, Povinelli describes the serial patterns of violence, dislocation, racism and structural inequality that have shaped not only her life but the American story. Plumbing the messy relationships among nationality, ethnicity, kinship, religion, and belonging, The Inheritance takes us into the gulf between the facts of history and the stories we tell ourselves to survive and justify them.







Museum News


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Solo Show


Book Description

SOLO SHOW is a research-based exhibition project initiated by artist Natascha Sadr Haghighian upon MAMbo's invitation to present a one-person show in its premises. SOLO SHOW was developed by Sadr Haghighian jointly with mixedmedia berlin, a Berlin production company. mixedmedia berlin produces works for well-established, international artists but usually stays unnamed and invisible to the public. On the occasion of SOLO SHOW the artist collaborated with mixedmedia berlin's head, Uwe Schwarzer, to create a project that reflects on the terms of production in contemporary art. By inventing a fictional artist named Robbie Williams (the artist, not singer) and premiering at MAMbo hisfirst museum presentation, the exhibition project conceived by Sadr Haghighian with mixedmedia berlin renders the ways of producing art with a production company discernible as well as scrutinizes the myth of the 'Solo Artist'. The exhibition is divided into two separate halves with entrances from opposite ends. The introductory wall text indicates the first exhibition as the solo show of Robbie Williams while the second carries a list of over 50 names. Five objects that resemble jumping fences for a show jumping are installed in the first space. The other space is empty apart from a set of eight speakers that play the moving sound of a horse galloping around the room and jumping over imaginary fences. SOLO SHOW is at once a fictional solo show and its own deconstruction. It reflects on the critical contradictions and narrative potentialities of this specific exhibition format within the context of contemporary artistic practices and investigates the solo show's ambiguous role within the institutional framework, the art market and its increasing demand for the huge and spectacular. A new artist book was published by Koenig Books London to coincide with SOLO SHOW including documentation and contributions by Natascha Sadr Haghighian, exhibition curator Andrea Viliani, Seda Naiumad (for the critic and curator Tirdad Zolghadr), as well as two extended conversations respectively with Uwe Schwarzer and the fictional artist Robbie Williams.




Musical News


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Trusting Viktor


Book Description

Betting her life savings on a risky offshore natural gas enterprise, brilliant geologist Cleo Cooper has high hopes for a big payday. But a violent attack onboard the drillship darkens Cleo's optimism. Days later, a man washes up on the coast near the drill sight, but is it the man who assaulted Cleo? When Viktor, a promising young Russian geologist is hired as the dead man's replacement, Cleo isn't sure if he's friend or foe. The truth seems to be lurking beneath the surface, and as she gets closer to it, Cleo begins to wonder if she's standing between a murderer and a treasure worth killing for. Praise: "A breezily entertaining whodunit."—Publishers Weekly "[A] fun read."—Mystery Scene




Arts & Decoration


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Make Good the Promises


Book Description

The companion volume to the Smithsonian’s National Museum of African American History and Culture exhibit, opening in September 2021 With a Foreword by Pulitzer Prize-winning author and historian Eric Foner and a preface by veteran museum director and historian Spencer Crew An incisive and illuminating analysis of the enduring legacy of the post-Civil War period known as Reconstruction—a comprehensive story of Black Americans’ struggle for human rights and dignity and the failure of the nation to fulfill its promises of freedom, citizenship, and justice. In the aftermath of the Civil War, millions of free and newly freed African Americans were determined to define themselves as equal citizens in a country without slavery—to own land, build secure families, and educate themselves and their children. Seeking to secure safety and justice, they successfully campaigned for civil and political rights, including the right to vote. Across an expanding America, Black politicians were elected to all levels of government, from city halls to state capitals to Washington, DC. But those gains were short-lived. By the mid-1870s, the federal government stopped enforcing civil rights laws, allowing white supremacists to use suppression and violence to regain power in the Southern states. Black men, women, and children suffered racial terror, segregation, and discrimination that confined them to second-class citizenship, a system known as Jim Crow that endured for decades. More than a century has passed since the revolutionary political, social, and economic movement known as Reconstruction, yet its profound consequences reverberate in our lives today. Make Good the Promises explores five distinct yet intertwined legacies of Reconstruction—Liberation, Violence, Repair, Place, and Belief—to reveal their lasting impact on modern society. It is the story of Frederick Douglass, Frances Ellen Watkins Harper, Hiram Revels, Ida B. Wells, and scores of other Black men and women who reshaped a nation—and of the persistence of white supremacy and the perpetuation of the injustices of slavery continued by other means and codified in state and federal laws. With contributions by leading scholars, and illustrated with 80 images from the exhibition, Make Good the Promises shows how Black Lives Matter, #SayHerName, antiracism, and other current movements for repair find inspiration from the lessons of Reconstruction. It touches on questions critical then and now: What is the meaning of freedom and equality? What does it mean to be an American? Powerful and eye-opening, it is a reminder that history is far from past; it lives within each of us and shapes our world and who we are.