Annual Bibliography of Modern Art
Author : Museum of Modern Art (New York, N.Y.). Library
Publisher :
Page : 418 pages
File Size : 43,40 MB
Release : 2001
Category : Art, Modern
ISBN :
Author : Museum of Modern Art (New York, N.Y.). Library
Publisher :
Page : 418 pages
File Size : 43,40 MB
Release : 2001
Category : Art, Modern
ISBN :
Author :
Publisher :
Page : 2132 pages
File Size : 42,7 MB
Release : 1994
Category : American literature
ISBN :
Author :
Publisher :
Page : 350 pages
File Size : 50,81 MB
Release : 1992
Category : Bibliography
ISBN :
Author :
Publisher : National Library Australia
Page : 1818 pages
File Size : 25,97 MB
Release : 1961
Category :
ISBN :
Author :
Publisher :
Page : 3126 pages
File Size : 18,42 MB
Release : 1997
Category : American literature
ISBN :
Author : Tom McNulty
Publisher : McFarland
Page : 333 pages
File Size : 47,78 MB
Release : 2013-12-19
Category : Art
ISBN : 1476613974
This book is for art market researchers at all levels. A brief overview of the global art market and its major stakeholders precedes an analysis of the various sales venues (auction, commercial gallery, etc.). Library research skills are reviewed, and advanced methods are explored in a chapter devoted to basic market research. Because the monetary value of artwork cannot be established without reference to the aesthetic qualities and art historical significance of our subject works, two substantial chapters detail the processes involved in researching and documenting the fine and decorative arts, respectively, and provide annotated bibliographies. Methods for assigning values for art objects are explored, and sources of price data, both in print and online, are identified and described in detail. In recent years, art historical scholarship increasingly has addressed issues related to the history of art and its markets: a chapter on resources for the historian of the art market offers a wide range of sources. Finally, provenance and art law are discussed, with particular reference to their relevance to dealers, collectors, artists and other art market stakeholders.
Author : Kirk Varnedoe
Publisher : ABRAMS
Page : 468 pages
File Size : 39,62 MB
Release : 1990
Category : Architecture
ISBN :
Readins in high & low
Author : Lois Swan Jones
Publisher : Routledge
Page : 762 pages
File Size : 44,91 MB
Release : 2013-12-16
Category : Social Science
ISBN : 1135933456
In the first book of its kind, art information expert Lois Swan Jones discusses how to locate visual and textual information on the Internet and how to evaluate and supplement that information with material from other formats--print sources, CD-ROMS, documentary videos, and microfiche sets--to produce excellent research results. The book is divided into three sections: Basic Information Formats; Types of Websites and How to Find Them; and How to Use Web Information. Jones discusses the strengths and limitations of Websites; scholarly and basic information resources are noted; and search strategies for finding pertinent Websites are included. Art Information and the Internet also discusses research methodology for studying art-historical styles, artists working in various media, individual works of art, and non-Western cultures--as well as art education, writing about art, problems of copyright, and issues concerning the buying and selling of art. This title will be periodically updated.
Author : National Library of Australia
Publisher : National Library Australia
Page : 1976 pages
File Size : 23,47 MB
Release : 1988
Category : Australia
ISBN :
Author : Alexandra Moschovi
Publisher : Leuven University Press
Page : 332 pages
File Size : 39,11 MB
Release : 2020-12-15
Category : Photography
ISBN : 946270242X
The first transnational history of photography’s accommodation in the art museum Photography was long regarded as a “middle-brow” art by the art institution. Yet, at the turn of the millennium, it became the hot, global art of our time. In this book—part institutional history, part account of shifting photographic theories and practices—Alexandra Moschovi tells the story of photography’s accommodation in and as contemporary art in the art museum. Archival research of key exhibitions and the contrasting collecting policies of MoMA, Tate, the Guggenheim, the V&A, and the Centre Pompidou offer new insights into how art as photography and photography as art have been collected and exhibited since the 1930s. Moschovi argues that this accommodation not only changed photography’s status in art, culture, and society, but also played a significant role in the rebranding of the art museum as a cultural and social site.