Yellow Steel


Book Description

In Yellow Steel, the first overarching history of the earthmoving equipment industry, William Haycraft examines the tremendous increase in the scope of mining and construction projects, from the Suez Canal through the interstate highway system, made possible by innovations in earthmoving machinery. Led by Cyrus McCormick's invention in 1831 of a practical mechanical reaper, many of the builders of today's massive earthmoving machines began as makers of reapers, plows, threshers, and combines. Haycraft traces the efforts of manufacturers such as Caterpillar, Allis-Chalmers, International Harvester, J. I. Case, Deere, and Massey-Ferguson to diversify from farm equipment to specialized earthmoving equipment and the important contributions of LeTourneau, Euclid, and others in meeting the needs of the construction and mining industries. He shows how postwar economic and political events, especially the creation of the interstate highway system, spurred the development of more powerful and more agile machines. He also relates the precipitous fall of several major American earthmoving machine companies and the rise of Japanese competitors in the early 1980s. Extensively illustrated and packed with detailed information on both manufacturers and machines, Yellow Steel knits together the diverse stories of the many companies that created the earthmoving equipment industry--how they began, expanded, retooled, merged, succeeded, and sometimes failed. Their history, a step-by-step linking of need and invention, provides the foundation for virtually all modern transportation, construction, commerce, and industry.




Fossil Energy Update


Book Description







Expressions of Mercy


Book Description

This publication tells the history of the Mater Misericordiae hospitals, from their gestation in the minds of a remarkable group of women, the Sisters of Mercy, to their eminence in health care in Queensland. The story of the hospitals is told against a backdrop of social, political and medical changes.







Canadian International Development Assistance Policies


Book Description

For 25 years Canadians have argued whether the Canadian International Development Agency is the primary vehicle for helping basic human and development needs of the poorest countries and people, or a tool for commercial exploitation and foreign policy. Contributors from the government, development organizations, and academia analyze the components of Canadian aid, the issues the agency has to deal with, and the pressures it responds to. Annotation copyright by Book News, Inc., Portland, OR







The Depository Trust Company


Book Description

The Depository Trust Company reports the early 1970s origin and evolution of The Depository Trust Company (DTC), the world's largest securities depository, and how it became the basis of The Depository Trust & Clearing Corporation (DTCC) in 1999. It describes the basic policies and company culture of DTC and DTCC and shows how these organizations made the clearance and settlement of virtually all trades in U.S. equity, corporate debt, and municipal securities more accurate and less costly, obliterating through automation the conditions that created the Wall Street "paperwork crisis" of the late 1960s.




Alison and Peter Smithson


Book Description

Striving to adapt the progressive ideas of the pre-war modern movement to the specific human needs of post-war reconstruction, Alison and Peter Smithson were among the most influential and controversial architects of the latter half of the twentieth century. As younger members of CIAM (Congrès Internationaux d'Architecture Moderne) and as founding members of Team 10 they were at the heart of the debate on the future course of Modern Architecture. Their polemics and designs - addressing issues such as the rising consumer society and the orientation of urban planning - laid the foundations for New Brutalism and the Pop Art Movement of the 1960s. An important adaptation made by the Smithsons and their generation was the rejection of modernism's machine aesthetics. The new notions of place and territory were juxtaposed to Le Corbusier's machine à habiter. To the Smithsons a house was a particular place, which should be suited to its location and able to meet the ordinary requirements of everyday life and to accommodate its inhabitants' individual patterns of use. This exhibition examines the evolution of the Smithsons' approach to this everyday "art of inhabitation." It does this by extensively documenting most of their designs for individual dwellings, especially their optimistic House of the Future of 1956 and the series of renovations of and additions to the fairy-tale-like Hexenhaus in Germany from the late 1980s onward