Humor of the Old Southwest


Book Description

During the early part of the nineteenth century, the Southwestern frontier moved from North Carolina, South Carolina, and Georgia, through Alabama, Tennessee, and Mississippi, to Missouri, Arkansas and Louisiana. Using a variety of styles and subjects, humorists in the frontier states of the Southwest wrote tall tales and humorous stories that made use of dialect and emphasized cruelty, violence, and depravity, in rebellion against the sentimental morality of conventional literature. Such tales flourished from 1835 through 1861 and helped buffer the pioneers during their everyday hardships. The humorists' stories, though exaggerated, were often rooted in the real characters and incidents of the frontier and as such serve as a social history of the period. Many of these stories were originally published in local newspapers and reprinted in William T. Porter's Spirit of the Times. Although the popularity of this type of humor died out with the beginning of the Civil War, its influences can be seen in the works of Mark Twain, William Faulkner, Flannery O'Connor, and Thomas Wolfe. The bibliography lists works about Southwest humor in general and by and about nine major humorists including David Crockett, Joseph Glover Baldwin, George Washington Harris, Johnson Jones Hooper, Henry Clay Lewis, Augustus Baldwin Longstreeet, Charles Fenton Mercer Noland, William Tappan Thompson, and Thomas Bangs Thorpe. These two main sections are supplemented by author and general subject indices. As the first book-length bibliography in this field, Humor of the Old Southwest will make a useful tool in academic libraries and will find a place in collections of folklore, American literature, and humor.
















Fetching the Old Southwest


Book Description

"For more than a quarter-century, despite the admirable excavations that have unearthed such humorists as John Gorman Barr and Marcus Lafayette, the most significant of the humorists from the Old Southwest have remained the same: Crockett, Longstreet, Thompson, Baldwin, Thorpe, Hooper, Robb, Harris, and Lewis. Forming a kind of shadow canon in American literature that led to Mark Twain's early work, from 1834 to 1867 these authors produced a body of writing that continues to reward attentive readers." "James H. Justus's Fetching the Old Southwest examines this writing in the context of other discourses contemporaneous with it: travel books, local histories, memoirs, and sports manuals, as well as unpublished private forms such as personal correspondence, daybooks, and journals. Like most writing, humor is a product of its place and time, and the works studied herein are no exception. The antebellum humorists provide an important look into the social and economic conditions that were prevalent in the southern "new country," a place that would, in time, become the Deep South." "While previous books about Old Southwest humor have focused on individual authors, Justus has produced the first critical study to encompass all of the humor from this time period. Teachers and students of literary history will appreciate the incredible range of documentation, both primary and secondary."--BOOK JACKET. Title Summary field provided by Blackwell North America, Inc. All Rights Reserved.




Southern Literary Culture


Book Description




A Connecticut Yankee in King Arthur's Court


Book Description

A Connecticut Yankee in King Arthur's Court is an 1889 novel by American humorist and writer Mark Twain. The book was originally titled A Yankee in King Arthur's Court. Some early editions are titled A Yankee at the Court of King Arthur. In the book, a Yankee engineer from Connecticut named Hank Morgan receives a severe blow to the head and is somehow transported in time and space to England during the reign of King Arthur. After some initial confusion and his capture by one of Arthur's knights, Hank realizes that he is actually in the past, and he uses his knowledge to make people believe that he is a powerful magician. He attempts to modernize the past in order to make people's lives better, but in the end he is unable to prevent the death of Arthur and an interdict against him by the Catholic Church of the time, which grows fearful of his power. Twain wrote the book as a burlesque of Romantic notions of chivalry after being inspired by a dream in which he was a knight himself, severely inconvenienced by the weight and cumbersome nature of his armor. It is a satire of feudalism and monarchy that also celebrates homespun ingenuity and democratic values while questioning the ideals of capitalism and outcomes of the Industrial Revolution. It is among several works by Twain and his contemporaries that mark the transition from the Gilded Age to the Progressive Era of socioeconomic discourse. The novel is a comedy that sees sixth-century England and its medieval culture through Hank Morgan's view he is a nineteenth-century resident of Hartford, Connecticut, who, after a blow to the head, awakens to find himself inexplicably transported back in time to early medieval England where he meets King Arthur himself. Hank, who had an image of that time that had been colored over the years by romantic myths, takes on the task of analyzing the problems and sharing his knowledge from 1300 years in the future to try to modernize, Americanize, and improve the lives of the people