Anthems and the Making of Nation States


Book Description

Anthems are symbolic means through which nations present themselves to the world. Accordingly, creating seven new nation states out of the bones of Yugoslavia required new anthems. Why did these new states opt for century-old national songs or, failing this, for the anthems without words? What are the images and symbols that each of these states chose as their 'national signatures' and how were these chosen? This book explores a variety of images of nationhood (or the absence of them) in the lyrics of the official anthems and of competing national songs and traces their historical trajectory from the time of their conception to their legal entrenchment. This is the first full-length study into the symbolic representations of nationhood in the recently created nation states of the Balkans."




Anthems and the Making of Nation States


Book Description

'Live, live the spirit of the Slavs' (1834) : 'Hey Slavs' from 1942 to 2006 -- Loving one's homeland : Croatia 1835 -- A toast to a cosmopolitan nation : Slovenia 1844 -- Praying for one's people : Serbia 1872 -- A love of mountains and mothers : Montenegro 1836(?) -- A fight for rights : Macedonia 1941 -- To sing or not to sing? Anthems and anti-anthems : Bosnia and Herzegovina 1995/99 -- Wishing to be one with Europe : Kosobo 2008 -- Epilogue : what do these anthems tell us?.




Poems of Nation, Anthems of Empire


Book Description

In Poems of Nation, Anthems of Empire, Suvir Kaul argues that the aggressive nationalism of James Thomson's ode "Rule, Britannia " (1740) is the condition to which much English poetry of the late seventeenth and eighteenth centuries aspires. Poets as varied as Marvell, Waller and Dryden, Defoe, Addison, John Dyer and Edward Young, or Goldsmith, Cowper, Hannah More and Anna Laetitia Barbauld, all wrote poems deeply engaged with the British-nation-in-the-making. These poets, and many others like them, recognized that the nation and its values and institutions were being defined by the expansion of overseas trade, naval and military control, plantations and colonies. Their poems both embodied, and were concerned about, the culture and ideology of "Great Britain" (itself an idea of the nation that developed alongside the formation of a British Empire). Poems in this period thus flaunt various images of poetic inspiration that show poetry and culture following triumphantly where mercantile and military ships sail. Or sometimes, more self-aggrandizingly for the poet, they enact the process by which the Muses use their powers to inspire and show the way. Even at their most hesitant, these poems were written as interventions into public discussion; their creativity is tied up with that desire to convince and persuade. Finally, as Kaul writes, it is their encyclopedic desire to incorporate new experiences, visions, and values that makes these poems such fine guides to the world of poetry in the long years in which "Great Britain" was consolidated as an empire, at home and abroad.







Songs of America


Book Description

NEW YORK TIMES BESTSELLER • A celebration of American history through the music that helped to shape a nation, by Pulitzer Prize winner Jon Meacham and music superstar Tim McGraw “Jon Meacham and Tim McGraw form an irresistible duo—connecting us to music as an unsung force in our nation's history.”—Doris Kearns Goodwin Through all the years of strife and triumph, America has been shaped not just by our elected leaders and our formal politics but also by our music—by the lyrics, performers, and instrumentals that have helped to carry us through the dark days and to celebrate the bright ones. From “The Star-Spangled Banner” to “Born in the U.S.A.,” Jon Meacham and Tim McGraw take readers on a moving and insightful journey through eras in American history and the songs and performers that inspired us. Meacham chronicles our history, exploring the stories behind the songs, and Tim McGraw reflects on them as an artist and performer. Their perspectives combine to create a unique view of the role music has played in uniting and shaping a nation. Beginning with the battle hymns of the revolution, and taking us through songs from the defining events of the Civil War, the fight for women’s suffrage, the two world wars, the Great Depression, the civil rights movement, the Vietnam War, and into the twenty-first century, Meacham and McGraw explore the songs that defined generations, and the cultural and political climates that produced them. Readers will discover the power of music in the lives of figures such as Harriet Tubman, Franklin Roosevelt, Eleanor Roosevelt, and Martin Luther King, Jr., and will learn more about some of our most beloved musicians and performers, including Marian Anderson, Elvis Presley, Sam Cooke, Aretha Franklin, Bob Dylan, Duke Ellington, Carole King, Bruce Springsteen, and more. Songs of America explores both famous songs and lesser-known ones, expanding our understanding of the scope of American music and lending deeper meaning to the historical context of such songs as “My Country, ’Tis of Thee,” “God Bless America,” “Over There,” “We Shall Overcome,” and “Blowin’ in the Wind.” As Quincy Jones says, Meacham and McGraw have “convened a concert in Songs of America,” one that reminds us of who we are, where we’ve been, and what we, at our best, can be.




Anthem


Book Description

"An extraordinary, innovative, and generative book." - George Lipsitz, author of How Racism Takes Place




State Making in Asia


Book Description

This volume examines state making projects from an Asian perspective, highlighting the particular combination of institutions and ideologies embedded in the Asian state-making projects and demonstrates their distinctiveness from the Western experience.










The Anthems of East-Central Europe


Book Description

This book juxtaposes national anthems of thirteen countries from central Europe, with the aim of initiating a dialogue among the peoples of East-Central Europe. We tend to perceive a national anthem as a particular mirror, involuntarily reflecting an image of nation and homeland; but how does it represent the community for whom it sounds? To answer this question, the book deploys a comparative approach – anthems are presented in the light of those of neighbouring countries, with the conviction that one of the key features of true Europeanness is good relations between neighbours. The development trajectory of the modern nation is the context in which the book examines the history of such national symbols, alongside the symbolic content of poetry, images of the homeland and nation depicted in the anthems, as well as the sometimes longer processes which led to the adoption and legal codification of current state symbols. The Anthems of East-Central Europe will be a great resource for researchers, journalists, college and university students, politicians trying to impact emigrees from this region and emigrees themselves.