Antiquities of Athens


Book Description

James "Athenian" Stuart and Nicholas Revett's monumental Antiquities of Athens was the first accurate survey of ancient Greek architecture ever completed. Based on precise measured drawings done at the sites of the ancient ruins between 1751 and 1754, these books set a new standard for archaeological investigation in the eighteenth century. In doing so, they also transformed our understanding of Greek architecture and by pointing up differences between Greek and Roman examples fundamentally challenged prevailing notions about a universal classical ideal and fueled the Greek Revival movement that dominated British, European, and American architecture and design for over a century. Originally published in four volumes that appeared between 1762 and 1816, Stuart and Revett's masterwork is presented here in its entirety as part of our Classic Reprint series and features a new introduction by scholar Frank Salmon. With its many images of buildings, plans, sculpture, friezes, and decorative objects such as vases, it remains the logical starting point for anyone interested in Athens, Greece, and its influence on the history of Western architecture. Published in association with The Institute of Classical Architecture and Classical America.




The Antiquities of Athens


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The Antiqvities of Athens; V. 1


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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




The Cambridge Companion to Ancient Athens


Book Description

This book is a comprehensive introduction to ancient Athens, its topography, monuments, inhabitants, cultural institutions, religious rituals, and politics. Drawing from the newest scholarship on the city, this volume examines how the city was planned, how it functioned, and how it was transformed from a democratic polis into a Roman urbs.




The Antiquities of Athens


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Letters to Miranda and Canova on the Abduction of Antiquities from Rome and Athens


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Quatremére de Quincy, the most famous art critic at the end of the Enlightenment, published two sets of letters about the role of museums. He first implored them to return works of art to their original settings but later argued in favor of the museum as a place where artworks can be safely stored and made available for artists to study. Immensely contraversial and influential since they were written two centuries ago, Quatremére's texts sum up the most bewildering moment of the debate on museums: did the new institution inauguate the death of art, or bring it to its perfection? This volume offers the first English translation of the letters, as well as an extensive introduction that reveals their content, the reason for their intellectual success, and how they enlarge contemporary disputes about cultural property, national claims and universal beauty.




James 'Athenian' Stuart, 1713-1788


Book Description

The creation of the “Greek style” and its pervasive impact in England and on the Continent during the third quarter of the eighteenth century was largely due to James Stuart’s landmark multi-volume publication Antiquities of Athens, coauthored with Nicholas Revett. Stuart, subsequently known as “Athenian” Stuart, went on to a highly influential career that spanned the fields of architecture, interior decoration, furnishings, sculpture, and metalwork. This lavishly illustrated book is the first to examine Stuart’s multi-dimensional career and the full scope of his contributions as designer, artist, and tastemaker. An international team of scholars consider each area of Stuart’s work, his early training, interest in archaeology, unique network of patrons, poor record for completing projects, and legacy. With illustrations and discussion of the stunning neo-classical furnishings he created at Spencer House, the Greek Doric Temple at Hagley, and numerous other remarkable projects, the book brings Stuart’s achievements to light more clearly than ever before.