Anthony Van Dyck


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Flemish Paintings in the Metropolitan Museum of Art


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Two volumes, including works by the three foremost seventeenth-century Flemish artists{u2014}Rubens, Van Dyck, and Jordaens{u2014}as well as works by their contemporaries. -- Metropolitan Museum of Art website.




Religion and the Senses in Early Modern Europe


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Sensation is the subject of a burgeoning field in the humanities. This volume examines its role in the religious changes and transformations of early modern Europe. Sensation was not only central to the doctrinal disputes of the Reformation, but also critical in shaping new or reformed devotional practices. From this vantage point the book explores the intersections between the world of religion and the spheres of art, music, and literature; food and smell; sacred things and spaces; ritual and community; science and medicine. Deployed in varying, often contested ways, the senses were essential pathways to the sacred. They permitted knowledge of the divine and the universe, triggered affective responses, shaped holy environments, and served to heal, guide, or discipline body and soul. Contributors include Alfred Acres, Barbara Baert, Andrew R. Casper, Wietse de Boer, Sven Dupré, Iain Fenlon, Laura Giannetti, Christine Göttler, Jennifer R. Hammerschmidt, Joseph Imorde, Rachel King, Jennifer Rae McDermott, Walter S. Melion, Matthew Milner, Sarah Joan Moran, Yvonne Petry, and Klaus Pietschmann.




Catalogue


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Flemish Art and Architecture, 1585-1700


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02 This beautifully illustrated book provides a complete overview of the art of the Southern Netherlands from 1585 to 1700. The author examines the development of Flemish and specifically Antwerp painting, the work of Rubens and other leading masters, and the Antwerp tradition of specialization among painters as well as the sculpture and architecture of this period. “A major moment of artistic culture has been magisterially sketched by one of its leading authorities.”—Larry Silver, The Art Book“Consistently rewarding . . . a book that is going to transform how Flemish art is understood.”—Jeremy Wood, Apollo Magazine“As well as examining the output and influence of leading figures such as Rubens and Van Dyke, Vlieghe provides the historical, social and cultural context for the development of history painting and other specializations. . . . This book will attract both the informed and general reader.”—Alison Smith, Art Newspaper“Essential for current study of Belgian art.”—ChoiceHans Vlieghe is professor of art history at the Katholieke Universiteit Leuven (Louvain) and research director of the Belgian Nationaal Fonds voor Wetenschappelijk Onderzoek at the Rubenianum, Antwerp. This beautifully illustrated book provides a complete overview of the art of the Southern Netherlands from 1585 to 1700. The author examines the development of Flemish and specifically Antwerp painting, the work of Rubens and other leading masters, and the Antwerp tradition of specialization among painters as well as the sculpture and architecture of this period. “A major moment of artistic culture has been magisterially sketched by one of its leading authorities.”—Larry Silver, The Art Book“Consistently rewarding . . . a book that is going to transform how Flemish art is understood.”—Jeremy Wood, Apollo Magazine“As well as examining the output and influence of leading figures such as Rubens and Van Dyke, Vlieghe provides the historical, social and cultural context for the development of history painting and other specializations. . . . This book will attract both the informed and general reader.”—Alison Smith, Art Newspaper“Essential for current study of Belgian art.”—ChoiceHans Vlieghe is professor of art history at the Katholieke Universiteit Leuven (Louvain) and research director of the Belgian Nationaal Fonds voor Wetenschappelijk Onderzoek at the Rubenianum, Antwerp.




Flemish Writers Translated (1830–1931)


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Vorbemerkung. [Die flamische Literatur im Ueberblick]. Anhang : Verdeutschungen einiger Gedichte Gezelle's. Pachthofszene (Gekiirzt). - o. t. : PachthofschHderinge. (Uit : Dichtoefeningen). Aurora. - O. t. : Aurora. (Uit : Gedichten, gezangen & gebeden). Warum docH konnen wir nicht. - O. t. : Waarom en kunnen wij niet. (ld.). Die Fliege. - Z. t., Ie vs. : 0 Gij dikke, welgekleede, welgevoede (Uit: Tijd. krans). - In: latere uitgn. get. : De vliege. Nicht ganzlicn werd ich sterben! - Z. t., Ie vs. : Is 't mooglijk dat (Id.). - In latere uitgn. get. : Niet heel en zal ik sterven! 's 1st stille - Z. t., Ie vs. : 't Is stille! Neerstig tikt het on. (Id.). Der Rabe. - Z. t., Ie vs. : Met zwart. en zwaren zwaai aan 't werken door de grauwe, (Id.). - In latere uitgn. get. : De rave. 's 1st stille. - Z. t., Ie vs. : 't Is stille .. Rustig Iigt (Id.). Die Meisen. - O. t. : Meezen. (Uit : Rijmsnoer). Die N achtigall. - O. t. : De nachtegale. Ie vs. : Och Moeder, is dat nu de (Id.). Die Kirchenfenster. - O. t.: De ramen. (Id.). Krieg. - O. t. : Oorloge. (Id.). Courtrai! - O. t. : Courtrai! (Id.). Der Webstuhl. - O. t.: Het getouwe. (Id.). Memento homo! (Gekiirzt). - O. t.: Memento homo ... (Id.). Wir nahen. - O. t. : Wij naderen. (Uit : Laatste verzen). Halb April. - O. t. : Half April. (Id.).




Etchings


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