Appalachian Dance


Book Description

In Appalachian Dance: Creativity and Continuity in Six Communities, Susan Eike Spalding brings to bear twenty-five years' worth of rich interviews with black and white Virginians, Tennesseeans, and Kentuckians to explore the evolution and social uses of dance in each region. Spalding analyzes how issues as disparate as industrialization around coal, plantation culture, race relations, and the 1970s folk revival influenced freestyle clogging and other dance forms like square dancing in profound ways. She reveals how African Americans and Native Americans, as well as European immigrants drawn to the timber mills and coal fields, brought movement styles that added to local dance vocabularies. Placing each community in its sociopolitical and economic context, Spalding analyzes how the formal and stylistic nuances found in Appalachian dance reflect the beliefs, shared understandings, and experiences of the community at large, paying particular attention to both regional and racial diversity. Written in clear and accessible prose, Appalachian Dance is a lively addition to the literature and a bold contribution to scholarship concerned with the meaning of movement and the ever-changing nature of tradition.




Ballet for Martha


Book Description

A picture book about the making of Martha Graham's Appalachian Spring, her most famous dance performance Martha Graham : trailblazing choreographer Aaron Copland : distinguished American composer Isamu Noguchi : artist, sculptor, craftsman Award-winning authors Jan Greenberg and Sandra Jordan tell the story behind the scenes of the collaboration that created APPALACHIAN SPRING, from its inception through the score's composition to Martha's intense rehearsal process. The authors' collaborator is two-time Sibert Honor winner Brian Floca, whose vivid watercolors bring both the process and the performance to life.




Hoedowns, Reels, and Frolics


Book Description

In Hoedowns, Reels, and Frolics, old-time musician and flatfoot dancer Philip Jamison journeys into the past and surveys the present to tell the story behind the square dances, step dances, reels, and other forms of dance practiced in southern Appalachia. These distinctive folk dances, Jamison argues, are not the unaltered jigs and reels brought by early British settlers, but hybrids that developed over time by adopting and incorporating elements from other popular forms. He traces the forms from their European, African American, and Native American roots to the modern day. On the way he explores the powerful influence of black culture, showing how practices such as calling dances as well as specific kinds of steps combined with white European forms to create distinctly "American" dances. From cakewalks to clogging, and from the Shoo-fly Swing to the Virginia Reel, Hoedowns, Reels, and Frolics reinterprets an essential aspect of Appalachian culture.




Appalachian Spring


Book Description

Appalachian Spring is perhaps the most popular work by Aaron Copland (1900–1990). Composed as a ballet for the renowned choreographer Martha Graham (1894–1991), it was the result of a close collaboration between Copland and Graham, and the music quickly took on a life of its own. However, the best known versions of the score, those most frequently recorded and heard in concert, differ in form and musical content from the original ballet, which was scored for a chamber ensemble of thirteen instruments and premiered by the Martha Graham Dance Company at the Library of Congress on 30 October 1944. This edition presents the first completed engraving of the original version of Appalachian Spring, providing musicians and scholars access to the score as it has been performed for more than 75 years by the Graham Company. On each page of the score, the editors have included stills from the 1958 film of the ballet, with Graham dancing the lead role, in order to highlight the connection between music and dance. An introductory essay explores the creation of the work, the musical structure, the origins of and differences among multiple versions of the score, and the continued significance and influence of Copland’s music. The critical commentary draws on manuscript and published sources, as well as Graham Company performance practice, to illuminate editorial decisions. The edition also includes appendices that present a comparison of historical tempi, markings from the Graham tradition for augmenting the orchestration, and a selected discography of different versions of the score.




Talking Feet


Book Description

Compiled by musician/folklorist Mike Seeger and dancer Ruth Pershing, Talking Feet introduces us to dancers from the Appalachian, Piedmont, and Blue Ridge Mountain regions of the South. In its various forms—flatfooting, buckdancing, hoedown, rural tap or clogging—Southern dancing involves a great deal of personal style and innovation as dancers create the rhythm of old-time country music—talking blues, bluegrass, hand-patting and western swing. Traditionally, people have danced at corn shuckings, apron hemmings, weddings, and house parties. Nowadays, clog dancers compete at festivals and competitions. Talking Feet is a precious record of the experience of old-timers and an inspiration to younger enthusiasts who want to absorb the tradition and make it their own.




Communities in Motion


Book Description

For the first time, a book on vernacular dance provides detailed case studies about a range of forms: old-time square dancing in Virginia, Indiana, and Newfoundland; African-American step shows; clogging; Cherokee traditional dance; historical reconstructions of 18th-century dance; and modern contra. This book fills a need from graduate studies to high schools, which are mandated under the Educate America Act to teach dance in historical and cultural perspective. Those interested in folklore, anthropology, dance history, ethnology, aesthetics, American Studies, Appalachian Studies, and more, will benefit from this work as they learn how vernacular dance reflects and shapes communities. The work is divided into four sections. Each section is prefaced with an introductory essay that sets the essays and interviews into a theoretical context. Continuity and Change deals primarily with dance forms that have developed organically within a community. Conserving Tradition considers the conscious efforts of people from a particular culture to maintain a vernacular dance tradition in the face of change. Inventing Tradition examines revival dance and historical dance reconstructions. Finally, Practical Suggestions for the Documentation of Traditional Dance will benefit readers who want to try their hands at research and documentation.




Aaron Copland's Appalachian Spring


Book Description

A commission and its context -- The creation of a dance piece -- Appalachian spring performed -- Americana between war and peace -- An American icon




Ballet for Martha


Book Description

Tells the story behind the creation of "Appalachian Spring," describing Aaron Copland's composition, Martha Graham's intense choreography, and Isamu Noguchi's set design.




Buffalo Dance


Book Description

When Frank X Walker's compelling collection of personal poems was first released in 2004, it told the story of the infamous Lewis and Clark expedition from the point of view of York, who was enslaved to Clark and became the first African American man to traverse the continent. The fictionalized poems in Buffalo Dance form a narrative of York's inner journey before, during, and after the expedition—a journey from slavery to freedom, from the plantation to the great Northwest, from servant to soul yearning to be free. In this expanded edition, Walker utilizes extensive historical research, interviews, transcribed oral histories from the Nez Perce Reservation, art, and empathy to breathe new life into an important but overlooked historical figure. Featuring a new historical essay, preface, and sixteen additional poems, this powerful work speaks to such themes as racism, the power of literacy, the inhumanity of slavery, and the crimes against Native Americans, while reawakening and reclaiming the lost "voice" of York.




The History of Square-Dancing


Book Description