Apuleius' Invisible Ass


Book Description

Argues that invisibility is a central motif in Apuleius' Metamorphoses, presenting a new interpretation of this Latin masterpiece.




Cupid and Psyche


Book Description

Cupid and Psyche Apuleius - Cupid and Psyche is a story from the Latin novel Metamorphoses, also known as The Golden Ass, written in the 2nd century AD by Apuleius. It concerns the overcoming of obstacles to the love between Psyche (Soul or Breath of Life) and Cupid (Desire), and their ultimate union in a sacred marriage.




Religion and Apuleius' Golden Ass


Book Description

This volume examines Apuleius’ comic donkey novel, The Golden Ass, within the context of the popular beliefs and Jewish and Christian writings that were part of the intellectual culture of his own day in 2nd century C.E. North Africa, a culture which can also be glimpsed in some early Arabic writings. The novel was written against a cultural and religious background in which the donkey had various connotations, both positive and negative, but tended to be admired in Jewish, Christian, and later, in Muslim writings. Smith explores the influence of such popular opinions on The Golden Ass and how Apuleius presented Isis and Osiris as desirable alternatives to the claims of both Christianity and magic, offering hope of spiritual renewal partly modelled on contemporary religious apocalyptic literature. Complemented by images of contemporary art, including amulets and terra cotta figures, this volume gives readers a better understanding of how Apuleius, ostensibly a Platonist and member of the Roman establishment, could maintain an intellectual independence in a North African milieu while still drawing on hope in the salvation of the gods. Religion and Apuleius’ Golden Ass provides a fascinating new approach to this much disputed novel, of interest not only to students and scholars of Apuleius and Roman literature, but also scholars interested in Christian and Jewish literature and beliefs of the early centuries of the first millennium C.E.




The Golden Ass


Book Description

Written towards the end of the second century AD, The Golden Ass tells the story of the many adventures of a young man whose fascination with witchcraft leads him to be transformed into a donkey. The bewitched Lucius passes from owner to owner - encountering a desperate gang of robbers and being forced to perform lewd 'human' tricks on stage - until the Goddess Isis finally breaks the spell and Lucius is initiated into her cult. Apuleius' enchanting story has inspired generations of writers such as Boccaccio, Shakespeare, Cervantes and Keats with its dazzling combination of allegory, satire, bawdiness and sheer exuberance, and remains the most continuously and accessibly amusing book to have survived from Classical antiquity.




Faulkner’s Reception of Apuleius’ The Golden Ass in The Reivers


Book Description

Faulkner's final novel, The Reivers, has been gently dismissed by scholars and critics as no more than its subtitle claims, A Reminiscence. Although the new millennium has seen a new appreciation for Faulkner's later novels, The Reivers is still perceived as a slightly fictionalized comic memoir romanticizing the early life of the author in the pre-civil rights American South. This volume takes this dismissal of The Reivers to task for failing to appreciate its employment of the Apuleian narrative of life-altering metamorphosis to offer, as his literary farewell, hope for humanity's self-redemption. Vernon L. Provencal studies the reception of The Golden Ass in The Reivers as comic novels of moral katabasis (wilful descent into the lawless underworld) and providential anabasis (societal and spiritual redemption). As the independent basis of the reception study, The Reivers receives its first ever detailed reading, while The Golden Ass is read anew from the teleological perspective offered by the (undervalued) prophecy that in the end the comic hero would become the book itself.




The Human Tragicomedy: the Reception of Apuleius’ Golden Ass in the Twentieth and Twenty-First Century


Book Description

Does the story of Lucius, a curious and lustful young man who is magically transformed into an ass, have anything to teach us today? Does it have a serious, philosophical and religious meaning, or is it just a form of literary play, full of adventures, magic, sex, violence, and religion? This volume studies the reception of the novel in the last hundred years, showing also the most promising and diverse research perspectives for the future. Apuleius claimed that a philosopher must possess a mirror; perhaps, his novel is a mirror for us to look into.




Metamorphoses book III


Book Description

Bryn Mawr Commentaries provide clear, concise, accurate, and consistent support for students making the transition from introductory and intermediate texts to the direct experience of ancient Greek and Latin literature. They assume that the student will know the basics of grammar and vocabulary and then provide the specific grammatical and lexical notes that a student requires to begin the task of interpretation. Hackett Publishing Company is the exclusive distributor of the Bryn Mawr Commentaries in North America, the United Kingdom, and Europe.




The Shadow of an Ass


Book Description

Jeffrey Ulrich's The Shadow of an Ass addresses fundamental questions about the reception and aesthetic experience of Apuleius' Metamorphoses, popularly known as The Golden Ass, by situating the novel in a contemporaneous literary and philosophical discourse emerging in the Second Sophistic. This unique Latin novel follows a man who is accidentally turned into a donkey because of his curiosity, viewing the world through a donkey's eyes until he is returned to human form by the Egyptian goddess Isis. In the end, he chooses to become a cult initiate and priest instead of a debased and overindulgent ass. On the one hand, the novel encourages readers to take pleasure in the narrator's experiences, as he relishes food, sex, and forbidden forms of knowledge. Simultaneously, it challenges readers to reconsider their participation in the story by exposing its donkey-narrator as a failed model of heroism and philosophical investigation. Ulrich interprets the Metamorphoses as a locus of philosophical inquiry, positioning the act of reading as a choice of how much to invest in this tale of pleasurable transformation and unanticipated conversion. The Shadow of an Ass further explores how Apuleius, as a North African philosopher translating an originally Greek novel into a Latin idiolect, transforms himself into an intermediary of Platonic philosophy for his Carthaginian audience. Situating the novel in a long history of philosophical and literary conversations, Ulrich suggests that the Metamorphoses anticipates much of the philosophical burlesque we tend to associate with early modern fiction, from Don Quixote to Lewis Carroll.




Apologia


Book Description

This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1914 edition. Excerpt: ...81, and more especially Phaedo 76. 18. etsi pereleganter is Kriiger's emendation oi et semper eleganter . He further reads reliqidt (cod. Toi.); though the tense of relinquat is a little awkward, the sense is clear, and reliquit is a little violent as a remedy. The alternative is to read ut semper with codd. Urb. and Toi. This reading is adopted by Helm, who quotes (Pref. to Florida, p. xxiii) Cic. Brut. 22. 86 causant pro ptiblicanis accurate, ut semper solitus esset, eleganterque dixisse Laelium. But though Apuleius might well have said ' Wherefore I would have you hear what Afranius says', the phrase 'Wherefore let Afranius with his usual elegance leave this apophthegm on record ' is almost impossibly harsh. Reading etsi pereleganter the sense is excellent, ' Although Afranius' words are singularly apt, they yet require slight modification to bring them into line with the Platonic doctrine of avap.ir a-ts.' 19. Afranius. The most famous writer of purely Roman comedy (togatae); floruit circ. Ilo B.C. amabit sapiens, cupient ceteri. See v. 221, Sc. Rom. poes. fragm. (Ribbeck ii, p. 228); Non. 421. 19; Serv. Aen. iv. 194. Cp. also Afranius (Ribbeck, op. cit., p. 198, v. 24) alius est Amor, alius Cupido. 20. si uerum uelis. Cp. 52 immo enim si uelis; SSt'mmo s uerum uelis; 98 si per uerum uelis (but see note ad loc.). CHAPTER 13 2. contra sententiam Neoptolemi Enniani pluribus philosophari. Cp. Cic. de Or. ii. 156 ac sic decreui philosophari potiits ut Neoptolemus apud Ennium 'paucis; nam omnino haud placet '; de Rep. i. 18. 30; Tuse. ii. i. i; Gell. v. 15 and 16. Ribbeck restores the whole line philosophari mihinecessepaucis, nam omnino haut...




Invisible Romans


Book Description

Robert Knapp brings invisible inhabitants of Rome and its vast empire to life. He seeks out the ordinary men, housewives, prostitutes, freedmen, slaves, soldiers, and gladiators, who formed the fabric of everyday life in the ancient Roman world, and the outlaws and pirates who lay beyond it. He finds their own words preserved in literature, letters, inscriptions and graffiti and their traces in the nooks and crannies of the histories, treatises, plays and poetry created by members of the elite. He tracks down and pieces together these and other tell-tale bits of evidence cast off by the visible mass of Roman history and culture, and in doing so recreates a world lost from view for two millennia. We see how everyday Romans sought to survive and thrive under the afflictions of disease, war, and violence, and to control their fates before powers that variously oppressed and ignored them. Chapters on each of the main groups reveal how their worlds were linked in need, dependence, exploitation, hope and fear. Slaves and ex-soldiers merge into the world of the outlaw; slaves become freedmen; the sons of freedmen enlist as soldiers; and the concerns of women transcend every boundary. We see them all at last in the tumult of a great empire that shaped their worlds as it reshaped the wider world around them.