Arabesques


Book Description

A luminous, inventive, and deeply personal exploration of living in the liminal space between Jewish and Arab, ancient and modern, by a gifted Palestinian writer. Chosen by The New York Times as one of the best books of 1988, Arabesques is a luminous novel that engages with history and politics not as propaganda but as literature. That engagement begins with the language in which the book is written: Anton Shammas, from a Palestinian Christian family and raised in Israel, wrote in Hebrew, as no Arab novelist had before. The choice was provocative to both Arab and Jewish readers. Arabesques is divided into two sections: “The Tale” and “The Teller.” “The Tale” tells of several generations of family life in a rural village, of the interplay of past and present, of how memory intersects with history in a part of the world where different people have both lived together and struggled against each other for centuries. “The Teller” is about the writer’s voyage out of that world to Paris and the United States, as he comes into his vocation as a writer, and raises questions about the authority of the storyteller and the nature of the self. Shammas’s tour de force is both a personal and a political narrative—a reinvention of the novel as a way of envisioning and responding to historical and cultural legacies and conflicts.




Arabesques


Book Description

Originally published: New York: Harper & Row, c1988.




Philosophical Arabesques


Book Description

Bukharin's Philosophical Arabesques was written while he was imprisoned in the Lubyanka Prison in Moscow, facing trial on charges of treason, and later awaiting execution after he was found guilty. After the death of Lenin, Bukharin cooperated with Stalin for a time. Once Stalin's supremacy was assured he began eliminating all potential rivals. For Bukharin, the process was to end with his confession before the Soviet court, facing the threat that his young family would be killed along with him if he did not. While awaiting his death, Bukharin wrote prolifically. He considered Philosophical Arabesques as the most important of his prison writings. In its pages, he covers the full range of issues in Marxist philosophy--the sources of knowledge, the nature of truth, freedom and necessity, the relationship of Hegelian and Marxist dialectic. The project constitutes a defense of the genuine legacy of Lenin's Marxism against the use of his memory to legitimate totalitarian power. Consigned to the Kremlin archives for a half-century after Bukharin's execution, this work is now being published for the first time in English. It will be an essential reference work for scholars of Marxism and the Russian revolution and a landmark in the history of prison writing.




Urban Arabesques


Book Description

Urban Arabesques examines philosophy as an event of the city and the city as an event of philosophy and how the intertwining of the two generates an urban imaginary. This critique-in-motion of creative figures and conceptual personae from (non) philosophy illuminates the emergence of sense in the city, shows how “transcendental empiricism” operates within it, and how the everyday life of the streets—the ordinariness of experience as well as the screen/projector of urban surfaces—uncovers new pathways for politics, experience, and relationalities. Using Hong Kong as the primary site of thinking yet recognizing that thinking incessantly moves beyond any particular location, the book opens up cities within the city. Traversing Hong Kong reveals how the corners, the money, the trees and the water are involved in philosophy. Combining the linguistic approach found in Heidegger and Derrida, with the more materialist analysis of Serres and Deleuze, the objective of this book is to retheorize the urban and its imaginary—its virtuality, irreality, phantasmicity—with an emphasis on signs, images and rhythms, resonating through philosophy, and beyond.




Arabesques


Book Description

Provides keys to the understanding of Moroccan architecture and geometical arabesques.




Arabesques


Book Description

One Sunday afternoon in a secluded valley in Normandy, Robert Dessaix chanced upon the castle where the 20th-century French writer Andre Gide spent his childhood. Recalling the excitement he felt when he first read Gide as a teenager, Dessaix sets off to recapture what it was that once drew him so strongly to this enigmatic figure. On a magic carpet ride from Lisbon to the edge of the Sahara, from Paris to the south of France and Algiers, he takes us to the places where the Nobel Prize winning author, in ways still scandalous to modern sensibilities, lived out his unconventional ideas about love, marriage, sexuality and religion. Praise for Arabesques by Robert Dessaix ‘Magical and inviting … these arabesques afford the reader inordinate pleasure.’ Livres-Hebdo (France) ‘Surrender to the ravishments first, get lost, skid with thrilled indecisiveness across the mosaic tile of each page. Venture out with the author onto the roads and dizzying crossroads he negotiates as he plots a course between past and present, old haunts and new horizons, in the lands of Araby …’ The Age




Odalisques and Arabesques


Book Description

Ken Jacobson shows that the history of Orientalist photography begins weeks after the invention of photography itself. Jacobson is not an academic, but has conducted a great deal of scholarly research on the often obscure careers of photographers and the intertwined histories of the Levantine studios. He demonstrates that many of the past criticisms of Orientalist photography are based on ignorance either of chronology or technology.




Arabesque


Book Description




Tulips, Arabesques & Turbans


Book Description

The beauty, elegance and variety of Ottoman works of art are the subject of this book. The Ottoman Empire was the last of the great medieval Islamic dynasties. Its power reached from Persia to Vienna and encompassed the eastern Mediterranean. The great imperial city of Constantinople, the nexus between East and West, became its capital--renamed Istanbul--and the center of culture and artistic craftsmanship in the Moslem world. The geographic location and the intensification of trade exposed the empire to a flood of influences from as far as Venice and even China and gave the Ottoman court a taste for luxurious and valuable products, a taste which the Sultans cultivated and sustained by their patronage. In the Classical Ottoman period (fifteenth to seventeenth centuries), the period with which the book is primarily concerned, Ottoman art reached extraordinary heights of perfection. Though the court artists working in the nakkashane (imperial workshops) were liberal in their response to outside influences, they never failed to modify them and give their art a uniquely Ottoman quality. Several distinct styles, incorporating influences from all corners of the empire and beyond, emerged to form a consistent repertoire which was to dominate the arts of this period throughout the Ottoman world. For the various sections of the book, the editor has brought together a team of eminent specialists, each of whose contributions develop this theme. Tulips, Arabesques & Turbans lavishly illustrates and documents the artifacts of an age. Much of the material reproduced here and included in a companion exhibition that will be seen at a number of American museums has never been shown before. Included are the Golden Horn and Rhodian ceramics from İznik, opulent silks from Bursa, exquisitely illuminated manuscripts and a rich array of Ottoman metalwork, an area largely unknown in the West. This volume is a visual treasure and will serve as a handbook on Ottoman decorative arts. -- Inside jacket flap.




Carlo Mollino. Designer E Fotografo. Ediz. Inglese


Book Description

Focusing on Mollino's furniture and interior design, this text also showcases his incredible passion for photography, providing a comprehensive overview of his creativity and versatile talents.