Auditory Archaeology


Book Description

This book offers a methodology for studying sound, providing a flexible and widely applicable set of elements that can be adapted for use in a broad range of archaeological and heritage contexts.




Archaeoacoustics: the Archaeology of Sound


Book Description

"Without acoustics, archaeology is deaf . . ." This generously illustrated collection of presentations and reports presents a fascinating multidimensional perspective on ancient cultures, including some that have not been widely known.Ancient civilizations developed far more than fine artwork and magnificent monuments. In songs to their gods, laments for their dead, and the universal human quest for the supernatural, people also made some very strange noise. Scholars from around the world explore man's early use of sound and music, revealing both ancient knowledge and the potential for new learning. "Archaeoacoustics is at this 'pre-paradigmatic stage'," writes anthropologist Dr. Ezra Zubrow, "This book will help that synthesizing, theorizing pioneer of the future. Looking back there will be new scholars who will wonder how present scholars could have been so wrong. They will smile and yet they will remember this book. For in some sense, they will say 'this is where it began.'"Features Editor for "New Scientist" Magazine Kate Douglas explains: "Where the rest of us see stones, bones, rubble and shards, they (archaeologists) see the tell-tale remains of past lives. With careful scrutiny they are able to use this material to build up a picture of a culture, its technological know-how, trade in commodities and ideas, diet, lifestyle and even beliefs. Until recently, however, almost all archaeological insights have been gleaned by looking at ancient remains. Now archaeologists are starting to think beyond the visual. One of the most exciting branches of the new multi-sensory archaeology is archaeoacoustics, the archaeology of sound. In February 2014, the pioneers of this field met on the island of Malta for their first international conference. It was truly extraordinary.""Our goal for the conference was to focus in a responsible way on the behavior of sound in important ancient spaces, and the way that people may have used it," says conference organizer Linda Eneix. "We sought hints for the way sound may have impacted on early human development. We intended to bring together a broad base of expertise, science, and objective observation toward a multi-faceted understanding of human ingenuity."Contributors include: Alejandro Ramos-Amezquita, Panagiota Avgerinou, Ros Bandt, Anna Borg Cardona, Emma Brambilla, Fernando Coimbra, Stef Conner, Paolo Debertolis, Stella Dreni, Richard England, Mairi Gkikaki, Annie Goh, Anne Habermehl, Wouter F. M. Henkelman, Sepideh Khaksar, David J. Knight, Glenn Kreisberg, Selin Kucuk, Esthir Lemi, Torill Christine Lindstrom, Maria Cristina Pascual Noguerol, Riita Rainio, Iegor Reznikoff, Mustafa Sahin, Divya Shrivastava, Katya Stroud, Rupert Till, Steven J. Waller, Nektarios Peter Yioutsos, Ezra Zubrow. -- A full list of titles is available at www.archaeoacoustics.org. --NOTE: This volume also contains preliminary reports from the Hal Saflieni Hypogeum (ca. 3600 BCE) acoustics project conducted on-site.




The Archaeology of Sound, Acoustics & Music


Book Description

The ICTM Study Group on Music Archaeology was founded in the early 1980s by Ellen Hickmann, John Blacking, Mantle Hood and Cajsa S. Lund. This is the third volume of the new anthology series published by the study group, bringing together theoretical and methodological approaches in the study of past music cultures. Each volume of the series is composed of concise case studies, bringing together the world's foremost researchers on a particular subject, reflecting the wide scope of music-archaeological research world-wide. The series draws in perspectives from a range of different disciplines, including newly emerging fields such as archaeoacoustics, but particularly encouraging both music-archaeological and ethnomusicological perspectives.




Stone Age Soundtracks


Book Description

Our Stone Age ancestors sang and played instruments, and ascribed magical qualities to many sounds. Exciting research—known as acoustic archaeology—has reconstructed this vanished aspect, and this new knowledge exposes both the origins of music and a lost world where echoes were considered spirit voices. Travel from chambered mounds in Ireland to French paleolithic caves, and listen to the past once more.




The Sound of Silence


Book Description

Colonial encounters between indigenous peoples and European state powers are overarching themes in the historical archaeology of the modern era, and postcolonial historical archaeology has repeatedly emphasized the complex two-way nature of colonial encounters. This volume examines common trajectories in indigenous colonial histories, and explores new ways to understand cultural contact, hybridization and power relations between indigenous peoples and colonial powers from the indigenous point of view. By bringing together a wide geographical range and combining multiple sources such as oral histories, historical records, and contemporary discourses with archaeological data, the volume finds new multivocal interpretations of colonial histories.




The Prehistory of Music


Book Description

Music is possessed by all human cultures, and archaeological evidence for musical activities pre-dates even the earliest known cave art. Music has been the subject of keen investigation across a great diversity of fields, from neuroscience and psychology to ethnography, archaeology, and its own dedicated field, musicology. Despite the great contributions that these studies have made towards understanding musical behaviours, much remains mysterious about this ubiquitous human phenomenon—not least, its origins. In a ground-breaking study, this volume brings together evidence from these fields, and more, in investigating the evolutionary origins of our musical abilities, the nature of music, and the earliest archaeological evidence for musical activities amongst our ancestors. Seeking to understand the true relationship between our unique musical capabilities and the development of the remarkable social, emotional, and communicative abilities of our species, it will be essential reading for anyone interested in music and human physical and cultural evolution.




How Music Got Free


Book Description

"Journalist Stephen Witt traces the secret history of digital music piracy, from the German audio engineers who invented the mp3, to a North Carolina compact-disc manufacturing plant where factory worker Dell Glover leaked nearly two thousand albums over the course of a decade, to the high-rises of midtown Manhattan where music executive Doug Morris cornered the global market on rap, and, finally, into the darkest recesses of the Internet."--




The Sound Book: The Science of the Sonic Wonders of the World


Book Description

"A lucid and passionate case for a more mindful way of listening to and engaging with musical, natural, and manmade sounds." —New York Times In this tour of the world’s most unexpected sounds, Trevor Cox—the “David Attenborough of the acoustic realm” (Observer)—discovers the world’s longest echo in a hidden oil cavern in Scotland, unlocks the secret of singing sand dunes in California, and alerts us to the aural gems that exist everywhere in between. Using the world’s most amazing acoustic phenomena to reveal how sound works in everyday life, The Sound Book inspires us to become better listeners in a world dominated by the visual and to open our ears to the glorious cacophony all around us.




Music & Ritual


Book Description




Archaeoacoustics


Book Description

Archaeoacoustics focuses on the role of sound in human behaviour, from earliest times up to the development of mechanical detection and recording devices in the 19th century. Recent calls for an `archaeology of the senses' have served as a timely, even overdue reminder that the past which we experience - and which others have experienced before us - is multisensory, drawing not only upon the primary field of vision, but also on touch, smell and hearing. Megalithic tombs, Palaeolithic painted caves, Romanesque churches and prehistoric rock shelters all present specific sound qualities which offer clues as to how they may have been designed and used. Voices resonate, external noises are subdued or eliminated, and a special aural dimension is accessed which complements the evidence of our other senses. The present volume, arising from a conference held at the McDonald Institute in 2003, brings together archaeologists and specialists in early musical instruments and acoustics in an attempt to unlock some of the meaning latent in the acoustics of such early structures and spaces. It will be essential reading for all who are concerned to seek a broader understanding of human sensory experience from prehistory up to historical times.