Architecture and Its Sculpture in Viceregal Mexico


Book Description

From monumental cathedrals to simple parish churches, perhaps as many as 100,000 churches and civic buildings were constructed in Mexico during the viceregal or colonial period (1535-1821). Many of these structures remain today as witnesses to the fruitful blending of Old and New World forms and styles that created an architecture of enduring vitality. In this profusely illustrated book, Robert J. Mullen provides a much-needed overview of Mexican colonial architecture and its attendant sculpture. Writing with just the right level of detail for students and general readers, he places the architecture in its social and economic context. He shows how buildings in the larger cities remained closer to European designs, while buildings in the pueblos often included prehispanic indigenous elements. This book grew out of the author's twenty-five-year exploration of Mexico's architectural and sculptural heritage. Combining an enthusiast's love for the subject with a scholar's care for accuracy, it is the perfect introduction to the full range of Mexico's colonial architecture.




Art and Architecture of Viceregal Latin America, 1521-1821


Book Description

A chronological overview of important art, sculpture, and architectural monuments of colonial Latin America within the economic and religious contexts of the era.




Architectural Rhetoric and the Iconography of Authority in Colonial Mexico


Book Description

This book investigates the Casa de Montejo and considers the role of the building’s Plateresque façade as a form of visual rhetoric that conveyed ideas about the individual and communal cultural identities in sixteenth-century Yucatán. C. Cody Barteet analyzes the façade within the complex colonial world in which it belongs, including in multicultural Yucatán and the transatlantic world. This contextualization allows for an examination of the architectural rhetoric of the façade, the design of which visualizes the contestations of autonomy and authority occurring among the colonial peoples.




Envisioning Others: Race, Color, and the Visual in Iberia and Latin America


Book Description

Envisioning Others offers a multidisciplinary view of the relationship between race and visual culture in the Spanish- and Portuguese-speaking world, from the kingdoms of Spain and Portugal to colonial Peru and Colombia, post-Independence Mexico, and the pre-Emancipation United States. Contributed by specialists in Latin American and Iberian art history, literature, history, and cultural studies, its ten chapters take a transnational view of what ‘race’ meant, and how visual culture supported and shaped this meaning, within the Ibero-American sphere from the late Middle Ages to the modern era. Case studies and regionally-focused essays are balanced by historiographical and theoretical offerings for a fresh perspective that challenges the reader to discern broad intersections of race, color, and the visual throughout the Iberian world. Contributors are Beatriz Balanta, Charlene Villaseñor Black, Larissa Brewer-García, Ananda Cohen Suarez, Elisa Foster, Grace Harpster, Ilona Katzew, Matilde Mateo, Mey-Yen Moriuchi, and Erin Kathleen Rowe.




Woman And Art in Early Modern Latin America


Book Description

This illustrated anthology brings together for the first time a collection of essays that explore the position of women and the contributions made by them to the arts and architecture of early modern Latin America.




Early Churches of Mexico


Book Description

Following the Spanish conquest of Mexico in the early 1500s, Franciscan, Dominican, and Augustinian friars fanned out across the central and southern areas of the country, founding hundreds of mission churches and monasteries to evangelize the Native population. This book documents more than 120 of these remarkable sixteenth-century sites in duotone black-and-white photographs. Virtually unknown outside Mexico, these complexes unite architecture, landscape, mural painting, and sculpture on a grand scale, in some ways rivaling the archaeological sites of the Maya and Aztecs. They represent a fascinating period in history when two distinct cultures began interweaving to form the fabric of modern Mexico. Many were founded on the sites of ancient temples and reused their masonry, and they were ornamented with architectural murals and sculptures that owe much to the existing Native tradition—almost all the construction was done by indigenous artisans. With these photos, Spears celebrates this unique architectural and cultural heritage to help ensure its protection and survival.




A Companion to Mexican History and Culture


Book Description

A Companion to Mexican History and Culture features 40 essays contributed by international scholars that incorporate ethnic, gender, environmental, and cultural studies to reveal a richer portrait of the Mexican experience, from the earliest peoples to the present. Features the latest scholarship on Mexican history and culture by an array of international scholars Essays are separated into sections on the four major chronological eras Discusses recent historical interpretations with critical historiographical sources, and is enriched by cultural analysis, ethnic and gender studies, and visual evidence The first volume to incorporate a discussion of popular music in political analysis This book is the receipient of the 2013 Michael C. Meyer Special Recognition Award from the Rocky Mountain Conference on Latin American Studies.




Theaters of Conversion


Book Description

Mexico's churches and conventos display a unique blend of European and native styles. Missionary Mendicant friars arrived in New Spain shortly after Cortes's conquest of the Aztec empire in 1521 and immediately related their own European architectural and visual arts styles to the tastes and expectations of native Indians. Right from the beginning the friars conceived of conventos as a special architectural theater in which to carry out their proselytizing. Over four hundred conventos were established in Mexico between 1526 and 1600, and more still in New Mexico in the century following, all built and decorated by native Indian artisans who became masters of European techniques and styles even as they added their own influence. The author argues that these magnificent sixteenth and seventeenth-century structures are as much part of the artistic patrimony of American Indians as their pre-Conquest temples, pyramids, and kivas. Mexican Indians, in fact, adapted European motifs to their own pictorial traditions and thus made a unique contribution to the worldwide spread of the Italian Renaissance. The author brings a wealth of knowledge of medieval and Renaissance European history, philosophy, theology, art, and architecture to bear on colonial Mexico at the same time as he focuses on indigenous contributions to the colonial enterprise. This ground-breaking study enriches our understanding of the colonial process and the reciprocal relationship between European friars and native artisans.




Eighteenth-Century Art Worlds


Book Description

While the connected, international character of today's art world is well known, the eighteenth century too had a global art world. Eighteenth-Century Art Worlds is the first book to attempt a map of the global art world of the eighteenth century. Fourteen essays from a distinguished group of scholars explore both cross-cultural connections and local specificities of art production and consumption in Africa, the Americas, Asia, and Europe. The result is an account of a series of interconnected and asymmetrical art worlds that were well developed in the eighteenth century. Capturing the full material diversity of eighteenth-century art, this book considers painting and sculpture alongside far more numerous prints and decorative objects. Analyzing the role of place in the history of eighteenth-century art, it bridges the disciplines of art history and cultural geography, and draws attention away from any one place as a privileged art-historical site, while highlighting places such as Manila, Beijing, Mexico City, and London as significant points on globalized map of the eighteenth-century art world. Eighteenth-Century Art Worlds combines a broad global perspective on the history of art with careful attention to how global artistic concerns intersect with local ones, offering a framework for future studies in global art history.




Mesoamerican Open Spaces and Mural Paintings as Statements of Cultural Identity


Book Description

The sensitive perception of a society’s artistic expressions facilitates our comprehension of its ethos, enabling the meaningful communication between individuals and communities, which is the fundamental link that connects human beings. This book explores the spirit of the Mesoamerican civilization from pre-history until the 20th century, interpreting its architectural legacy, both in the planned environments of the public plazas, and in the art that is integrated into structural designs, exemplified by the Mexican mural paintings. The first part studies the open areas defined by substantially symbolic architecture, providing the spatial forum for the spiritual and consequential collective manifestations of the native population throughout the history of Mesoamerica, linking past, present, and future generations. The second part focuses on mural painting, which has been a consistent universal medium for eloquent cultural interaction among Mesoamericans.