Architecture for the Shroud


Book Description

The famed linen cloth preserved in Turin Cathedral has provoked pious devotion, scientific scrutiny, and morbid curiosity. Imprinted with an image many faithful have traditionally believed to be that of the crucified Christ "painted in his own blood," the Shroud remains an object of intense debate and notoriety yet today. In this amply illustrated volume, John Beldon Scott traces the history of the unique relic, focusing especially on the black-marble and gilt-bronze structure Guarino Guarini designed to house and exhibit it. A key Baroque monument, the chapel comprises many unusual architectural features, which Scott identifies and explains, particulary how the chapel's unprecedented geometry and bizarre imagery convey to the viewer the supernatural powers of the object enshrined there. Drawing on early plans and documents, he demonstrates how the architect's design mirrors the Shroud's strange history as well as political aspirations of its owners, the Dukes of Savoy. Exhibiting it ritually, the Savoy prized their relic with its godly vestige as a means to link their dynasty with divine purposes. Guarini, too, promoted this end by fashioning an illusionary world and sacred space that positioned the duke visually so that he appeared close to the Shroud during its ceremonial display. Finally, Scott describes how the additional need for an outdoor stage for the public showing of the relic to the thousands who came to Turin to see it also helped shape the urban plan of the city and its transformation into the Savoyard capital. Exploring the mystique of this enigmatic relic and investigating its architectural and urban history for the first time, Architecture for the Shroud will appeal to anyone curious about the textile, its display, and the architectural settings designed to enhance its veneration and boost the political agenda of the ruling family.




The Shroud at Court


Book Description

The Shroud at the Court analyses the ties between the Shroud and the Savoy court from the fifteenth to twentieth centuries, when rituals, ceremonies, and images made the relic an essential source of legitimacy and propaganda for the Savoy dynasty.




The Architecture of the Christian Holy Land


Book Description

Moore traces and re-interprets the significance of the architecture of the Christian Holy Land within changing religious and political contexts.




Guarino Guarini and His Architecture


Book Description

Geïllustreerde studie over het werk van de Italiaanse architect (1624-1683).




The Truth About the Shroud of Turin


Book Description

The shroud of Turin is one of history’s most controversial and perplexing relics. Many believe it to be the genuine burial shroud of Jesus Christ. Some hypothesize the image on the shroud was created through a rare scientific phenomenon. Still others think the shroud is a fake, proven—through carbon tests in 1988—to be a clever forgery. In The Truth About the Shroud of Turin , investigative reporter Robert K. Wilcox applies his investigative eye and compelling writing style to this mysterious artifact. Featuring new evidence, The Truth About the Shroud of Turin offers new insight into this baffling mystery and offers compelling evidence that the shroud is the authentic burial shroud of Jesus Christ. "Wilcox weaves an intriguing detective story, utilizing over 30 years of research including trips the world over, seeking to unravel the secrets of the world’s most intensely-studied artifact, giving readers much evidence to decide if the Shroud is just an elaborate hoax or the actual burial cloth of Jesus." —JOSEPH MARINO, shroud scholar




Architecture at the End of the Earth


Book Description

Carpeted in boreal forests, dotted with lakes, cut by rivers, and straddling the Arctic Circle, the region surrounding the White Sea, which is known as the Russian North, is sparsely populated and immensely isolated. It is also the home to architectural marvels, as many of the original wooden and brick churches and homes in the region's ancient villages and towns still stand. Featuring nearly two hundred full color photographs of these beautiful centuries-old structures, Architecture at the End of the Earth is the most recent addition to William Craft Brumfield's ongoing project to photographically document all aspects of Russian architecture. The architectural masterpieces Brumfield photographed are diverse: they range from humble chapels to grand cathedrals, buildings that are either dilapidated or well cared for, and structures repurposed during the Soviet era. Included are onion-domed wooden churches such as the Church of the Dormition, built in 1674 in Varzuga; the massive walled Transfiguration Monastery on Great Solovetsky Island, which dates to the mid-1550s; the Ferapontov-Nativity Monastery's frescoes, painted in 1502 by Dionisy, one of Russia's greatest medieval painters; nineteenth-century log houses, both rustic and ornate; and the Cathedral of St. Sophia in Vologda, which was commissioned by Ivan the Terrible in the 1560s. The text that introduces the photographs outlines the region's significance to Russian history and culture. Brumfield is challenged by the immense difficulty of accessing the Russian North, and recounts traversing sketchy roads, crossing silt-clogged rivers on barges and ferries, improvising travel arrangements, being delayed by severe snowstorms, and seeing the region from the air aboard the small planes he needs to reach remote areas. The buildings Brumfield photographed, some of which lie in near ruin, are at constant risk due to local indifference and vandalism, a lack of maintenance funds, clumsy restorations, or changes in local and national priorities. Brumfield is concerned with their futures and hopes that the region's beautiful and vulnerable achievements of master Russian carpenters will be preserved. Architecture at the End of the Earth is at once an art book, a travel guide, and a personal document about the discovery of this bleak but beautiful region of Russia that most readers will see here for the first time.




Kinetic Architecture


Book Description

A shift in the architecture industry’s focus in the last 20 years toward ecological concerns, long-term value, and user comfort has coincided with significant new developments in digital controls, actuators, shading typologies, building physics simulation capability, and material performance. This collision has afforded architects an expanded set of opportunities to create architecture that can respond directly to environmental conditions, resulting in innovative façade designs that quickly become landmarks for their cities. Authors Russell Fortmeyer and Charles Linn trace the historical development of active façades in modern architecture, and reveal how contemporary architects and consultants design and test these systems.




From the Mandylion of Edessa to the Shroud of Turin


Book Description

According to legend, the Mandylion was an image of Christ’s face imprinted on a towel, kept in Edessa. This acheiopoieton image (“not made by human hands”) disappeared in the eighteenth century. The first records of another acheiropoieton relic appeared in mid-fourteenth century France: a long linen bearing the image of Jesus’ corpse, known nowadays as the Holy Shroud of Turin. Some believe the Mandylion and the Shroud to be the same object, first kept in Edessa, later translated to Constantinople, France and Italy. Andrea Nicolotti traces back the legend of the Edessean image in history and art, focusing especially on elements that could prove its identity with the Shroud, concluding that the Mandylion and the Shroud are two distinct objects.




Historical Dictionary of Baroque Art and Architecture


Book Description

This second edition of Historical Dictionary of Baroque Art and Architecture contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 600 cross-referenced entries on famous artists, sculptors, architects, patrons, and other historical figures, and events.




Images of Nepotism


Book Description

This book explores the impact of papal nepotism on the visual arts of seventeenth-century Rome through an examination of the painted vaults of Palazzo Barberini, the family palace of the foremost patron of the High Baroque, Pope Urban VIII (1623-1644). The study focuses on the intersection of art and power in the ceiling paintings commissioned by Urban's nephews in the 1620s and 1630s to adorn their new palace. Viewed against the backdrop of the changing social codes and power relationships that characterized the ferment of Rome in this period, Palazzo Barberini stands as a remarkable document asserting the divine sanction of that family's emergence. The author presents a new analytical approach for appraising the form and content of ceiling imagery, allowing for a thorough assessment of the painted scenes that functioned as vehicles of the social and political agenda of the Barberini. The vast fresco painted by Pietro da Cortona in the palace salone--the largest ceiling painting in Rome since Michelangelo's Sistine Ceiling--and Andrea Sacchi's Divine Wisdom fresco receive major consideration for their novel pictorial illusionism and their poetic symbolism. These principal components of the Barberini Palace cycle embody the definitive statement of Baroque allegory as a mode of optical and intellectual persuasion. Propagandistic purpose here finds exalted theo-political expression. In sum, this study undertakes to define the linkage between art patronage and social aspirations in the last great age of papal nepotism and to establish within this societal context a new means for grasping the technical and iconographic novelties of Roman Baroque ceiling painting.