Atlas of Another America


Book Description

"Owning a home is a cornerstone of the American Dream, the ultimate status symbol in the land of the free. But is the dream in crisis? Mass-marketed and endlessly multiplied, the suburban single-family house has become an instrument of global economic calamity and ongoing environmental catastrophe. Never before have we been so badly in need of a reassessment of our cultural values from an architectural perspective."--Back cover.




Native American Architecture


Book Description

For many people, Native American architecture calls to mind the wigwam, tipi, iglu, and pueblo. Yet the richly diverse building traditions of Native Americans encompass much more, including specific structures for sleeping, working, worshipping, meditating, playing, dancing, lounging, giving birth, decision-making, cleansing, storing and preparing food, caring for animals, and honoring the dead. In effect, the architecture covers all facets of Indian life. The collaboration between an architect and an anthropologist, Native American Architecture presents the first book-length, fully illustrated exploration of North American Indian architecture to appear in over a century. Peter Nabokov and Robert Easton together examine the building traditions of the major tribes in nine regional areas of the continent from the huge plank-house villages of the Northwest Coast to the moundbuilder towns and temples of the Southeast, to the Navajo hogans and adobe pueblos of the Southwest. Going beyond a traditional survey of buildings, the book offers a broad, clear view into the Native American world, revealing a new perspective on the interaction between their buildings and culture. Looking at Native American architecture as more than buildings, villages, and camps, Nabokov and Easton also focus on their use of space, their environment, their social mores, and their religious beliefs. Each chapter concludes with an account of traditional Indian building practices undergoing a revival or in danger today. The volume also includes a wealth of historical photographs and drawings (including sixteen pages of color illustrations), architectural renderings, and specially prepared interpretive diagrams which decode the sacred cosmology of the principal house types.




Follies in America


Book Description

Follies in America examines historicized garden buildings, known as "follies," from the nation's founding through the American centennial celebration in 1876. In a period of increasing nationalism, follies—such as temples, summerhouses, towers, and ruins—brought a range of European architectural styles to the United States. By imprinting the land with symbols of European culture, landscape gardeners brought their idea of civilization to the American wilderness. Kerry Dean Carso's interdisciplinary approach in Follies in America examines both buildings and their counterparts in literature and art, demonstrating that follies provide a window into major themes in nineteenth-century American culture, including tensions between Jeffersonian agrarianism and urban life, the ascendancy of middle-class tourism, and gentility and social class aspirations.




Unbuilt America


Book Description

Pictures and describes abandoned architectural projects, explaining why they did not materialize




Synagogue Architecture in America


Book Description

This full colour publication explores the rich and diverse response to the quest to sustain the Hebrew heritage that has resulted in prominent designs.




The Architecture of America's Stonehenge


Book Description

The main complex of the America’s Stonehenge site in New Hampshire is a collection of stone chambers, enclosures, niches, standing stones, carved drains & basins, and astronomical alignments. The archaeological community has largely dismissed this seemly eclectic collection of structures as the work of an eccentric farmer named Jonathan Pattee who built his house on top of the ruins in the 19th century. Other researchers have sought to compare the chambers and astronomical alignments to stone structures from around the world built by other ancient peoples. No one has thought to evaluate the site on its own merits, specifically evaluating its architecture. Architecture can tell you a lot about a culture. Using this approach the author unravels the mystery surrounding the site. This architectural study revealed the site was built in a series of distinct phases each with its own unique style while at the same time incorporating key concepts and ideas from previous phases. There is a clear evolution of building skills and cultural ideas that can be followed through the architectural build-out of the site. Because key features and ideas were carried forward from one phase to the next, we now know that the site was the work of a single culture over a several thousand year period. Stone tools and pottery recovered from archaeological excavations at the site confirm that the builders were Native Americans. The idea of Native Americans building stone structures for ceremonial and spiritual purposes has gained a lot of credibility over the past twenty-five years. There is mounting evidence that hundreds of ceremonial stone landscapes (CSL) with stone cairns, niches, enclosures, standings stones, chambers and astronomical alignments found throughout northeastern United States are part of a broad based Native American cultural tradition. The America’s Stonehenge site is one of the most sophisticated and culturally complex of these sacred ceremonial places. The second part of this book uses primary source materials like deeds, town records, court cases and genealogy to reconstruct the history of the Pattee family who owned the hill where the site is found from 1739 through 1863. The Pattees started out in the 1700s as a prosperous family with a house in North Salem village and a 248 acre farm. By the 1820s, the third generation was reduced to owning 15 acres of the original farm and living in a small house built on top of the ruins of the site. Despite his many financial misfortunes, Jonathan Pattee (third generation) managed to hold on to and protect the site.




Golf Architecture in America


Book Description




American Houses: The Architecture of Fairfax & Sammons


Book Description

Anne Fairfax and Richard Sammons are at the forefront of a movement among architects today who draw inspiration from the wellspring of the classical traditions in architecture. They have developed a body of work that reflects and adheres to the long-held theories of proportion and order passed down through many past generations of scholarship and practice. The firm's office also served as the headquarters for Henry Hope Reid's Classical America, the only organization offering an alternative to modernist aesthetics until the establishment of the Institute of Classical Architecture in 1992. The twenty-four projects in this volume show the firm's consistent focus on classical architectural beauty, whether the chosen style be Palladian, Tuscan, Mediterranean, Georgian, Adamesque, Neo-classical, British or Dutch Colonial, Colonial Revival, or even East Coast Shingle Style, in all of which Fairfax & Sammons are eminently proficient. The projects selected out of the firm's large body of work include country houses located in Connecticut, New York, Virginia, and Florida, including the renovation of town houses and apartments in New York City—all presented in new color photography.




Americans in Paris


Book Description

"This book presents for the first time a comprehensive overview of the seminal early work of a century of American architects--including Richard Morris Hunt, H. H. Richardson, Raymond Hood, and Charles Follen McKim--who studied at the prestigious and influential École des Beaux-Arts, Paris, before going on to design and build many of this nation's most important buildings and monuments."--Cover, page [4].




Reconstructions: Architecture and Blackness in America


Book Description

How American architecture can address systemic anti-Black racism: a creative challenge in 10 case studies Reconstructions: Architecture and Blackness in Americais an urgent call for architects to accept the challenge of reconceiving and reconstructing our built environment rather than continue giving shape to buildings, infrastructure and urban plans that have, for generations, embodied and sustained anti-Black racism in the United States. The architects, designers, artists and writers who were invited to contribute to this book--and to the exhibition at the Museum of Modern Art for which it serves as a "field guide"--reimagine the legacies of race-based dispossession in 10 American cities (Atlanta; Brooklyn, New York; Kinloch, Missouri; Los Angeles; Miami; Nashville; New Orleans; Oakland; Pittsburgh; and Syracuse) and celebrate the ways individuals and communities across the country have mobilized Black cultural spaces, forms and practices as sites of imagination, liberation, resistance, care and refusal. A broad range of essays by the curators and prominent scholars from diverse fields, as well as a portfolio of new photographs by the artist David Hartt, complement this volume's richly illustrated presentations of the architectural projects at the heart of MoMA's groundbreaking exhibition.