Book Description

THE EARLY CISTERCIAN ABBEYS of France have long been revered for their exquisitely proportioned spaces and ethereal acoustics. Together with the great cathedrals, these remarkable medieval buildings embody the profound mastery of architecture that blossomed in twelfth- and thirteenth-century Europe. Built by the Cistercian order of monks nearly 900 years ago, these structures are renowned among contemporary architects and artists for the austere, almost minimal nature of their design and construction. Cistercian architecture draws together the fundamentals of masonry and geometry to create a harmony of stone and light, of uncluttered interior volumes and modest external masses. The buildings and ruins that remain today are immensely, almost unspeakably refined. Upon entering le Thoronet or Senanque, Fontenay or Silvacane, one is deeply touched by the quality of the silence and the light. Free by design of distracting details, these are places of recollection, of concentration, of serenity. "Every force evolves a form", wrote the American Shakers, who mirrored the original Cistercian impulse in both their values and their refined craftsmanship. If the first force that shaped Cistercian architecture was a quest for the spiritual life through simplicity, the second was the constructive genius of architects and masons who perceived in that simplicity an occasion to practice their art with astonishing intelligence and sensitivity. David Heald's luminous photographs provide an extraordinary record of exploration through more than a decade of periodic visits to Cistercian places throughout France. He puts before us not just views but moments -- moments when light enters a space or fallson an exterior in ways that illuminate and reveal. His evocative photographs offer loving witness to the bare brilliance, power, and subtlety of early Cistercian architecture. The text by Terryl N. Kinder offers a concise introduction to the history and milieu of the early Cistercians and the forces that brought forth the architecture. Her discussion of the Rule of Saint Benedict and its meaning for the Cistercians, both ancient and contemporary, provides a foundation for understanding these buildings that is informed by the most recent scholarship and archeological research.