Arden / D'Arcy Plays: 1


Book Description

This collection brings together some of the best and most frequently performed plays by John Arden and Margaretta D'Arcy whose collaboration stems from the political years of the Sixties The Business of Good Government is a nativity play which develops a sense of a disappearing community; Ars Longa Vita Brevis is composed out of children's games and The Royal Pardon tells the story of the adventures of a group of strolling players who fall in with a deserter from the war in Flanders. Other plays in this collection such as Little Gray Home in the West and The Vandaleur's Folly arise from the highly charged political arena of the 1970s in Ireland. Arden and D'Arcy have been consistently interested in using drama to extend the very boundaries of national identity and human freedom.




Arden Plays: 1


Book Description

'The modern English theatre has had its poets and it has had its dramatists but in John Arden it has acquired its first dramatic poet since - well, let's be rash - the days of Shakespeare.' - Sunday Times. The Waters of Babylon: 'This wild, acidly funny and oddly tragic story of London low-life... reveals Arden's tough linguistic freedom and the free-wheeling ease with which he switches from prose to verse and back again' Sunday Times Live Like Pigs: 'Thrilling theatre... a rumbustious delight, outrageously funny, powerfully dramatic and, when you least expect it, genuinely moving... a modern classic' Daily Telegraph The Happy Haven (written with Margaretta D'Arcy): 'This rare and excellent revival perfectly reflects the play's bizarre atmosphere, its potent mixture of farcical prose, rhymed poetry, its marked avoidance of schematic moral codes' Time Out Serjeant Musgrave's Dance: 'A modern classic... a white-hot piece of work... Since its first appearance in 1959, the play has advanced towards us as if in a slow prophetic march' The Times Also included in the volume is When is a Door not a Door?, a one-act 'industrial episode'.







Arden


Book Description

A collection of plays written in collaboration between John Arden and Margaretta D'Arcy. The plays featured here include "The Business of Good Government", "Ars Longa Vita Brevis", "Friday's Hiding", "The Royal Pardon", "Vandaleur's Folly" and "The Little Gray Home in the West".




Arden Plays: 2


Book Description

"Arden is to me a writer a bit like Shakespeare in approach, in that the writing not only has to convey...the dialogue of characters speaking together, but also has to carry the sense of the social environment and the texture of people's lives." This second volume of John Arden's plays includes works from the 1960s. Armstrong's Last Goodnight, although set in 16th century Scotland, sheds new light on the experience of conscript soldiers at the tail end of colonialism in the 1960s; The Workhouse Donkey presents "not just a kaleidoscopic portrait of a living community; it also has the moral uncertainty of life itself" (Michael Billington The Guardian). Left-handed Liberty anatomises the disintegration of the feudal system under King John; while The True History of Squire Jonathan and his Unfortunate Treasure and the radio play The Bagman are based on real incidents, personal and political in Arden's own life. "Arden is a giant of modern playwriting. He writes on an epic scale that few have attained since, the plays tumble into action, and with vivid human response." (Dominic Dromgoole)




British Playwrights, 1956-1995


Book Description

The year 1956 marked a point when British drama and theater fell into the hands of a group of young playwrights who revolutionized the stage. During that time, playwrights such as Samuel Beckett and Harold Pinter made the British theater as rich, varied, and vital as any national theater in history. This reference chronicles the history of British theater from 1956 to 1995 by providing detailed information about the playwrights of that period. Included are entries for some three dozen British playwrights active between 1956 and 1995. Entries are arranged alphabetically to facilitate use. Each entry supplies biographical information, the production history for particular plays, a survey of the playwright's critical reception, an assessment of the dramatist's work, and primary and secondary bibliographies. A selected, general bibliography at the end of the volume directs the reader to important sources of additional information about this period in theater history.




English Drama Since 1940


Book Description

English Drama Since 1940 considers the bids of successive post-war dramatists to find language and images of remorseless disclosure, appropriate to the public manifestation of sensed crisis and the interrogation of the ideal of renewal. This book introduces the period and its discourse whilst redefining them, to give proper consideration to developments of themes, styles, concerns and contexts from the 80s to the present. The book offers succinct and analytical introductions to the work of 60 dramatists, whilst arguing for (re)appraisal of many dates critical perspectives, in order to stimulate further argument in the field.




A Companion to Modern British and Irish Drama, 1880 - 2005


Book Description

This wide-ranging Companion to Modern British and Irish Drama offers challenging analyses of a range of plays in their political contexts. It explores the cultural, social, economic and institutional agendas that readers need to engage with in order to appreciate modern theatre in all its complexity. An authoritative guide to modern British and Irish drama. Engages with theoretical discourses challenging a canon that has privileged London as well as white English males and realism. Topics covered include: national, regional and fringe theatres; post-colonial stages and multiculturalism; feminist and queer theatres; sex and consumerism; technology and globalisation; representations of war, terrorism, and trauma.




Modern Dramatists


Book Description

This comprehensive collection gathers critical essays on the major works of the foremost American and British playwrights of the 20th century, written by leading figures in drama/performance studies.




Partners of the Imagination


Book Description

Partners of the Imagination is the first in-depth study of the work of John Arden and Margaretta D’Arcy, partners in writing and cultural and political campaigns. Beginning in the 1950s, Arden and D’Arcy created a series of hugely admired plays performed at Britain’s major theatres. Political activists, they worked tirelessly in the peace movement and the Northern Ireland ‘Troubles’, during which D’Arcy was gaoled. She is also a veteran of the Greenham Common Women’s Peace camp. Their later work included Booker-listed novels, prize-winning stories, essays and radio plays, and D’Arcy founded and ran a Woman’s Pirate Radio station. Raymond Williams described Arden as ‘the most genuinely innovative’ of the playwrights of his generation, and Chambers and Prior claimed that ‘The Non-Stop Connolly Show’, D’Arcy and Arden’s six-play epic, ‘has fair claim to being one of the finest pieces of post-war drama in the English language’. This study explores the connections between art and life, and between the responsibilities of the writer and the citizen. Importantly, it also evaluates the range of literary works (plays, poetry, novels, essays, polemics) created by these writers, both as literature and drama, and as controversialist activity in its own right. This work is a landmark examination of two hugely respected radical writers.