Are the Lips a Grave?


Book Description

Lynne Huffer's ambitious inquiry redresses the rift between feminist and queer theory, traversing the space of a new, post-moral sexual ethics that includes pleasure, desire, connection, and betrayal. She begins by balancing queer theorists' politics of sexual freedoms with a moralizing feminist politics that views sexuality as harm. Drawing on the best insights from both traditions, she builds an ethics centered on eros, following Michel Foucault's ethics as a practice of freedom and Luce Irigaray's lyrical articulation of an ethics of sexual difference. Through this theoretical lens, Huffer examines everyday experiences of ethical connection and failure connected to sex, including queer sexual practices, sodomy laws, interracial love, pornography, and work-life balance. Her approach complicates sexual identities while challenging the epistemological foundations of subjectivity. She rethinks ethics "beyond good and evil" without underestimating, as some queer theorists have done, the persistence of what Foucault calls the "catastrophe" of morality. Elaborating a thinking-feeling ethics of the other, Huffer encourages contemporary intellectuals to reshape sexual morality from within, defining an ethical space that is both poetically suggestive and politically relevant, both conceptually daring and grounded in common sexual experience.




Girl at the Grave


Book Description

A debut author unearths the long-buried secrets of a small New England town in the 1850s in this richly atmospheric Gothic tale of murder, guilt, redemption, and finding love where it's least expected.




The Graveyard Book


Book Description

It takes a graveyard to raise a child. Nobody Owens, known as Bod, is a normal boy. He would be completely normal if he didn't live in a graveyard, being raised by ghosts, with a guardian who belongs to neither the world of the living nor the dead. There are adventures in the graveyard for a boy—an ancient Indigo Man, a gateway to the abandoned city of ghouls, the strange and terrible Sleer. But if Bod leaves the graveyard, he will be in danger from the man Jack—who has already killed Bod's family.




Grave Peril


Book Description

After Chicago's ghost population starts going seriously postal, resident wizard Harry Dresden much figure out who is stirring them up and why they all seem to be somehow connected to him.




Don't Call Me a Hero


Book Description

Danger and intrigue of the US Army Bomb Disposal teams in the European Theatre of Operations, as young Eric Pedersen from Little Falls, Minnesota, enlists in the Army at the outbreak of World War 2, and volunteers for the newly established Bomb Disposal program. He is quickly shipped to North Africa with his squad, takes part in the victory of the desert campaign, then moves on to Sicily and Italy, and finally becomes embroiled in the landing at Normandy and the march through France, culminating with the final victory in Germany. As Eric moves through the combat arenas, he befriends men of the famous Japanese-American 442nd Regimental Combat Team and forges a lasting relationship with his new friend from the 3rd Infantry Division, Audie Murphy.





Book Description




Go to My Grave


Book Description

From Catriona McPherson, the Agatha-Award winning author of Quiet Neighbors, comes a clever, spine-tingling standalone Gothic thriller. “Go to My Grave is both a classic ‘country house mystery’ and a thriller. Atmospheric, with mind-bending twists, a narrator who may or may not be reliable, and an ending that will take your breath away and leave you astonished.” —Louise Penny Donna Weaver has put everything she has into restoring The Breakers, an old bed and breakfast on a remote stretch of beach in Galloway. Now it sits waiting—freshly painted, richly furnished, filled with flowers—for the first guests to arrive. But Donna's guests, a contentious group of estranged cousins, soon realize that they’ve been here before, years ago. Decades have passed, but that night still haunts them: a sixteenth birthday party that started with peach schnapps and ended with a girl walking into the sea. Each of them had made a vow of silence: “lock it in a box, stitch my lips, and go to my grave.” But now someone has broken the pact. Amid the home-baked scones and lavish rooms, someone is playing games, locking boxes, stitching lips. And before the weekend is over, at least one of them will go to their grave.




Gravemaidens


Book Description

“A dark, delectable, and utterly unique series that readers will want to drown in.” —Laura Sebastian, New York Times bestselling author of the Ash Princess series The start of a fierce fantasy duology about three maidens who are chosen for their land's greatest honor...and one girl determined to save her sister from the grave. In the walled city-state of Alu, Kammani wants nothing more than to become the accomplished healer her father used to be before her family was cast out of their privileged life in shame. When Alu's ruler falls deathly ill, Kammani’s beautiful little sister, Nanaea, is chosen as one of three sacred maidens to join him in the afterlife. It’s an honor. A tradition. And Nanaea believes it is her chance to live an even grander life than the one that was stolen from her. But Kammani sees the selection for what it really is—a death sentence. Desperate to save her sister, Kammani schemes her way into the palace to heal the ruler. There she discovers more danger lurking in the sand-stone corridors than she could have ever imagined and that her own life—and heart—are at stake. But Kammani will stop at nothing to dig up the palace’s buried secrets even if it means sacrificing everything…including herself. "A dark and utterly enthralling journey to an ancient land, Gravemaidens grabs you by your beating heart and refuses to let go until the bitter, breathtaking end."—Sarah Glenn Marsh, author of the Reign of the Fallen series




Foucault's Strange Eros


Book Description

What is the strange eros that haunts Foucault’s writing? In this deeply original consideration of Foucault’s erotic ethics, Lynne Huffer provocatively rewrites Foucault as a Sapphic poet. She uncovers eros as a mode of thought that erodes the interiority of the thinking subject. Focusing on the ethical implications of this mode of thought, Huffer shows how Foucault’s poetic archival method offers a way to counter the disciplining of speech. At the heart of this method is a conception of the archive as Sapphic: the past’s remains are, like Sappho’s verses, hole-ridden, scattered, and dissolved by time. Listening for eros across fragmented texts, Huffer stages a series of encounters within an archive of literary and theoretical readings: the eroticization of violence in works by Freud and Eve Kosofsky Sedgwick, the historicity of madness in the Foucault-Derrida debate, the afterlives of Foucault’s antiprison activism, and Monique Wittig’s Sapphic materialism. Through these encounters, Foucault’s Strange Eros conceives of ethics as experiments in living that work poetically to make the present strange. Crafting fragments that dissolve into Sapphic brackets, Huffer performs the ethics she describes in her own practice of experimental writing. Foucault’s Strange Eros hints at the self-hollowing speech of an eros that opens a space for the strange.




The Other Half of the Grave


Book Description

From the New York Times bestselling author of the Night Huntress series comes a thrilling new look at the iconic origin story of Cat and Bones, as experienced by Bones...from the other half of the grave. There are two sides to every story–and the sizzling British alpha vampire, Bones, has a lot to say... Ever wondered what Bones was thinking and feeling when he and half-vampire Cat Crawfield first met? Or how their story might differ if he were the one telling it? Now, relive the beginning of Cat and Bones' bestselling love story through Bones' point of view, which reveals a darker, sexier take on their early days, as well as a deeper dive into Bones' past, the vampire world, and other things that Cat didn't see when their story was told only through her eyes in Halfway to the Grave. Cat had her say. Now, it's Bones' turn.