Ariadne of Europe


Book Description

(Black and white edition). Many lies and false accusations have been told through the ages about King Minos of Crete, his wife Queen Pasiphae, his daughter Ariadne and his son Minotaur. This, according to the author, is the true story about the royal family of Crete, only this time told from a Cretan perspective. The author refutes the erroneous information that comes from classical Greek sources, read: the Athenians from about 500 BC. Remind yourself that Ariadne and her family lived a thousand years earlier though, around 1.500 BC, among the high cultured Minoans. With this historical novel, Henk Ruis explains how the essentially fake news about Minos and Ariadne could have been spread, and with the hitherto unexplained demise of Minoan culture, that simply vanished around 1.200 BC, could be firmly anchored in Greek mythology. A Queen having intercourse with a bull, and giving birth to a ferocious creature, half man, half bull: this is of course bullshit. King Minos is portrayed by the Athenians as a cruel tyrant, who each year has seven young men and seven young women from Athens sacrificed to the man-eating Minotaur. Ariadne is portrayed as the silly girl who becomes so infatuated with the Greek hero Theseus that she betrays her own father, lets her own brother be killed by Theseus, who escapes using her famous thread, and then elopes with the Greek hero: only to be left for trash on the Greek island of Dia (Naxos). The author thinks that all these are evil and malicious stories, and in this book he wants to let the world know what really happened 3.500 years ago on Crete. The novel takes the form of a love story about Ariadne and her divine boyfriend Dionysus, who wants to make her his wife. Dionysus has never before seen such a witty, wise and funny girl. But also the sea God Poseidon and the Greek hero Theseus have an eye on the beautiful and seductive princess, with the stunning blonde curls (καλλιπλοκάμῳ), that Homer already mentioned in his Iliad 18:594 (appr. 800 BC). Ariadne initially prefers her own career at the Court of King Minos to the advances of the divine Dionysus. With a strongly developed sense of justice, she writes a law book that reflects equality between men and women. Crete becomes widely known for its balanced justice system. Ultimately, fate, from an unexpected side, is inevitable. En passant a whole number of pre-Greek myths, more than 30, are told. Some of these classic stories are told at length, others are briefly touched upon. The novel is very well presented in a beautiful and legible font (Minion Pro) and the layout is well thought out, which increases readability. The original book was executed in full colour with more than 40 reproductions of beautiful works of art, which have been reproduced in black and white in this edition to reduce printing costs. The author has added a 14-page note chapter with references to the works of the classical writers. With an epilogue by the editor on immortality and religion. Dalfsen, the Netherlands, October 2020.




Ariadne


Book Description

A mesmerizing debut novel for fans of Madeline Miller's Circe. Ariadne, Princess of Crete, grows up greeting the dawn from her beautiful dancing floor and listening to her nursemaid’s stories of gods and heroes. But beneath her golden palace echo the ever-present hoofbeats of her brother, the Minotaur, a monster who demands blood sacrifice. When Theseus, Prince of Athens, arrives to vanquish the beast, Ariadne sees in his green eyes not a threat but an escape. Defying the gods, betraying her family and country, and risking everything for love, Ariadne helps Theseus kill the Minotaur. But will Ariadne’s decision ensure her happy ending? And what of Phaedra, the beloved younger sister she leaves behind? Hypnotic, propulsive, and utterly transporting, Jennifer Saint's Ariadne forges a new epic, one that puts the forgotten women of Greek mythology back at the heart of the story, as they strive for a better world.




Ariadne's Children


Book Description

An Englishman sets out for an ancient Greek palace in Crete to clear his family's name. The man's father and grandfather excavated it and they have been accused by the archeological community of fabricating artifacts. A first novel.




Ariadne's Thread


Book Description

This book is a powerful, interdisciplinary introduction to environmental studies.




The Ariadne Objective: Patrick Leigh Fermor and the Underground War to Rescue Crete from the Nazis


Book Description

"Wes Davis' fast-paced tale of wartime sabotage reads more like an Ian Fleming thriller than a mere retelling of events." ―Wall Street Journal "The story unfolds with the rich characterization and perfectly calibrated suspense of a great novel. It can be hard at points to remember the book is actually a work of nonfiction." ―Christian Science Monitor The Ariadne Objective is the extraordinary story of the Nazi occupation of Crete told from the perspective of an eccentric band of British gentleman spies. These amateur soldiers―writers, scholars, archaeologists―included Patrick Leigh Fermor, a future travel-writing luminary; John Pendlebury, a pioneering archaeologist whose walking stick concealed a sword; Xan Fielding, who would later translate books like Bridge over the River Kwai and Planet of the Apes into English; Sandy Rendel, a future Times of London reporter; and W. Stanley Moss, who would write up his account of their exploits in Ill Met By Moonlight (Paul Dry Books, Inc.). Alongside Cretan partisans, these British intelligence officers carried out a daring plan to sabotage Nazi maneuvers, culminating in a high-risk plot to abduct the island’s German commander. Wes Davis presents the scintillating story of these legends in the making and their adventures in one of the war’s most exotic locales. Includes 17 black and white photographs.




Loiterings in Europe; Or


Book Description




Encyclopedia of Romantic Nationalism in Europe


Book Description

This encyclopedia documents the presence and impact of nationalized cultural consciousness in European nationalism. It tracks how intellectuals, historians, philologists, novelists, poets, painters, folklorists, and composers, in an intensely collaborative transnational network, articulated the national identities and aspirations that would go on to determine European history and politics, with effects that are still felt today. Edited by Joep Leerssen, in cooperation with almost 350 authors from dozens of countries, this encyclopedia gives a clear idea of the intricate (transnational and intermedial) networks and entanglements in which all aspects of Romantic Nationalism are connected. The online Open Access edition of The Encyclopedia of Romantic Nationalism in Europe is available here.




Ariadne's Clue


Book Description

Symbolism is the most powerful and ancient means of communication available to humankind. For centuries people have expressed their preoccupations and concerns through symbolism in the form of myths, stories, religions, and dreams. The meaning of symbols has long been debated among philosophers, antiquarians, theologians, and, more recently, anthropologists and psychologists. In Ariadne's Clue, distinguished analyst and psychiatrist Anthony Stevens explores the nature of symbols and explains how and why we create the symbols we do. The book is divided into two parts: an interpretive section that concerns symbols in general and a "dictionary" that lists hundreds of symbols and explains their origins, their resemblances to other symbols, and the belief systems behind them. In the first section, Stevens takes the ideas of C. G. Jung a stage further, asserting not only that we possess an innate symbol-forming propensity that exists as a creative and integral part of our psychic make-up, but also that the human mind evolved this capacity as a result of selection pressures encountered by our species in the course of its evolutionary history. Stevens argues that symbol formation has an adaptive function: it promotes our grasp on reality and in dreams often corrects deficient modes of psychological functioning. In the second section, Stevens examines symbols under four headings: "The Physical Environment," "Culture and Psyche," "People, Animals, and Plants," and "The Body." Many of the symbols are illustrated in the book's rich variety of woodcuts. From the ancient symbol of the serpent to the archetypal masculine and feminine, from the earth to the stars, from the primordial landscape of the savannah to the mysterious depths of the sea, Stevens traces a host of common symbols back through time to reveal their psychodynamic functioning and looks at their deep-rooted effects on the lives of modern men, women, and children.




Critical Heritage Studies and the Futures of Europe


Book Description

Cultural and natural heritage are central to ‘Europe’ and ‘the European project’. They were bound up in the emergence of nation-states in the eighteenth and nineteenth centuries, where they were used to justify differences over which border conflicts were fought. Later, the idea of a ‘common European heritage’ provided a rationale for the development of the European Union. Now, the emergence of ‘new’ populist nationalisms shows how the imagined past continues to play a role in cultural and social governance, while a series of interlinked social and ecological crises are changing the ways that heritage operates, with new discourses and ontologies emerging to reconfigure heritage for the circumstances of the present and the uncertainties of the future. Taking the current role of heritage in Europe as its starting point, Critical Heritage Studies and the Futures of Europe presents a number of case studies that explore key themes in this transformation. Contributors draw on a range of disciplinary perspectives to consider, variously, the role of heritage and museums in the migration and climate ‘emergencies’; approaches to urban heritage conservation and practices of curating cities; digital and digitised heritage; the use of heritage as a therapeutic resource; and critical approaches to heritage and its management. Taken together, the chapters explore the multiple ontologies through which cultural and natural heritage have and continue to intervene actively in redrawing the futures of Europe and the world' Praise for Critical Heritage Studies and the Futures of Europe 'Filled with many fascinating and diverse chapters, this book vividly demonstrates the dynamism and breadth of critical heritage study of, in, and entangled with Europe today' Sharon Macdonald, Alexander von Humboldt Professor of Social Anthropology and Director of the Centre for Anthropological Research on Museums and Heritage (CARMAH) in the Institute of European Ethnology at Humboldt-Universität zu Berlin. 'Far from being restrictive, let alone chauvinistic, the multiscalar European focus of this book confirms the breadth and relevance of current critical heritage studies. With contributions addressing such topical issues as climate emergencies, urban landscapes, cultural industries, new media and identity politics – be they written by established scholars or by emerging researchers – it is "Europe" with all its shared grounds and recurrent divergences that comes into sharper relief. From this vantage point, readers of this compelling book will be better positioned for reflecting on and eventually influencing and challenging our heritage futures.' Nathan Schlanger, Professor of Archaeology, École nationale des chartes, Paris. 'This book addresses European heritage realities and futures through new voices, paradigms, and methods. It is a collage of tensions – practically a representation of Europe itself – through which to comprehend contemporary intersections of time, place, things, and meaning. It contributes to new vistas in heritage studies: the offer of design and imagination as methods; reckonings with data and climate change as seemingly uncontrollable actors; and the ongoing negotiation of ‘criticality’ in the making of our responsibilities for the past in the present' Christopher Whitehead, Professor of Museology, Newcastle University.




Central Europe


Book Description

Throughout the ages, small nations struggled valiantly against a series of imperial powers - Ottoman Turkey, Habsburg Austria, imperial Germany, czarist Russia, Nazi Germany, and the Soviet Union - and they lost regularly. Johnson's account is present-minded in the best sense: in describing actual historical events, he illustrates the ways they have been remembered, and how they contribute to the national assumptions that still drive European politics today.