Around the World in 366 Tales - December Danger


Book Description

Ten-year-old Sadie Meadows is reading in bed on New Year's Eve when she notices an unopened present beneath her window. She finds it contains a book called The World from Your Bedroom - There and Back Again, but when she opens it up and begins to read, she is disappointed to see it is nothing more than a travel book packed with pages detailing hundreds of places across the world. She reads the first page, then puts the book down just as sleep claims her at the instant that the New Year arrives. She awakes to find that, instead of being in her bedroom at home in Skipton, somehow she has been transported to Ireland, the location that she had just read about in the book. There follow a series of adventures, each set in a different location, as Sadie finds herself travelling across the globe as she attempts to get back home again. This month sees her completing her travels across Europe and returning to the United Kingdom. But will she be allowed to go home?




Around the World in 366 Tales - September Surprises


Book Description

Ten-year-old Sadie Meadows is reading in bed on New Year's Eve when she notices an unopened present beneath her window. She finds it contains a book called The World from Your Bedroom - There and Back Again, but when she opens it up and begins to read, she is disappointed to see it is nothing more than a travel book packed with pages detailing hundreds of places across the world. She reads the first page, then puts the book down just as sleep claims her at the instant that the New Year arrives. She awakes to find that, instead of being in her bedroom at home in Skipton, somehow she has been transported to Ireland, the location that she had just read about in the book. There follow a series of adventures, each set in a different location, as Sadie finds herself travelling across the globe as she attempts to get back home again. This month sees her journeying across China and the Far East into the Indian subcontinent and the Middle East.




Around the World in 366 Tales - October Ordeals


Book Description

Ten-year-old Sadie Meadows is reading in bed on New Year's Eve when she notices an unopened present beneath her window. She finds it contains a book called The World from Your Bedroom - There and Back Again, but when she opens it up and begins to read, she is disappointed to see it is nothing more than a travel book packed with pages detailing hundreds of places across the world. She reads the first page, then puts the book down just as sleep claims her at the instant that the New Year arrives. She awakes to find that, instead of being in her bedroom at home in Skipton, somehow she has been transported to Ireland, the location that she had just read about in the book. There follow a series of adventures, each set in a different location, as Sadie finds herself travelling across the globe as she attempts to get back home again. This month sees her completing her travels across the Middle East and journeying into Eastern Europe.




Around the Worlds - Planetary Perils


Book Description

Almost eight months after her adventures around the world had concluded, twelve-year-old Sadie Meadows has been celebrating her birthday at home when 'The Book' pays her another unwelcome visit. This time, it tells her that she will be taken to the various planets of the Solar System, one a year at the end of this and her next seven birthdays. When she awakes, she finds herself on the surface of the planet Mercury, where she is given a task to complete before she will be allowed to go home. Will she be able to fulfil her requirements, year-by-year, until she can finally go back for good?




Refiguring Melodrama in Film and Television


Book Description

The notion of mode is critical in the reevaluation of melodrama. As a mode, melodrama appears not only as a dramatic genre pervaded by sensationalism, exaggerations, and moral polarities, but also as a cultural imaginary that shapes the emotional experience of modernity, characterized by anxiety, moral confusion, and the dissolution of hierarchy. Despite its usefulness, the notion of mode remains mystifying: What exactly are modes and how do they differ from genres? Refiguring Melodrama in Film and Television: Captive Affects, Elastic Sufferings, Vicarious Objects argues that, whereas genres divide a universe in terms of similarities and differences, modes express or modify an indivisible whole. This study contends that the melodramatic mode is concerned with the expression of the social whole in terms of suffering. Zarzosa explains how melodrama is not a cultural imaginary that proclaims the existence of a defunct moral order in a post-sacred world, but an apparatus that shapes suffering and redistributes its visibility. The moral ideas we associate with melodrama are only a means to achieve this end. To develop this conception of melodrama, Refiguring Melodrama in Film and Television offers a novel conceptualization of the following aspects of melodrama theory: affect, interpretation, exchange, excess, sacrifice, and coincidence. These aspects of melodrama are coupled with the analysis of classic melodramas (Home from the Hill and The Story of Adele H.), contemporary films (The Piano, Safe], and Year of the Dog), and television series (Torchwood and Lost). Refiguring Melodrama in Film and Television provides an essential new look at melodrama and its function in popular culture and media.




The Sketch


Book Description




Journalists at Risk


Book Description

Covers reporters' roles and risks during war time; the issue of censorship; and how their jobs have changed with each conflict since the Civil War.




Microfinance, Risk-taking Behaviour and Rural Livelihood


Book Description

This book offers an in-depth analysis of borrowing and risk taking behavior of rural people, with the aim of designing effective financial products and service delivery in the rural market. Includes analysis of government schemes to promote rural development.







Radical Innocent: Upton Sinclair


Book Description

Few American writers have revealed their private as well as their public selves so fully as Upton Sinclair, and virtually none over such a long lifetime (1878—1968). Sinclair’s writing, even at its most poignant or electrifying, blurred the line between politics and art–and, indeed, his life followed a similar arc. In Radical Innocent: Upton Sinclair, Anthony Arthur weaves the strands of Sinclair’s contentious public career and his often-troubled private life into a compelling personal narrative. An unassuming teetotaler with a fiery streak, called a propagandist by some, the most conservative of revolutionaries by others, Sinclair was such a driving force of history that one could easily mistake his life story for historical fiction. He counted dozens of epochal figures as friends or confidants, including Mark Twain, Jack London, Henry Ford, Thomas Mann, H. G. Wells, Theodore and Franklin Roosevelt, Albert Einstein, Charlie Chaplin, Albert Camus, and Carl Jung. Starting with The Jungle in 1906, Sinclair’s fiction and nonfiction helped to inform and mold American opinions about socialism, labor and industry, religion and philosophy, the excesses of the media, American political isolation and pacifism, civil liberties, and mental and physical health. In his later years, Sinclair twice reinvented himself, first as the Democratic candidate for governor of California in 1934, and later, in his sixties and seventies, as a historical novelist. In 1943 he won a Pulitzer Prize for Dragon’s Teeth, one of eleven novels featuring super-spy Lanny Budd. Outside the literary realm, the ever-restless Sinclair was seemingly everywhere: forming Utopian artists’ colonies, funding and producing Sergei Eisenstein’s film documentaries, and waging consciousness-raising political campaigns. Even when he wasn’t involved in progressive causes or counterculture movements, his name often was invoked by them–an arrangement that frequently embroiled Sinclair in controversy. Sinclair’ s passion and optimistic zeal inspired America, but privately he could be a frustrated, petty man who connected better with his readers than with members of his own family. His life with his first wife, Meta, his son David, and various friends and professional acquaintances was a web of conflict and strain. Personally and professionally ambitious, Sinclair engaged in financial speculation, although his wealth-generating schemes often benefited his pet causes–and he lobbied as tirelessly for professional recognition and awards as he did for government reform. As the tenor of his work would suggest, Sinclair was supremely human. In Radical Innocent: Upton Sinclair, Anthony Arthur offers an engrossing and enlightening account of Sinclair’s life and the country he helped to transform. Taking readers from the Reconstruction South to the rise of American power to the pinnacle of Hollywood culture to the Civil Rights era, this is historical biography at its entertaining and thought-provoking finest.