Islamic Art and Architecture in the European Periphery


Book Description

Mainly rev. papers from an international symposium held Sept. 17-21, 2004 in Berlin.




Inside/Outside Islamic Art and Architecture


Book Description

When we walk into a gallery, we have a fairly good idea where the building begins and ends; and inside, while observing a painting, we are equally confident in distinguishing between the painting-proper and its frame and borders. Yet, things are often more complicated. A building defines an exterior space just as much as an interior, and what we perceive to be ornamental and marginal to a given painting may in fact be central to what it represents. In this volume, a simple question is presented: instead of dichotomous separations between inside and outside, or exterior and interior, what other relationships can we think of? The first book of its kind to grapple with this question, Inside/Outside Islamic Art and Architecture focuses on a wide spectrum of mediums and topics, including painted manuscripts, objects, architectural decoration, architecture and urban planning, and photography. Bringing together scholars with diverse methodologies-who work on a geographical span stretching from India to Spain and Nigeria, and across a temporal spectrum from the thirteenth to the twenty-first century-this original book also poses engaging questions about the boundaries of the field.




Architecture and Asceticism: Cultural interaction between Syria and Georgia in Late Antiquity


Book Description

In Architecture and Asceticism Loosley Leeming presents the first interdisciplinary exploration of Late Antique Syrian-Georgian relations available in English. The author takes an inter-disciplinary approach and examines the question from archaeological, art historical, historical, literary and theological viewpoints to try and explore the relationship as thoroughly as possible. Taking the Georgian belief that ‘Thirteen Syrian Fathers’ introduced monasticism to the country in the sixth century as a starting point, this volume explores the evidence for trade, cultural and religious relations between Syria and the Kingdom of Kartli (what is now eastern Georgia) between the fourth and seventh centuries CE. It considers whether there is any evidence to support the medieval texts and tries to place this posited relationship within a wider regional context.




Grove Encyclopedia of Islamic Art & Architecture: Three-Volume Set


Book Description

The Grove Encyclopedia of Islamic Art and Architecture is the most comprehensive reference work in this complex and diverse area of art history. Built on the acclaimed scholarship of the Grove Dictionary of Art, this work offers over 1,600 up-to-date entries on Islamic art and architecture ranging from the Middle East to Central and South Asia, Africa, and Europe and spans over a thousand years of history. Recent changes in Islamic art in areas such as Afghanistan, Iran, and Iraq are elucidated here by distinguished scholars. Entries provide in-depth art historical and cultural information about dynasties, art forms, artists, architecture, rulers, monuments, archaeological sites and stylistic developments. In addition, over 500 illustrations of sculpture, mosaic, painting, ceramics, architecture, metalwork and calligraphy illuminate the rich artistic tradition of the Islamic world. With the fundamental understanding that Islamic art is not limited to a particular region, or to a defined period of time, The Grove Encyclopedia of Islamic Art and Architecture offers pathways into Islamic culture through its art.




The Art of Armenia


Book Description

Though immediately recognizable in public discourse as a modern state in a political "hot zone," Armenia has a material history and visual culture that reaches back to the Paleolithic era. This book presents a timely and much-needed survey of the arts of Armenia from antiquity to the early eighteenth century C.E. Divided chronologically, it brings into discussion a wide range of media, including architecture, stone sculpture, works in metal, wood, and cloth, manuscript illumination, and ceramic arts. Critically, The Art of Armenia presents this material within historical and archaeological contexts, incorporating the results of specialist literature in various languages. It also positions Armenian art within a range of broader comparative contexts including, but not limited to, the ancient Mediterranean and Near East, Byzantium, the Islamic world, Yuan-dynasty China, and seventeenth-century Europe. The Art of Armenia offers students, scholars, and heritage readers of the Armenian community something long desired but never before available: a complete and authoritative introduction to three thousand years of Armenian art, archaeology, architecture, and design.




Archiprix International


Book Description

Every two years, Archiprix International invites all university-level courses in the field of architecture, urban planning and landscape architecture to select their best graduation projects and to submit these for participation. This book presents a cross-section of the projects, including the nominees and winners chosen by an independent jury, and the favorites chosen by the participants themselves, supplemented by a representative selection that shows the range of designs and the graphical distribution across all continents. In addition, the book contains the jury report as well as biographies of the designers of the nominated projects. A DVD presents the entirety of the projects. Archiprix International was first organized in Rotterdam, the home base of Archiprix International, in 2001. In 2007, Archiprix International is held in Shanghai, with the College of Architecture and Urban Planning of Tongji University as the main partner. Archiprix International provides a platform for educational courses in architecture, urban planning and landscape architecture, and brings together and supports newly-graduated, talented designers at the start of their career.




Culture and Customs of the Caucasus


Book Description

Students struggling to find information on the modern lives of those living in Eurasia need not look any farther! Written for high school and undergraduate students, Culture and Customs of the Caucasus fills a major void on library shelves. This unique reference work explores contemporary life in three former Soviet Union republics: Armenia, Azerbaijan, and Georgia. No other reference book offers such exhaustive material on the traditions and customs of all three nations. Students studying world culture, social studies, and multicultural issues can use this engaging and comprehensive volume to learn about the Caucasus's history, urban life, religion, literature, cuisine, holidays, and leisure activities, among many other topics. In the early 1990's, Armenia, Azerbaijan, and Georgia emerged from the grip of the Soviet Union and stood on their own for the first time in almost a century. Today, these three nations are slowly emerging from communism's dark cloud, thriving culturally and gaining strength economically. Written for high-school students, Culture and Customs of the Caucasus is the ultimate one-stop reference source that explores the three countries in the region-no other reference work provides such comprehensive and current material. Students studying world culture, social studies, and multicultural issues can use this engaging and wide-ranging volume to learn about the Caucasus's history, urban life, religion, literature, cuisine, holidays, and leisure activities, among many other topics.




The Sasanian World through Georgian Eyes


Book Description

Georgian literary sources for Late Antiquity are commonly held to be later productions devoid of historical value. As a result, scholarship outside the Republic of Georgia has privileged Graeco-Roman and even Armenian narratives. However, when investigated within the dual contexts of a regional literary canon and the active participation of Caucasia’s diverse peoples in the Iranian Commonwealth, early Georgian texts emerge as a rich repository of late antique attitudes and outlooks. Georgian hagiographical and historiographical compositions open a unique window onto a northern part of the Sasanian world that, while sharing striking affinities with the Iranian heartland, was home to vibrant, cosmopolitan cultures that developed along their own trajectories. In these sources, precise and accurate information about the core of the Sasanian Empire-and before it, Parthia and Achaemenid Persia-is sparse; yet the thorough structuring of wider Caucasian society along Iranian and especially hybrid Iranic lines is altogether evident. Scrutiny of these texts reveals, inter alia, that the Old Georgian language is saturated with words drawn from Parthian and Middle Persian, a trait shared with Classical Armenian; that Caucasian society, like its Iranian counterpart, was dominated by powerful aristocratic houses, many of whose origins can be traced to Iran itself; and that the conception of kingship in the eastern Georgian realm of K’art’li (Iberia), even centuries after the royal family’s Christianisation in the 320s and 330s, was closely aligned with Arsacid and especially Sasanian models. There is also a literary dimension to the Irano-Caucasian nexus, aspects of which this volume exposes for the first time. The oldest surviving specimens of Georgian historiography exhibit intriguing parallels to the lost Sasanian Xwadāy-nāmag, The Book of Kings, one of the precursors to Ferdowsī’s Shāhnāma. As tangible products of the dense cross-cultural web drawing the re




Development, architecture, and the formation of heritage in late twentieth-century Iran


Book Description

What is the relationship between development as a globalizing project and the production of cultural specificities in developmental contexts? Utilising an architectural lens, this book illustrates how development instigates interest in the past and in the process, creates heritage. It show multiple uses of the past and their contestation in highly fluid social contexts.




Bibliography of Art and Architecture in the Islamic World (2 vols.)


Book Description

Following the tradition and style of the acclaimed Index Islamicus, the editors have created this new Bibliography of Art and Architecture in the Islamic World. The editors have surveyed and annotated a wide range of books and articles from collected volumes and journals published in all European languages (except Turkish) between 1906 and 2011. This comprehensive bibliography is an indispensable tool for everyone involved in the study of material culture in Muslim societies.