Liberty's


Book Description

First published in 1975, Liberty’s is the biography of a shop and its various owners in London. Responding to the social pressures, class patterns, and governmental policies, the developments in the shop mimic the social changes taking place in London. It is affected by war and depressions, by trade booms and enemy bombs, by changes in fashions and taste. Liberty’s not only reflected these changes but also contributed to the artistic movements and the development of fashionable taste. This book will be of interest to students of history, fashion and sociology.







The Art Interchange


Book Description







American Art to 1900


Book Description

From the simple assertion that "words matter" in the study of visual art, this comprehensive but eminently readable volume gathers an extraordinary selection of words—painters and sculptors writing in their diaries, critics responding to a sensational exhibition, groups of artists issuing stylistic manifestos, and poets reflecting on particular works of art. Along with a broad array of canonical texts, Sarah Burns and John Davis have assembled an astonishing variety of unknown, little known, or undervalued documents to convey the story of American art through the many voices of its contemporary practitioners, consumers, and commentators. American Art to 1900 highlights such critically important themes as women artists, African American representation and expression, regional and itinerant artists, Native Americans and the frontier, popular culture and vernacular imagery, institutional history, and more. With its hundreds of explanatory headnotes providing essential context and guidance to readers, this book reveals the documentary riches of American art and its many intersecting histories in unprecedented breadth, depth, and detail.




The Cult of Art in Nazi Germany


Book Description

The Cult of Art in Nazi Germany presents a new interpretation of National Socialism, arguing that art in the Third Reich was not simply an instrument of the regime, but actually became a source of the racist politics upon which its ideology was founded. Through the myth of the "Aryan race," a race pronounced superior because it alone creates culture, Nazism asserted art as the sole raison d'être of a regime defined by Hitler as the "dictatorship of genius." Michaud shows the important link between the religious nature of Nazi art and the political movement, revealing that in Nazi Germany art was considered to be less a witness of history than a force capable of producing future, the actor capable of accelerating the coming of a reality immanent to art itself.




War & Art


Book Description

War and Art: The Preservation of Italian Treasures is the result of a joint effort by the Embassy of Italy in Washington, D.C., the Museo Centrale del Risorgimento in Rome, the National World War I Museum in Kansas City, and the Woodrow Wilson House in Washington, D.C.. All joined forces to ensure that the 100th anniversary of the start of the Great War is not forgotten. On July 27, 2014 the Embassy of Italy remembered the last day of peace before the tragedy of WWI with a touching ceremony. At Arlington National Cemetery, a trumpeter played the moving notes of our “The Silence” – our equivalent of “Taps” in the US, and traditionally performed when bidding farewell to the fallen – while musicians in other cities throughout the world simultaneously did the same. To fully understand such a world-changing event as the Great War is to ensure and preserve peace and democracy today. In addition, its comprehension enables us to reconcile our legitimate pride in our national identities with the deep awareness of being citizens of the world. This photographic exhibition, based on images from the Museo del Risorgimento’s archive, highlights the ravages that war can wreak not only on human beings, but also on what should be the inviolate beauty of art. This exhibit represents a unique opportunity to recapture and gain more insight into a significant part of our history. The specific focus on preserving cultural heritage provides a first-hand cultural and historical perspective of the conflict, as well as of the broader Italian framework. It was also thanks to the vital support of the US that Italy was able to preserve most of its artistic treasures – and thus of its identity – from ruthless annihilation. This was in some ways the precursor of a tradition that was later embodied by the notable Monuments Men during the Second World War.




Art World


Book Description




Art-Union


Book Description