Art in Primitive Societies


Book Description

"Brings together the many insights of cultural anthropologists and art historians, treating art as both a visual and a cultural phenomenon"--




Primitive Art & Society


Book Description

Based on a conference held at Burg Wartenstein from 27 June to 5 July 1967.










Primitive Art in Civilized Places


Book Description

AcknowledgmentsIntroduction1. The Mystique of Connoisseurship2. The Universality Principle3. The Night Side of Man4. Anonymity and Timelessness5. Power Plays6. Objets d'Art and Ethnographic Artifacts7. From Signature to Pedigree8. A Case in PointAfterwordNotesReferences CitedIllustration Credits Copyright © Libri GmbH. All rights reserved.







The Myth of Primitivism


Book Description

This book explores the fusion of myth, history and geography which leads to ideas of primitivism, and looks at their construction, interpretation and consumption in Western culture. Contextualized by Susan Hiller's introductions to each section, discussions range from the origins of cultural colonialism to eurocentric ideas of primitive societies, including the use of primitive culture in constructing national identities, and the appropriation of primitivist imagery in modernist art. The result is a controversial critique of art theory, practice and politics, and a major enquiry into the history of primitivism and its implications for contemporary culture.




The Reinvention of Primitive Society


Book Description

The Reinvention of Primitive Society critiques ideas about the origins of society and religion that have been hotly debated since Darwin. Tracing interpretations of the barbarian, savage and primitive back through the centuries to ancient Greece, Kuper challenges the myth of primitive society, a concept revived in its current form by the modern indigenous peoples’ movement: tapping into widespread popular beliefs regarding the noble savage and reflecting a romantic reaction against ‘civilisation’ and ‘science’. Through a fascinating analysis of seminal works in anthropology, classical studies and law, this book reveals how wholly mistaken theories can become the basis for academic research and political programmes. Lucidly written and highly influential since first publication, it is a must-have text for those interested in anthropological theory and post-colonial debates.







Art and Aesthetics in Primitive Societies


Book Description

Papers by R.M. Berndt and N.D. Munn separately annotated.