Book Description
DIVThis legendary work presents a comprehensive survey that covers every issue of significance to today's performers, with numerous musical examples, authoritative citations, and scholarly interpretations and syntheses. /div
Author : F. T. Arnold
Publisher : Courier Corporation
Page : 786 pages
File Size : 28,32 MB
Release : 2013-01-23
Category : Music
ISBN : 0486171566
DIVThis legendary work presents a comprehensive survey that covers every issue of significance to today's performers, with numerous musical examples, authoritative citations, and scholarly interpretations and syntheses. /div
Author : George J. Buelow
Publisher : U of Nebraska Press
Page : 484 pages
File Size : 32,57 MB
Release : 1966-01-01
Category : Music
ISBN : 9780803261068
Johann David Heinichen (1683-1729) was a distinguished composer, a contemporary of Johann Sebastian Bach, and Cappellmeister at the court of August I in Dresden. His tratise, Der General-Bass in der Composition, is one of the most comprehensive sources for the late Baroque practice of figured-bass, or thorough-bass, accompaniment. It is a fund of information about many complex problems confronting musicians in the performance and interpretation of Baroque music, including meters, embellishments, dissonance, particular complications for recitative, and use of the figured bass. With a judicious combination of translation, interpretation, and commentary George J. Buelow makes Heinichen's famous treatise accessible for contemporary scholars and performers. Buelow provides translations of key sections of the treatise, explains its historical significance, clarifies Heinichen's obscurities, and relates the treatise to other musical theories and practices of the Baroque, including those of Gasparini, Mattheson, and the Bachs. Buelow, one of the world's premier experts on Baroque music, is a professor of musicology at Indiana University.
Author : Franck Thomas Arnold
Publisher : London : Holland Press
Page : 954 pages
File Size : 44,48 MB
Release : 1961
Category : Continuo
ISBN :
Author : George Frideric Handel
Publisher : Clarendon Press
Page : 116 pages
File Size : 18,89 MB
Release : 1990
Category : Music
ISBN : 9780193184336
This book is an edition, with commentary, of Handel's exercises for continuo playing, which he wrote for the daughters of George II. The exercises, which until now have not been readily available, are supplemented by clear and concise commentary. Remaining faithful to his source, Ledbetter, who lectures in keyboard studies, has prepared an edition that will prove invaluable to students and performers of the music of Handel and his contemporaries.
Author : William Crotch
Publisher :
Page : 72 pages
File Size : 39,63 MB
Release : 1825
Category :
ISBN :
Author : George J. Buelow
Publisher : Univ of California Press
Page : 340 pages
File Size : 39,10 MB
Release : 1966
Category : Continuo
ISBN :
Author : Kurt Adler
Publisher : Springer Science & Business Media
Page : 266 pages
File Size : 12,21 MB
Release : 2012-12-06
Category : Music
ISBN : 1461583659
IN WRITING a book for which there is no precedent (the tistic achievements. But, alas, there has not been such last textbooks about accompanying were written during a genius in the realm of music during the twentieth the age of thorough bass or shortly thereafter - the century. The creative musical genius of our space age eighteenth and early nineteenth centuries - and dealt has yet to be discovered, if he has been born. exclusively with the problems timely then) one must Our time has perfected technique to such a degree make one's own rules and set one's own standards. This that it could not help but create perfect technician freedom makes the task somewhat easier, if, on the one artists. Our leading creative artists master technique hand, one looks to the past: there is no generally ap to the point of being able to shift from one style to proved model to be followed and to be compared with another without difficulty. Take Stravinsky and Picasso, one's work; but, on the other hand, the task is hard be for instance: they have gone back and forth through as cause one's responsibility to present and future genera many periods of style as they wished. Only with a stu tions of accompanists and coaches is great.
Author : Giorgio Sanguinetti
Publisher : Oxford University Press
Page : 400 pages
File Size : 15,16 MB
Release : 2012-04-03
Category : Music
ISBN : 0199908990
At the height of the Enlightenment, four conservatories in Naples stood at the center of European composition. Maestros taught their students to compose with unprecedented swiftness and elegance using the partimento, an instructional tool derived from the basso continuo that encouraged improvisation as the path to musical fluency. Although the practice vanished in the early nineteenth century, its legacy lived on in the music of the next generation. In The Art of Partimento, performer and music-historian Giorgio Sanguinetti chronicles the history of this long-forgotten Neapolitan art. Sanguinetti has painstakingly reconstructed the oral tradition that accompanied these partimento manuscripts, now scattered throughout Europe. Beginning with the origins of the partimento in the circles of Corelli, Pasquini, and Alessandro Scarlatti in Rome and tracing it through the peak of the tradition in Naples, The Art of Partimento gives a glimpse into the daily life and work of an eighteenth century composer. The Art of the Partimento is also a complete practical handbook to reviving the tradition today. Step by step, Sanguinetti guides the aspiring composer through elementary realization to more advanced exercises in diminution, imitation, and motivic coherence. Based on the teachings of the original masters, Sanguinetti challenges the reader to become a part of history, providing a variety of original partimenti in a range of genres, forms, styles, and difficulty levels along the way and allowing the student to learn the art of the partimento for themselves at their own pace. As both history and practical guide, The Art of Partimento presents a new and innovative way of thinking about music theory. Sanguinetti's unique approach unites musicology and music theory with performance, which allows for a richer and deeper understanding than any one method alone, and offers students and scholars of composition and music theory the opportunity not only to understand the life of this fascinating tradition, but to participate in it as well.
Author : Francesco Geminiani
Publisher :
Page : 62 pages
File Size : 21,67 MB
Release : 1756
Category :
ISBN :
Author : Judy Tarling
Publisher : Punnett Press
Page : 0 pages
File Size : 25,37 MB
Release : 2023-11
Category : Art
ISBN : 9780993281037
This book strikes at the heart of musical performance with a study of the relationship between music and rhetoric which was much remarked upon during the Renaissance and Baroque periods. The ideas of the classical rhetoric books are traced through the Tudor classroom to the late eighteenth century. Concentrating on performance techniques that aid the communication of musical ideas to an audience, historical source material is used to demonstrate how to hold the attention of the listener and at the same time move and delight them. Quotations from the rhetoric manuals, Shakespeare and the Bible are complemented by over one hundred musical examples, drawn mainly from the seventeenth and eighteenth centuries, illustrating the connection between speaking and playing in the rhetorical style.