Art of Bengal


Book Description

Catalog of the art works displayed at India Art Fair, NSIC Exhibition Grounds, New Delhi from 01-03 February 2013 at stall no. J8.




Scroll Paintings of Bengal


Book Description

Th e art of vernacular painting in India is not only varied and rich but also intriguing for several reasons. With such observations the book addresses certain issues, like the validity of the historical information on Indian Art that excludes vernacular trends. The information on vernacular art in India has either been ignored such as in ancient literary discourses or inadvertently misconstrued within the theoretical purviews of modern days. If the hierarchy of the Hindu caste system has marginalised the culture of the lower rung groups, the lexicon of twentieth century anthropological studies has seen this art as material evidence of undeveloped societies; both creating the same value: to be patronised but not ‘art’. Can art be weighed on a scale of development? Arguments have been developed within the specifi c focus on scroll paintings by the itinerant painter bards in Bengal. Th e bardic tradition has been known to exist in India since a pre-Christian era and still continues within two vibrant trends of vernacular art forms – Bangla and Santhal pat. Th e book redefi nes and repositions the notion of art with contemporary folk art. As the picture Plates are self-evident, the book draws attention on a world of art that has not been present in Indian Art History.







Folk Art of Bengal


Book Description







The Making of Goddess Durga in Bengal: Art, Heritage and the Public


Book Description

This book examines the making of the Goddess Durga both as an art and as part of the intangible heritage of Bengal. As the ‘original site of production’ of unbaked clay idols of the Hindu Goddess Durga and other Gods and Goddesses, Kumartuli remains at the centre of such art and heritage. The art and heritage of Kumartuli have been facing challenges in a rapidly globalizing world that demands constant redefinition of ‘art’ with the invasion of market forces and migration of idol makers. As such, the book includes chapters on the evolution of idols, iconographic transformations, popular culture and how the public is constituted by the production and consumption of the works of art and heritage and finally the continuous shaping and reshaping of urban imaginaries and contestations over public space. It also investigates the caste group of Kumbhakars (Kumars or the idol makers), reflecting on the complex relation between inherited skill and artistry. Further, it explores how the social construction of art as ‘art’ introduces a tangled web of power asymmetries between ‘art’ and ‘craft’, between an ‘artist’ and an ‘artisan’, and between ‘appreciation’ and ‘consumption’, along with their implications for the articulation of market in particular and social relations in general. Since little has been written on this heritage hub beyond popular pamphlets, documents on town planning and travelogues, the book, written by authors from various fields, opens up cross-disciplinary conversations, situating itself at the interface between art history, sociology of aesthetics, politics and government, social history, cultural studies, social anthropology and archaeology. The book is aimed at a wide readership, including students, scholars, town planners, heritage preservationists, lawmakers and readers interested in heritage in general and Kumartuli in particular.




The Rāmāyana in Bengali Folk Paintings


Book Description

The images presented in this book take us into the heart of the rich folk tradition of India. Of that heritage, the display of paintings accompanied by comments recited or sung has been a part of since very early times, as attested by references and legends in Sanskrit sources, including the Harsacarita, a 7th century work by Banabhatta. Known as patacitras or patas in short, these illustrated narratives on rectangular fabric or paper as well as on scrolls are a type of performed art that reaches out to audiences, mostly rural, conveying the artists' responses to legends and social themes of common knowledge across a wide range of audiences from varied social and cultural bases. A particularly powerful class of such paintings that come from the Bengali-speaking region of eastern India comprise the depiction of events from the Ramayana in the form of scrolls that are unrolled as the painter displays and explicates them. The vividly colourful images presented in this book occupy a special niche in the history of Indian art, remarkable because they are not only visual objects but narrative expositions of a text that has been part of vast numbers of the Indian people and often their source of moral guidance. Especially remarkable is that these patas by Bengali folk painters diverge so often from the magisterial Ramayanas of adikavi "First Poet" Valmiki, leave out important parts of it and import into the Rama saga episodes from local narrative caches.




Art and culture of west bengal


Book Description

The book “ART AND CULTURE OF WEST BENGAL” by Sahanawaz Hussain highlights the different culture of west Bengal. The state west Bengal has a diverse culture. Author Sahanawaz Hussain highlights all the culture of different district of west Bengal starting from North Bengal to South Bengal. West Bengal boasts a rich literary and cultural heritage with evidenced by authors like Rabindranath Tagore,folk music like baul,Gambhira as well as Najrul Geeti,Rabindra Sangeet. West Bengal is the home of a thriving cinema industry dubbed “Tollywood”.throughout the year many festivals are celebrated in bengal. HIGHLIGHTS OF THE BOOK:- Art & Culture (Literature) The Bengali language boasts a rich literary heritage, shared with neighbouring Bangladesh. West Bengal has a long tradition in folk literature, evidenced by the Charyapada, Mangalkavya, Shreekrishna Kirtana, ThakurmarJhuli, and stories related to Gopal Bhar. In the nineteenth and twentieth century, Bengali literature was modernized in the works of authors such as Bankim Chandra Chattopadhyay, Michael Madhusudan Dutt, Rabindranath Tagore, Kazi Nazrul Islam, Sharat Chandra Chattopadhyay, Jibananda Das and Manik Bandyopadhyay. In modern times Jibanananda Das, Bibhutibhushan Bandopadhyay, Tarashankar Bandopadhyay, Manik Bandopadhyay, Ashapurna Devi, Shirshendu Mukhopadhyay, Buddhadeb Guha, Mahashweta Devi, Samaresh Majumdar, Sanjeev Chattopadhyay and Sunil Gangopadhyay among others are well known. (Music and Dance) The Baul tradition is a unique heritage of Bengali folk music, which has also been influenced by regional music traditions. Other folk music forms include Gombhira and Bhawaiya. Folk music in West Bengal is often accompanied by the ektara, a one-stringed instrument. West Bengal also has an heritage in North Indian classical music. "Rabindrasangeet", songs composed and set into tune by Rabindranath Tagore and "Nazrul geeti" (by Kazi Nazrul Islam) are popular. Also prominent are other musical forms like Dwijendralal, Atulprasad and Rajanikanta's songs, and "adhunik" or modern music from films and other composers. From the early 1990s, there has been an emergence and popularisation of new genres of music, including fusions of Baul and Jazz by several Bangla bands, as well as the emergence of what has been called Jeebonmukhi Gaan (a modern genre based on realism). Bengali dance forms draw from folk traditions, especially those of the tribal groups, as well as the broader Indian dance traditions. Chau dance of Purulia is a rare form of mask dance. State is known for Bengali folk music such as baul and kirtans and gajan, and modern songs including Bengali adhunik songs. (Films) The state is home to a thriving cinema industry, dubbed "Tollywood". Tollygunj in Kolkata is the location of numerous Bengali movie studios, and the name "Tollywood" (similar to Hollywood and Bollywood) is derived from that name. The Bengali film industry is well known for all kind of films, and has produced acclaimed directors like Satyajit Ray, Mrinal Sen, Tapan Sinha and Ritwik Ghatak. Prominent contemporary directors include Buddhadev Dasgupta, Goutam Ghose, Aparna Sen and Rituparno Ghosh.It has also produced famous film personalities like Uttam Kumar,Soumitra Chatterjee,Suchitra Sen,Kanon Devi,Kishore Kumar and many more. (Fine Arts) Bengal had been the harbinger of modernism in fine arts. Abanindranath Tagore, called the father of Modern Indian Art had started the Bengal School of Art which was to create styles of art outside the European realist tradition which was taught in art colleges under the colonial administration of the British Government. The movement had many adherents like Gaganendranath Tagore, RamkinkarBaij, Jamini Roy and Rabindranath Tagore. After Indian Independence, important groups like the Calcutta Group and the Society of Contemporary Artists were formed in Bengal which dominated the art scene in India. (Reformist Heritage) The capital, Kolkata, was the workplace of several social reformers, like Raja Ram Mohan Ray, Iswar Chandra Vidyasagar, and Swami Vivekananda. These social reforms have eventually led to a cultural atmosphere where practices like sati, dowry, and caste-based discrimination or untouchability, the evils that crept into the Hindu society, were abolished. (Costumes) Bengali women commonly wear the shaŗi , often distinctly designed according to local cultural customs. In urban areas, many women and men wear Western attire. Among men, western dressing has greater acceptance. Men also wear traditional costumes such as the panjabi with dhuti, often on cultural occasions. (Festivals) Durga Puja in October is the most popular festival in the West Bengal. Poila Baishakhthe Bengali New Year, Rathayatra, Dolyatra or Basanta-Utsab, Nobanno, Poush Parbon (festival of Poush), Kali Puja, SaraswatiPuja, LaxmiPuja, Christmas, Eid ul-Fitr, Eid ul-Adha and Muharram are other major festivals.




Art and culture of west Bengal


Book Description

The book ART AND CULTURE OF WEST BENGAL by Sahanawaz Hussain highlights the different culture of west Bengal. The state west Bengal has a diverse culture. Author Sahanawaz Hussain highlights all the culture of different district of west Bengal starting from North Bengal to South Bengal. West Bengal boasts a rich literary and cultural heritage with evidenced by authors like Rabindranath Tagore,folk music like baul,Gambhira as well as Najrul Geeti,Rabindra Sangeet. West Bengal is the home of a thriving cinema industry dubbed Tollywood.throughout the year many festivals are celebrated in bengal. HIGHLIGHTS OF THE BOOK:- Art & Culture (Literature) The Bengali language boasts a rich literary heritage, shared with neighbouring Bangladesh. West Bengal has a long tradition in folk literature, evidenced by the Charyapada, Mangalkavya, Shreekrishna Kirtana, ThakurmarJhuli, and stories related to Gopal Bhar. In the nineteenth and twentieth century, Bengali literature was modernized in the works of authors such as Bankim Chandra Chattopadhyay, Michael Madhusudan Dutt, Rabindranath Tagore, Kazi Nazrul Islam, Sharat Chandra Chattopadhyay, Jibananda Das and Manik Bandyopadhyay. In modern times Jibanananda Das, Bibhutibhushan Bandopadhyay, Tarashankar Bandopadhyay, Manik Bandopadhyay, Ashapurna Devi, Shirshendu Mukhopadhyay, Buddhadeb Guha, Mahashweta Devi, Samaresh Majumdar, Sanjeev Chattopadhyay and Sunil Gangopadhyay among others are well known. (Music and Dance) The Baul tradition is a unique heritage of Bengali folk music, which has also been influenced by regional music traditions. Other folk music forms include Gombhira and Bhawaiya. Folk music in West Bengal is often accompanied by the ektara, a one-stringed instrument. West Bengal also has an heritage in North Indian classical music. Rabindrasangeet, songs composed and set into tune by Rabindranath Tagore and Nazrul geeti (by Kazi Nazrul Islam) are popular. Also prominent are other musical forms like Dwijendralal, Atulprasad and Rajanikanta's songs, and adhunik or modern music from films and other composers. From the early 1990s, there has been an emergence and popularisation of new genres of music, including fusions of Baul and Jazz by several Bangla bands, as well as the emergence of what has been called Jeebonmukhi Gaan (a modern genre based on realism). Bengali dance forms draw from folk traditions, especially those of the tribal groups, as well as the broader Indian dance traditions. Chau dance of Purulia is a rare form of mask dance. State is known for Bengali folk music such as baul and kirtans and gajan, and modern songs including Bengali adhunik songs. (Films) The state is home to a thriving cinema industry, dubbed Tollywood. Tollygunj in Kolkata is the location of numerous Bengali movie studios, and the name Tollywood (similar to Hollywood and Bollywood) is derived from that name. The Bengali film industry is well known for all kind of films, and has produced acclaimed directors like Satyajit Ray, Mrinal Sen, Tapan Sinha and Ritwik Ghatak. Prominent contemporary directors include Buddhadev Dasgupta, Goutam Ghose, Aparna Sen and Rituparno Ghosh.It has also produced famous film personalities like Uttam Kumar,Soumitra Chatterjee,Suchitra Sen,Kanon Devi,Kishore Kumar and many more. (Fine Arts) Bengal had been the harbinger of modernism in fine arts. Abanindranath Tagore, called the father of Modern Indian Art had started the Bengal School of Art which was to create styles of art outside the European realist tradition which was taught in art colleges under the colonial administration of the British Government. The movement had many adherents like Gaganendranath Tagore, RamkinkarBaij, Jamini Roy and Rabindranath Tagore. After Indian Independence, important groups like the Calcutta Group and the Society of Contemporary Artists were formed in Bengal which dominated the art scene in India. (Reformist Heritage) The capital, Kolkata, was the workplace of several social reformers, like Raja Ram Mohan Ray, Iswar Chandra Vidyasagar, and Swami Vivekananda. These social reforms have eventually led to a cultural atmosphere where practices like sati, dowry, and caste-based discrimination or untouchability, the evils that crept into the Hindu society, were abolished. (Costumes) Bengali women commonly wear the shaŗi , often distinctly designed according to local cultural customs. In urban areas, many women and men wear Western attire. Among men, western dressing has greater acceptance. Men also wear traditional costumes such as the panjabi with dhuti, often on cultural occasions. (Festivals) Durga Puja in October is the most popular festival in the West Bengal. Poila Baishakhthe Bengali New Year, Rathayatra, Dolyatra or Basanta-Utsab, Nobanno, Poush Parbon (festival of Poush), Kali Puja, SaraswatiPuja, LaxmiPuja, Christmas, Eid ul-Fitr, Eid ul-Adha and Muharram are other major festivals.




Art and Emergency


Book Description

During states of emergency, normal rules and rights are suspended, and force can often prevail. In these precarious intervals, when the human potential for violence can be released and rehearsed, images may also emerge. This book asks: what happens to art during a state of emergency? Investigating the uneasy relationship between aesthetics and political history, Emilia Terracciano traces a genealogy of modernism in colonial and postcolonial India; she explores catastrophic turning points in the history of twentieth-century India, via the art works which emerged from them. Art and Emergency reveals how the suspended, diagonal, fugitive lines of Nasreen Mohamedi's abstract compositions echo Partition's traumatic legacy; how the theatrical choreographies of Sunil Janah's photographs document desperate famine; and how Gaganendranath Tagore's lithographs respond to the wake of massacre. Making an innovative, important intervention into current debates on visual culture in South Asia, this book also furthers our understanding of the history of modernism.