Art of the Photogram


Book Description




The Physics and Art of Photography, Volume 1


Book Description

This book uses art photography as a point of departure for learning about physics, while also using physics as a point of departure for asking fundamental questions about the nature of photography as an art. Although not a how-to manual, the topics center around hands-on applications, most-often illustrated by photographic processes that are inexpensive and easily accessible to students (including a versatile new process developed by the author, and herein first described in print). A central theme is the connection between the physical interaction of light and matter on the one hand, and the artistry of the photographic processes and their results on the other. Geometry and the Nature of Light focuses on the physics of light and the optics of lenses, but also includes extended discussions of topics less commonly covered in a beginning text, including symmetry in art and physics, different physical processes of the scattering of light, photograms (photographic shadow prints) and the nature of shadows, elements of 2-dimensional design, pinhole photography and the view camera. Although written at a beginning undergraduate level, the topics are chosen for their role in a more general discussion of the relation between science and art that is of interest to readers of all backgrounds and levels of expertise.




Albers and Moholy-Nagy


Book Description

Catalog of an exhibtion held at the Tate Modern, London, Mar. 9-June 4, 2006, the Kunsthalle Bielefeld, June 25-Oct. 1, 2006, and the Whitney Museum of American Art, New York, Nov. 2, 2006-Jan. 21, 2007.




Experimental Vision


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The Evolution of the Photogram since 1919




Moholy-Nagy


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Moholy-Nagy "was the dominant theoretician of the Bauhaus during its most prosperous era; his Constructivist/Suprematist paintings are among the finest achievements in European art of the twenties; he was a pioneer in kinetic sculpture; and his photographs, photograms and photoplastics led the way in exploring the full potential of photo reproduction. ... [H]e also made films, designed scenery and costumes, and excelled in commercial graphics and exhibition design. ... [This book] examines in detail the various stages of his career, from Hungary and Kassák's Activist circle during the First World War to Germany and the Bauhaus, from England in the 1930s to America and the founding of the New Bauhaus in Chicago ... [and includes] a wide selection of Moholy-Nagy's writings [and] extracts from his own letters, diaries and reminiscences, [and] critical commentaries of his work."--Back cover.




Thomas Ruff


Book Description

Thomas Ruff is acknowledged as a leading innovator in the generation of German artists that propelled photography into mainstream art. For more than two decades, he has pushed the limits of the photographic medium, harnessing technologies both old and new. Traditionally, photograms are made by placing objects onto photosensitive paper and exposing the paper to light, thereby recording the silhouettes of the objects. Captivated by this method but seeking to work beyond its limitations, Ruff collaborated with a 3-D imaging expert to design a virtual darkroom that would enable him to experiment with an infinite range of forms.Negatives are a direct result of Ruff’s photogram process; the white and slate-blue images are inverted versions of early-twentieth-century nude studies.




Man Ray, African Art, and the Modernist Lens


Book Description

"Exhibition dates: The Phillips Collection, Oct. 10, 2009-Jan. 10, 2010; University of New Mexico Art Museum, Feb. 6-May 30, 2010; University of Virginia Museum of Art, Aug. 7-Oct. 10, 2010; University of British Columbia, Museum of Anthropology Oct. 29, 2010-Jan. 23, 2011." --T.p. verso.




Las Sombras/The Shadows


Book Description

In the tradition of nineteenth-century photograms by William Henry Fox Talbot and Anna Atkins, this collection of recent work by Kate Breakey presents the animals, plants, and insects of the American Southwest with scientific precision and breathtaking loveliness.




Champs Délicieux


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In 1921, an up-and-coming artist named Man Ray convinced his patron, Ferdinand Howald, to pay his fare from New York to Paris and to support him there for a year. He quickly fell in with the Dadaists, and his art changed. He pioneered a new art form, a cameraless photograph he called the 'Rayograph'. Champs délicieux documents that year in Paris by reproducing the correspondence between Man Ray and Howald and by publishing Howald's personal copy of Ray's album (also Champs délicieux) from that year - the first significant body of Ray's work. By placing these images in the context of the letters, Champs délicieux recreates an important turning point in Ray's career and a definitive moment in art history. This collection, exhibited in the fall of 2000 by co-publisher University of Toronto Art Centre, was edited by Steven Manford, who is currently assembling, with Timothy Baum, a catalogue raisonné of the Rayographs.




Paula Riff


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