Art Under Plutocracy


Book Description

Dive into the 27-page classic "Art Under Plutocracy" by William Morris, a thought-provoking exploration of art's role and challenges in a society dominated by wealth. Written in the 1890s, Morris delves into the intersection of art, society, and economics. His insights and critiques remain relevant, making this a must-read for art enthusiasts and historians alike.




Plutocrats


Book Description

A Financial Times Best Book of the Year Shortlisted for the Lionel Gelber Prize There has always been some gap between rich and poor in this country, but recently what it means to be rich has changed dramatically. Forget the 1 percent—Plutocrats proves that it is the wealthiest 0.1 percent who are outpacing the rest of us at breakneck speed. Most of these new fortunes are not inherited, amassed instead by perceptive businesspeople who see themselves as deserving victors in a cutthroat international competition. With empathy and intelligence, Plutocrats reveals the consequences of concentrating the world’s wealth into fewer and fewer hands. Propelled by fascinating original interviews with the plutocrats themselves, Plutocrats is a tour de force of social and economic history, the definitive examination of inequality in our time.




William Morris and the Aesthetic Constitution of Politics


Book Description

In this book, Bradley Macdonald offers a brilliant reappraisal of one of the most influential and revered British intellectuals of the Victorian age. William Morris was, by turns, an artist, writer, social critic, and political radical. Here, Macdonald focuses on the interplay between Morris' aesthetic vision and his socialist ideology. He argues compellingly that, because these two sides of Morris' personality have generally been examined by art or literary historians and social theorists respectively, their integral relationship has often been lost sight of.




Plutocracy


Book Description

2051. The world's largest company, The Company, has seized power on a planetary scale and runs the world as if it were a business. In a plutocracy, the richer one is, the more powerful one is. In this context, an anonymous citizen becomes compelled to uncover how the world came to this situation, without paying any attention to the official version. Several members of the government end up encouraging him to carry out this investigation by giving him access to all information. He decides to discover the true history of The Company and the various interests that are trying to influence his investigation.







Democratising Beauty in Nineteenth-Century Britain


Book Description

This book examines nineteenth-century interests in beauty, and considers whether these aesthetic pursuits were necessary to British public life.




How I Became A Socialist


Book Description

William Morris is famous as a designer, poet and artist, but his work as a political thinker and activist is less well known. This collection, the first of his political writings published for nearly 50 years, shows Morris as one of the most original and inspiring socialist intellectuals of his generation. Covering essays and lectures ranging through the relation between art and politics, to his visions for a socialist society and his strident anti-imperialism, this is an essential volume which shows Morris as the engaged and committed socialist that he was.










2016


Book Description

Both institutional critique and reference work, documenting the intersection of politics (in the form of political donations) and art museums. 2016 in Museums, Money, and Politics examines the intersection of electoral politics and private-nonprofit art institutions in the United States at a pivotal historical moment. In a massive volume that is both institutional critique and reference work, the artist Andrea Fraser documents the reported political contributions made by trustees of more than 125 art museums, representing every state in the nation, in the 2016 election cycle. With campaigning that featured attacks on vulnerable populations, the vilification of the media and “cultural elites,” and calls to curtail civil rights and liberties, the 2016 election cycle and its aftermath transformed national politics. It was also the most expensive election in American history, with over $6.4 billion raised for presidential and congressional races combined. More than half of this money came from just a few hundred people—many of whom also support cultural institutions and serve on their boards. 2016 is organized like a telephone book. Contribution data is laid out alphabetically by name of donor. With this and other data filling more than 900 pages, the book offers a material representation of scale of the interface between cultural philanthropy and campaign finance in America. It also provides an unparalleled resource for exploring the politics of the museum world. 2016 includes an afterword by Jamie Stevens, the former curator and head of programs at CCA Wattis Institute for Contemporary Arts in San Francisco, who traces the book's development; an introduction by Andrea Fraser elaborating on the links connecting cultural philanthropy, campaign finance, and plutocracy; a section on each museum represented; and a section including data summaries and additional data. The book presents a powerful argument that supporting the arts must involve more than giving donations to museums; it must also include defending the values, social structures, and political institutions of an open, tolerant, just, and equitable society. Copublished by Westreich Wagner Publications, the CCA Wattis Institute for Contemporary Arts, and the MIT Press