The Horse and Jockey from Artemision


Book Description

In 1928, and again in 1937, parts of a large-scale bronze horse and nearly complete jockey were recovered from the sea off Cape Artemision in Greece, where they had gone down in a shipwreck. These original Hellenistic sculptures, known together as the "Horse and Jockey Group from Artemision," are among the very few surviving bronze sculptures from antiquity. Seán Hemingway has been allowed by the National Museum in Athens to investigate the horse and jockey statuary group as no one ever has before, and in this book, combining archaeological and art historical methods of investigation, he provides the first in-depth study of this rare and beautiful monument. New technical analyses of the statues by Helen Andreopoulou-Mangou form an appendix to the volume. Hemingway begins with an introduction to Hellenistic bronze statuary and what we know about this extraordinary class of ancient sculpture. He then recounts with riveting detail the discovery and painstaking restoration of the statue group, describing the technique of its creation and carefully reviewing scholarly knowledge and speculation about it. He also provides a valuable compendium of what is known about ancient Greek horse racing, the most prestigious and splendid of all Greek sports. After a full consideration of all the available evidence, he speculates further about the work’s original meaning and function. His study provides a glimpse of the excellence achieved by Hellenistic bronze sculptors, and it will become the definitive resource on this unique sculpture from ancient Greece.




Greek and Roman Chronology


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The Invention of Coinage and the Monetization of Ancient Greece


Book Description

The invention of coinage was a conceptual revolution, not a technological one. Only with the invention of Greek coinage does the concept "money" clearly materialize in history. Coinage appeared at a moment when it fulfilled an essential need in Greek society, bringing with it rationalization and social leveling in some respects, while simultaneously producing new illusions, paradoxes, and elites. In an argument of interest to scholars of ancient history and archaeology as well as to modern economists, David M. Schaps addresses a range of issues pertaining to major shifts in ancient economies, including money, exchange, and economic organization in the Near East and Greece before the introduction of coinage; the invention of coinage and the reasons for its adoption; and the development of using money to generate greater wealth.




Didyma


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Herodotus and the topography of Xerxes’ invasion


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In his Histories, Herodotus of Halicarnassus gave an account of Xerxes’ invasion of Greece (480 BCE). Among the information in this work features a rich topography of the places visited by the army, as well as of the battlefields. Apparently there existed a certain demand among the Greeks to behold the exact places where they believed that the Greeks had fallen, gods had appeared, or Xerxes had watched over his men. This book argues that Herodotus’ topography, long taken at face value as if it provided unambiguous access to the historical sites of the war, may partly be a product of Greek imagination in the approximately fifty years between the Xerxes’ invasion and its publication, with the landscape functioning as a catalyst. This innovative approach leads to a new understanding of the topography of the invasion, and of the ways in which Greeks in the late fifth century BCE understood the world around them. It also prompts new suggestions about the real-world locations of various places mentioned in Herodotus’ text.




Greek Architecture and Its Sculpture


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From Athens and Arcadia on one side of the Aegean Sea and from Ionia, Lycia, and Karia on the other, this book brings together some of the great monuments of classical antiquity--among them two of the seven wonders of the ancient world, the later temple of Artemis at Ephesos and the Mausoleum at Halikarnassos. With 250 photographs and specially commissioned line drawings, the book comprises a monumental narrative of the art and architecture that gave form, direction, and meaning to much of Western culture.




Chryselephantine Statuary in the Ancient Mediterranean World


Book Description

Composite statues of gold (chrysos), ivory (elephas), and other precious materials were the most celebrated artworks of classical antiquity. Greek and Latin authors leave no doubt that such images provided a centrepiece for religious and civic life and that vast sums were spent to producethem. A number of these statues were the creations of antiquity's most highly acclaimed artists: Polykleitos, Alkamenes, Leochares, and, of course, Pheidias, whose magnificent Zeus Olympios came to be ranked among the Seven Wonders of the World. Although a few individual images such as Pheidias'Athena Parthenos have been the subject of detailed scholarly analysis, chryselephantine statuary as a class, from the exquisite statuettes of Minoan Crete to the majestic temple images constructed by classical Greek city-states and imitated by the Romans, has not received comprehensive study since1815. This book presents not only the ancient literary and epigraphical evidence for lost statues and examines representations of them in other media, but also assembles and analyses much-neglected physical survivals, elucidating throughout the innovative techniques, such as ivory-bending, employedin their production as well as the variety of social, religious, and political roles they played within the ancient societies that produced them.




Ethnic Constructs in Antiquity


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A bold and original examination of the relationships between ethnicity and political power in the ancient world.




The Mysteries of Artemis of Ephesos


Book Description

DIV Artemis of Ephesos was one of the most widely worshiped deities of the Graeco-Roman World. Her temple, the Artemision, was one of the seven wonders of the ancient world, and for more than half a millennium people flocked to Ephesos to learn the great secret of the mysteries and sacrifices that were celebrated every year on her birthday. In this work Guy MacLean Rogers sets out the evidence for the celebration of Artemis's mysteries against the background of the remarkable urban development of the city during the Roman Empire and then proposes an entirely new theory about the great secret that was revealed to initiates into Artemis's mysteries. The revelation of that secret helps to explain not only the success of Artemis's cult and polytheism itself but, more surprisingly, the demise of both and the success of Christianity. Contrary to many anthropological and scientific theories, the history of polytheism, including the celebration of Artemis's mysteries, is best understood as a Darwinian tale of adaptation, competition, and change. /div




Excavations at Ephesus


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