Arthurian Narrative in the Latin Tradition


Book Description

Arthurian literature is a popular field, but most of the published work focuses on the vernacular tradition. This book, uniquely, looks at Latin Arthurian works. Geoffrey of Monmouth is treated at length and this is the first book to put him in a context which includes other Latin histories, monastic chronicles, saints' lives and other Latin prose Arthurian narratives. Like Geoffrey's works, most can be associated with the Angevin court of Henry II and by placing these works against the court background, this book both introduces a new set of texts into the Arthurian canon and suggests a way to understand their place in that tradition. The unfamiliar works are summarized for the reader, and there are extensive quotations, with translations, throughout. The result is a thorough exploration of Latin Arthurian narrative in the foundational period for the Arthurian tradition.




Latin Arthurian Literature


Book Description

Parallel text and translation of Arthurian romances in Latin. Latin is the language not only of numerous Arthurian chronicles - including the most important of all, Geoffrey of Monmouth's Historia regum Britannie - but also of a small number of important but largely neglected romancesconcerning Arthur and his knights. Several of these romances clearly take their inspiration from the chronicle tradition, and their authors sometimes join romance adventures with actual events and characters (such as Henry II) inorder to give the appearance of history to Arthurian fiction. Ranging in date from the late twelfth to the fourteenth century, these romances include De ortu Waluuanii (in which Gawain defeats the Persian champion for thepeace of Jerusalem), Historia Meriadoci, Arthur and Gorlagon, and Draco Normannicus. These four texts are presented here in facing text and translation, and accompanied by a thorough introduction and extensive notes.




Metamorphoses of the Werewolf


Book Description

The mythical werewolf is known for its sudden transformation under the full moon, but the creature also underwent a narrative evolution through the centuries, from bloodthirsty creature to hero. Beginning with The Epic of Gilgamesh, Ovid's Metamorphoses, and an account in Petronius' Satyricon, the book analyzes the context that created the traditional image of the werewolf as a savage beast. The Catholic Church's response to the popular belief in werewolves and medieval literature's sympathetic depiction of the werewolf as victim are presented to support the idea of the werewolf as a complex and varied cultural symbol. Instructors considering this book for use in a course may request an examination copy here.




The Arthur of Medieval Latin Literature


Book Description

King Arthur is arguably the most recognizable literary hero of the European Middle Ages. His stories survive in many genres and many languages, but while scholars and enthusiasts alike know something of his roots in Geoffrey of Monmouth's Latin History of the Kings of Britain, most are unaware that there was a Latin Arthurian tradition which extended beyond Geoffrey. This collection of essays will highlight different aspects of that tradition, allowing readers to see the well-known and the obscure as part of a larger, often coherent whole. These Latin-literate scholars were as interested as their vernacular counterparts in the origins and stories of Britain's greatest heroes, and they made their own significant contributions to his myth.




The Arthurian Name Dictionary


Book Description

A comprehensive encyclopedia of characters, places, objects, and themes found in the legends of King Arthur and the Knights of the Round table. Draws from all significant source between Gildas' De Excidio Britanniae written about 540 AD and Tennyson's 19th-century Idylls of the King, including versions from throughout Europe. The entries range from a short identifying sentence to nearly ten pages for the king himself. Each is referenced to a source, which are presented in a endtable showing author and tit date, form, and langua description; keywords from the entries; and recent editions, a vital bit of information such references usually neglect. The cross-referencing is fairly good, often done as a full entry identifying a name as a variant of another, so the lack of an index is not a problem. Distributed in the US by Taylor and Francis. Annotation copyrighted by Book News, Inc., Portland, OR




Heads Will Roll


Book Description

The decapitation motif recurs in nearly all medieval and early modern genres, from saints' lives and epics to comedies and romances, yet decollation is often little regarded, save as a marker of humanity (that is, as the moment mortality exits) or inhumanity (that is, as the moment the supernatural enters). However, as a seat of reason, wisdom, and even the soul, the head has long been afforded a special place in the body politic, even when separated from its body proper. Capitalizing upon the enduring fascination with decapitation in European culture, this collection examines--through a variety of critical lenses--the recurring "roles/rolls" of severed human heads in the medieval and early modern imagination. Contributors are Nicola Masciandaro, Mark Faulkner, Jay Paul Gates, Christine Cooper-Rompato, Dwayne Coleman, Mary Leech, Tina Boyer, Renée Ward, Andrew Fleck, Thomas Herron, Thea Cervone, and Asa Simon Mittman. Preface by Jeffrey Jerome Cohen.




The Werewolf in the Ancient World


Book Description

In a moonlit graveyard somewhere in southern Italy, a soldier removes his clothes in readiness to transform himself into a wolf. He depends upon the clothes to recover his human shape, and so he magically turns them to stone, but his secret is revealed when, back in human form, he is seen to carry a wound identical to that recently dealt to a marauding wolf. In Arcadia a man named Damarchus accidentally tastes the flesh of a human sacrifice and is transformed into a wolf for nine years. At Temesa Polites is stoned to death for raping a local girl, only to return to terrorize the people of the city in the form of a demon in a wolfskin. Tales of the werewolf are by now well established as a rich sub-strand of the popular horror genre; less widely known is just how far back in time their provenance lies. These are just some of the werewolf tales that survive from the Graeco-Roman world, and this is the first book in any language to be devoted to their study. It shows how in antiquity werewolves thrived in a story-world shared by witches, ghosts, demons, and soul-flyers, and argues for the primary role of story-telling-as opposed to rites of passage-in the ancient world's general conceptualization of the werewolf. It also seeks to demonstrate how the comparison of equally intriguing medieval tales can be used to fill in gaps in our knowledge of werewolf stories in the ancient world, thereby shedding new light on the origins of the modern phenomenon. All ancient texts bearing upon the subject have been integrated into the discussion in new English translations, so that the book provides not only an accessible overview for a broad readership of all levels of familiarity with ancient languages, but also a comprehensive sourcebook for the ancient werewolf for the purposes of research and study.




The Mammoth Book of King Arthur


Book Description

The most complete guide ever to the real Arthurian world and the legends that surround it He defeated the Saxons so decisively at the Battle of Badon that he held the Saxon invasion of Britain at bay for at least a generation. He has inspired more stories, books and films than any other historical or legendary figure. But who was the real King Arthur? Here is the most comprehensive guide to the real Arthurian world and the legends that surround and often obscure it. Sifting fact from fancy, Mike Ashley reveals the originals not only of King Arthur but also of Merlin. Guinevere, Lancelot and the knights of the Round Table - as well as all the major Arthurian sites. He traces each of the legends as they developed and brilliantly shows how they were later used to inspire major works of art, poetry, fiction and film. There is clear evidence that. The Arthurian legends arose from the exploits of not just one man, but at least three originating in Wales, Scotland and Brittany The true historical Arthur really existed and is distantly related to the present royal family The real Arthur and the real Merlin never knew each other The real Lancelot was not British but was closer to a sixth-century asylum-seeker The Holy Grail legend probably grew out of a cosmic catastrophe that could have destroyed most of civilization




Arthurian Literature


Book Description

Essays demonstrating that Arthur belonged to the whole of Europe - not just England.




Straightforward


Book Description

When asked to name an archetypal love story, most people will reply 'Romeo & Juliet', although some say 'Tristan & Isolde' instead. Very few will come up with a classical example, and the reason for this is simple: when you say archetypal, it is assumed you mean love between a man and a woman, and instances of this in classical accounts are rare. The reason for this is also not hard to find: as it does now, 'love' in the ancient world meant the affection of equals, and given the inferior position of women in Greek and Roman society, between the sexes is not usually where love is to be found. Straightforward examines how we got from there to here. It is a study not of the loves of real people, but of the ideal of love as it found expression in stories, stories which were often retold and reimagined by new generations and new cultures. By following these stories and the changes they underwent through the centuries Straightforward attempts to answer two related questions: 'When and why did the heterosexual ideal become normative in our narrative tradition?' and 'What was there before?' We begin in archaic Greece, with a story which was already old when Homer composed his epics...