Television Series and Specials Scripts, 1946-1992


Book Description

In the early days of television, many of its actors, writers, producers and directors came from radio. This crossover endowed the American Radio Archives with a treasure trove of television documents. The collected scripts span more than 40 years of American television history, from live broadcasts of the 1940s to the late 1980s. They also cover the entire spectrum of television entertainment programming, including comedies, soap operas, dramas, westerns, and crime series. The archives cover nearly 1,200 programs represented by more than 6,000 individual scripts. Includes an index of personal names, program and episode titles and production companies, as well as a glossary of industry terms.




Encyclopedia of Television


Book Description

The Encyclopedia of Television, second edtion is the first major reference work to provide description, history, analysis, and information on more than 1100 subjects related to television in its international context. For a full list of entries, contributors, and more, visit the Encyclo pedia of Television, 2nd edition website.




A Companion to American Technology


Book Description

A Companion to American Technology is a groundbreaking collection of original essays that analyze the hard-to-define phenomenon of “technology” in America. 22 original essays by expert scholars cover the most important features of American technology, including developments in automobiles, television, and computing Analyzes the ways in which technologies are organized, such as in the engineering profession, government, medicine and agriculture Includes discussions of how technologies interact with race, gender, class, and other organizing structures in American society




The Biographical Encyclopedia of American Radio


Book Description

The Biographical Encyclopedia of American Radio presents the very best biographies of the internationally acclaimed three-volume Encyclopedia of Radio in a single volume. It includes more than 200 biographical entries on the most important and influential American radio personalities, writers, producers, directors, newscasters, and network executives. With 23 new biographies and updated entries throughout, this volume covers key figures from radio’s past and present including Glenn Beck, Jessie Blayton, Fred Friendly, Arthur Godfrey, Bob Hope, Don Imus, Rush Limbaugh, Ryan Seacrest, Laura Schlesinger, Red Skelton, Nina Totenberg, Walter Winchell, and many more. Scholarly but accessible, this encyclopedia provides an unrivaled guide to the voices behind radio for students and general readers alike.




What Women Watched


Book Description

In this pathfinding book, based on original archival research, Marsha F. Cassidy offers the first thorough analysis of daytime television's earliest and most significant women's genres, appraising from a feminist perspective what women watched before soap opera rose to prominence. After providing a comprehensive history of the early days of women's programming across the nation, Cassidy offers a critical discussion of the formats, programs, and celebrities that launched daytime TV in America—Kate Smith's variety show and the famed singer's unsuccessful transition from patriotic radio star to 1950s TV idol; the "charm boys" Garry Moore, Arthur Godfrey, and Art Linkletter, whose programs honored women's participation but in the process established the dominance of male hosts on TV; and the "misery shows" Strike It Rich and Glamour Girl and the controversy, both critical and legal, they stirred up. Cassidy then turns to NBC's Home show, starring the urbane Arlene Francis, who infused the homemaking format with Manhattan sophistication, and the ambitious daily anthology drama Matinee Theater, which strove to differentiate itself from soap opera and become a national theater of the air. She concludes with an analysis of four popular audience participation shows of the era—the runaway hit Queen for a Day; Ralph Edwards's daytime show of surprises, It Could Be You; Who Do You Trust?, starring a youthful Johnny Carson; and The Big Payoff, featuring Bess Myerson, the country's first Jewish Miss America. Cassidy's close feminist reading of these shows clearly demonstrates how daytime TV mirrored the cultural pressures, inconsistencies, and ambiguities of the postwar era.




Rudolph, Frosty, and Captain Kangaroo


Book Description

Rudolph, Frosty, and Captain Kangaroo is a memoir by Judy Gail Krasnow about her father, Hecky Krasnow, the producer of such classic children’s records and holiday tunes as “Rudolph, the Red-Nosed Reindeer,” “Frosty the Snowman,” “I’m Gettin’ Nuttin’ for Christmas,” “Peter Cottontail,” “Suzy Snowflake,” “I Saw Mommy Kissing Santa Claus,” “The Captain Kangaroo March,” “Smokey the Bear,” “Davy Crockett,” “Little Red Monkey,” and “The Little Engine That Could.” The book includes remembrances of Hecky Krasnow’s working relationships with such legendary artists as Gene Autry, Rosemary Clooney, Dinah Shore, Nina Simone, Art Carney, José Ferrer, Burl Ives, Arthur Godfrey, and Captain Kangaroo. In addition to his profound influence on the children’s record industry—an enormous business during the mid-twentieth century—Hecky also produced, wrote, or engineered such adult fare as Rosemary Clooney’s “Come On-a My House” and “Me and My Teddy Bear”; Nina Simone’s classic album The Amazing Nina Simone; and the landmark Chad Mitchell Trio debut, The Chad Mitchell Trio Arrives! Set against the dramatic backdrop of McCarthyism, the Cold War, the Civil Rights Movement, and the birth of television and rock and roll, Rudolph, Frosty, and Captain Kangaroo is rich in anecdotes about the politics and history of the era, the stars Hecky produced, and an array of talented composers and conductors with whom Hecky collaborated, including Mitch Miller, Johnny Marks, Percy Faith, J. Fred Coots, Tommy Johnson, Sir Thomas Beecham, Rudolph Goehr, André Kostelanetz, and Arthur Fiedler.




Sincerely, Andy Rooney


Book Description

Andy Rooney's weekly commentaries on 60 Minutes and his twice-weekly syndicated newspaper columns-addressing everything from deceptive cereal packaging to the existence of God-have made him America's best-known critic of the quotidian. As you might imagine, he gets a lot of letters in response to his often iconoclastic views. As you might not expect, he writes a lot of letters, too. Now Rooney has collected the funniest, wisest, and most interesting of his letters, spanning several decades and addressing issues both momentous and trivial. He responds to complaints from viewers; he corresponds with old friends; and he writes to his children about the things he cares about most. Variously caustic, hilarious, and sage, these unfailingly entertaining letters reveal not only Rooney the iconoclast but Rooney the American Everyman. Sincerely, Andy Rooney is Andy Rooney at his best-and a wonderful gift book that will make readers chuckle and think twice.




Same Time, Same Station


Book Description

Outstanding Academic Title for 2007, Choice Magazine Ever wonder how American television came to be the much-derided, advertising-heavy home to reality programming, formulaic situation comedies, hapless men, and buxom, scantily clad women? Could it have been something different, focusing instead on culture, theater, and performing arts? In Same Time, Same Station, historian James L. Baughman takes readers behind the scenes of early broadcasting, examining corporate machinations that determined the future of television. Split into two camps—those who thought TV could meet and possibly raise the expectations of wealthier, better-educated post-war consumers and those who believed success meant mimicking the products of movie houses and radio—decision makers fought a battle of ideas that peaked in the 1950s, just as TV became a central facet of daily life for most Americans. Baughman’s engagingly written account of the brief but contentious debate shows how the inner workings and outward actions of the major networks, advertisers, producers, writers, and entertainers ultimately made TV the primary forum for entertainment and information. The tale of television's founding years reveals a series of decisions that favored commercial success over cultural aspiration.




Famous People Who Knew Me: Adventures of a PR Man


Book Description

Elizabeth Taylor, Arthur Godfrey, Doris Day, Ed Sullivan, Faye Emerson, Artie Shaw, Bess Myerson, Ellen Burstyn, Leon Uris, Toots Shoor, Edward R. Murrow, Robert Q. Lewis, Roy Rogers, David Susskind, Andy Rooney, George Reeves, Dr. Joyce Brothers, Robert Young, Walter Cronkite. What do all these famous people have in common? They all knew Larry Lowenstein. Famous People Who Knew Me is the story of a press agent, publicist, and promoter who worked and partied with stars and personalities of television, Broadway, radio, and film. Famous People Who Knew Me takes the reader back to the Bronx of 1919 where Larry Lowenstein was born. It tells of Larry's early years before and during the Great Depression, as well as his experiences during World War II when he served in the Army Air Forces in England, France, Belgium, Luxembourg, and Germany. But most significantly, it tells of his career experiences after the war during the go-go years of early television. It tells of the day that he and another press agent made the wedding bed for Elizabeth Taylor and Eddie Fisher; the evening Ed Sullivan forgot to introduce him to Elvis Presley at Studio 54; the Tournament of Roses Parade where he kept Arthur Godfrey too busy to make a pass at Bess Myerson; the late nights among café society at the Stork Club, Toots Shoor's, and 21; and the evenings when he and Yul Brynner and Faye Emerson would have drinks together at the Metropolitan Café, across from the CBS studios, and talk over that day's show, or when he and Faye and others would go to The Embers and listen as artists like Art Tatum, Marian McPartland, and Wild Bill Davison riffed their musical magic. After a productive career in New York, working for CBS Television and major public relations firms, such as Benton & Bowles, Rogers & Cowan, and General Artist Corporation, the story follows Larry to Atlanta where he continued his career in radio, television, and education, working with such Atlanta personalities as Ludlow Porch, Neal Boortz, Alonzo Crim, Henry Aaron, Maynard Jackson, and Andrew Young, as well as taking on significant roles in the Atlanta chapter of the American Jewish Committee, the Atlanta chapter of the NAACP, the Atlanta Urban League, and the Georgia Special Olympics, among many others. The story ends with Larry finishing his long career working as media coordinator at Kennesaw State University in Kennesaw, Georgia. Famous People Who Knew Me opens a window to a world of glamour and a life of great energy and sincerity.




The Great Radio Audience Participation Shows


Book Description

This work contains the histories of Arthur Godfrey's Talent Scouts, Art Linkletter's House Party, Break the Bank, The Breakfast Club, Bride and Groom, Can You Top This?, Dr. Christian, Dr. I.Q., Double or Nothing, Information Please, Queen for a Day, Stop the Music!, Strike It Rich, Take It or Leave It, Truth or Consequences, Welcome Travelers, and You Bet Your Life, all from the 1940s and 1950s. Included for each show are the premise it was based upon, the producers, host, announcer, vocalists, orchestra conductor, writers, and sponsors, and the air dates and ratings. Biographical sketches are provided for 177 individuals.