Arthur Symons


Book Description







Arthur Symons


Book Description

First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.




Letters


Book Description

A selection of letters by the symbolist critic and poet, Arthur Symons (1865-1945), including correspondence with such figures as James Joyce, W.B.Yeats, Joseph Conrad, Paul Verlaine, Edmund Gosse, Thomas Hardy and Augustus John to reveal the world of literary London at the turn of the century.







Arthur Symons


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Selected Early Poems


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Arthur Symons (1865–1945) was a central figure in the decadent phase of English poetry of the 1890s. His early verse, notably in the major collections Silhouettes (1892; revd 1896) and London Nights (1895; revd 1897), created a sophisticated new kind of urban poetry out of the gas-lit world of London theatre and night-life. Under the French influences of Baudelaire and Verlaine, Symons developed a wistful poetic eroticism new to English readers, leading the way to the modernism of T. S. Eliot and others in the next generation. This selection from Symons’s most fertile period as a poet reproduces the fuller revised editions of Silhouettes and London Nights in their entirety, together with related poems from his other early volumes, Days and Nights (1889), Amoris Victima (1897), Images of Good and Evil (1900), and with early poems collected in Knave of Hearts (1913). p.p1 {margin: 3.0px 0.0px 3.0px 0.0px; text-align: justify; font: 14.0px 'Adobe Garamond Pro'} Fully annotated and supplemented by related critical writings by Symons, Walter Pater, and others, this text offers students of late-Victorian literature a rich resource for the understanding of decadence in the London literary scene of the 1890s. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 7.9px Calibri}




A Portrait in Letters


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A Portrait in Letters: Correspondence to and about Joseph Conrad offers an annotated selection of letters to Conrad preserved in widely scattered archives. Augmented by letters about his work and personality, the volume also contains a calendar of all known surviving correspondence addressed to him. An essential supplement to the Cambridge Edition of The Collected Letters of Joseph Conrad, A Portrait in Letters presents Conrad in the round, offering glimpses not only of the working writer but of the husband, parent, and friend. The letters offer new information about Conrad's literary circle and fill out numerous details about his career. Brief, authoritative biographies of the correspondents are included, and an introduction, description of editorial principles, and full index to the volume provide the scholarly contextualization and tools necessary for easy access to its contents.




Bohemia in London


Book Description

This original study discovers the bourgeois in the modernist and the dissenting style of Bohemia in the new artistic movements of the 1910s. Brooker sees the bohemian as the example of the modern artist, at odds with but defined by the codes of bourgeois society. It renews once more the complexities and radicalism of the modernist challenge.




Rodin


Book Description

The expression 'the Zola of Sculpture' was coined in the circles of the Royal Academy in the 1880s as a term of abuse. Rodin: 'The Zola of Sculpture' reveals how the appraisal of Rodin in British culture was shaped by controversies around the literary models of Zola and Baudelaire, in a period when negative notions about French culture were being progressively transformed into positive expressions of modern sculpture. Embedded within this collaborative book is the editor's proposition that Rodin came to play an important role in the cultural politics of the Entente Cordiale at a critical juncture of European history. Encompassing new scholarship in several disciplines, drawn from both sides of the Channel, Rodin: 'The Zola of Sculpture' offers the first in-depth account of Rodin's career in Britain in the period 1880-1914 and weaves this historical trajectory into a complex investigation of the interactions between French and British cultures. The authors examine the cultural agencies in which conceptions of Rodin's practice played a defining role, dealing in turn with artists' professional associations, art criticism, private and public collectors and the education of women sculptors.