Ancient Chinese Art


Book Description







Way of the Brush


Book Description

The Way of the Brush: Painting Techniques of China and Japan examines the technique, style, traditions, and methods of Chinese ink painting and how they were interpreted in Japanese art. Illustrated with over 250 images and packed with instructions, The Way of the Brush covers every aspect of brush painting, from brushstrokes, composition and the painting surface to meaning, perspective and artistic philosophy. Part One is a study of the techniques of Chinese painting and explains the elements, techniques and principles which eventually carried over into Japanese painting. Part Two is devoted to technical challenges and basic problems associated with the art, including the issue of fakes and forgeries of Chinese art in Japan. Also included are three appendices and a full bibliography.




Role of Japan in Modern Chinese Art


Book Description

The modern histories of China and Japan are inexorably intertwined. Their relationship is perhaps most obvious in the fields of political, economic, and military history, but it is no less true in cultural and art history. Yet the traffic in artistic practices and practitioners between China and Japan remains an understudied field. In this volume, an international group of scholars investigates Japan’s impact on Chinese art from the mid-nineteenth century through the 1930s. Individual essays address a range of perspectives, including the work of individual Chinese and Japanese painters, calligraphers, and sculptors, as well as artistic associations, international exhibitions, the collotype production or artwork, and the emergence of a modern canon.




The Bizarre and the Wondrous from the Land of the Rising Sun!


Book Description

The Bizarre and the Wondrous from the Land of the Rising Sun highlights unique aspects of Japan-ancient and modern-that have made the country fascinating to Westerners since they first stumbled upon the islands in 1543. These unusual attractions range from high-tech robots that do such things as act as tourist guides and perform delicate surgery, to festivals that go back more than two thousand years and strike many foreign visitors as being bizarre. Among the celebrations that could be labeled as bizarre are annual fertility festivals that feature authentic-looking replicas of the male penis carved in wood, from purse-size versions to ones that are over two meters long and weigh up to 800 pounds. The best known of the fertility festivals is the one staged each March 15 by the Tagata Shrine near the city of Nagoya. The largest wooden penis is carved anew each year, and after the ceremony is kept on display in the main shrine building until the following year when it is sold to private buyers. On the day of the festival the large version of the erect male organ is pulled through the streets on a wheeled cart by up to 12 men to the delight of raucous crowds and child-bearing-age women who try to touch the replica in order to increase their chances of becoming pregnant. Other penis replicas are edible versions made like candy and cookies that are sold to visitors as snacks and souvenirs to take home. Also on the incredible side is a legend that the young Jewish man now known and worshipped by Christians as Jesus Christ the son of God did not die on the cross-that, in fact, he lived and died in Herai Village in Japan. According to the Christian Bible Jesus was born in Israel. There is no further mention of him in the Bible until he is 12 years old when he appears at a Jewish synagogue and lambasts the rabbis for their un-Christian like behavior. The next mention of Jesus in the Bible is when he is in his early 30s and shows up at the Jordan River to be baptized by John, a well-known Jewish preacher. According to the Japanese legend, Jesus and his brother Isukiri spent most of those missing years in Japan, returning to Judea when Jesus was 34 years old. The story goes on to say that after he was betrayed to the Roman authorities he fled back to Japan, and it was his brother who was crucified. The story adds that Jesus married a Japanese girl, became a rice farmer, and lived the rest of his life in Herai [later renamed Shingo]. There is a tomb in Herai that has long been known as the burial place of Jesus [Jehova], the son of Mary. In the book, De Mente goes on to explain how the legend and the tomb became known to present-day Japanese authorities and was publicized in English for the first time in 1935. De Mente says he learned about the story in Tokyo in the early 1950s when he was editor of a monthly cultural magazine, including seeing a photograph of documentary evidence from a museum in Herai. Other fascinating stories in the book include how the infamous secret agents and assassins known as ninja [neen-jah] became a major part of Japanese history; why and how Japan became the first nation in the world to have a national network of roadside inns spaced one day's march apart; why the Japanese are so skilled at producing arts and crafts of extraordinary beauty; why single Japanese girls and men have a hard time hooking up; why Japan's izakaya are more fun than Irish pubs; why rice and other vegetables grow on top of buildings; how the Japanese came up with a new reason for wearing clothes...and some 50-plus other fascinating stories.




Things Chinese


Book Description

China's art objects and traditionally manufactured products have long been sought by collectors--from porcelains and silk fabrics to furniture and even the lacquered chopsticks that are a distant relation to ones found in most Chinese restaurants. Things Chinese presents sixty distinctive items that are typical of Chinese culture and together open a special window onto the people, history, and society of the world's largest nation. Many of the objects are collectibles, and each has a story to tell. The objects relate to six major areas of cultural life: the home, the personal, arts & crafts, eating & drinking, entertainment, and religious practice. They include items both familiar and unfamiliar--from snuff bottles and calligraphy scrolls to moon cake molds and Mao memorabilia. Ronald Knapp's evocative text describes the history, cultural significance, and customs relating to each object, while Michael Freeman's superb photographs illustrate them. Together, text and photographs offer a unique look at the material culture of China and the aesthetics that inform it.




Parting the Mists


Book Description

In Parting the Mists, Aida Yuen Wong makes a convincing argument that the forging of a national tradition in modern China was frequently pursued in association with rather than in rejection of Japan. The focus of her book is on Japan’s integral role in the invention of "national-style painting," or guohua, in early-twentieth-century China. Guohua, referring to brush paintings on traditional formats, is often misconstrued as a residual conservatism from the dynastic age that barricaded itself within classical traditions. Wong places this art form at the forefront of cross-cultural exchange. Notable proponents of guohua (e.g., Chen Hengke, Jin Cheng, Fu Baoshi, and Gao Jianfu) are discussed in connection with Japan, where they discovered stylistic and ideological paradigms consonant with the empowering of "Asian/Oriental" cultural practices against the backdrop of encroaching westernization. Not just a "window on the West," Japan stood as an informant of China modernism in its own right. The first book in English devoted to Sino-Japanese dialogues in modern art, Parting the Mists explores the sensitive phenomenon of Japanism in the practice and theory of Chinese painting. Wong carries out a methodologically agile study that sheds light on multiple spheres: stylistic and iconographic innovations, history writing, art theory, patronage and the market, geopolitics, the creation of artists’ societies, and exhibitions. Without avoiding the dark history of Japanese imperialism, she provides a nuanced reading of Chinese views about Japan and the two countries’ convergent, and often colliding, courses of nationalism.




The History of China–Japan Relations


Book Description

Focusing on the ancient, medieval, and early-modern eras, this collection considers the beginnings of Sino-Japanese Relations in the Ancient East Asian World, focusing on changes of the East Asian international system. It examines the establishment of the East Asian International Order in the 7th Century and the advance of Sino- Japanese relations in medieval times. It also considers the impact of initial contact with modern Western powers on modernization, and examines the points of rupture which deeply affected both cultures, for China the Opium War, and for Japan it the Black Ships of Commodore Matthew Perry and the Meiji Restoration. Based on research conducted jointly by Chinese and Japanese scholars, this collection provides a unique insight into the development of Chinese and Japanese culture from comparative perspectives, offering an in-depth study of the countries’ political, religious and societal structures to deepen objective perception toward history and promote mutual understanding in East Asia.




The Social Life of Inkstones


Book Description

An inkstone, a piece of polished stone no bigger than an outstretched hand, is an instrument for grinding ink, an object of art, a token of exchange between friends or sovereign states, and a surface on which texts and images are carved. As such, the inkstone has been entangled with elite masculinity and the values of wen (culture, literature, civility) in China, Korea, and Japan for more than a millennium. However, for such a ubiquitous object in East Asia, it is virtually unknown in the Western world. Examining imperial workshops in the Forbidden City, the Duan quarries in Guangdong, the commercial workshops in Suzhou, and collectors' homes in Fujian, The Social Life of Inkstones traces inkstones between court and society and shows how collaboration between craftsmen and scholars created a new social order in which the traditional hierarchy of "head over hand" no longer predominated. Dorothy Ko also highlights the craftswoman Gu Erniang, through whose work the artistry of inkstone-making achieved unprecedented refinement between the 1680s and 1730s. The Social Life of Inkstones explores the hidden history and cultural significance of the inkstone and puts the stonecutters and artisans on center stage. A William Sangki and Nanhee Min Hahn Book




Outlines of Chinese Symbolism and Art Motives


Book Description

Describes historical, legendary, and supernatural persons, animals, and objects that recur as symbols in Oriental art and literature