Radio as Art


Book Description

Published on the occasion of the international symposium "Radio as Art: Concepts, Spaces, Practices; Radio Art beween Media Reality and Art Reception" held at the Gästehaus of the University of Bremen, Germany, June 5-7, 2014




Radio Art and Music


Book Description

This book explores the cultural, aesthetic, and political relevance of music in radio art from its beginnings to present day. Contributors include musicologists, literary studies, and cultural studies scholars and cover radio plays, radio shows, and other programs in North American, English, Spanish, Greek, Italian, and German radio.




The Handbook of Development Communication and Social Change


Book Description

This valuable resource offers a wealth of practical and conceptual guidance to all those engaged in struggles for social justice around the world. It explains in accessible language and painstaking detail how to deploy and to understand the tools of media and communication in advancing the goals of social, cultural, and political change. A stand-out reference on a vital topic of primary international concern, with a rising profile in communications and media research programs Multinational editorial team and global contributors Covers the history of the field as well as integrating and reconceptualising its diverse perspectives and approaches Provides a fully formed framework of understanding and identifies likely future developments Features a wealth of insights into the critical role of digital media in development communication and social change




The War of the Worlds


Book Description

Tells the story behind Orson Welles' notorious broadcast of H.G. Wells's "The War of the Worlds" and includes the full text and illustrations of the story, plus a CD with a recording of the actual broadcast.




Broadcasting Freedom


Book Description

Tells how Blacks used radio





Book Description

The book is a concise review of 200,000 years of human history. á From an anthropological standpoint the author selected nine necessities from the 190,000 year Hunting and Gathering or tibaltime. á These "nine Pillars of History are 1) food, water and energy, 2) dwelling, 3) cleanliness, $) beauty, 5) free communication, 6) community support, 7) free religion, 8) access to medical help and 9) free trade. From anthropological standpoint the Nine Pillars of History recognizes three historical time periods: hand, animal and machine transport of food. The Nine Pillars of History are used as common denominators to analyze 10,000 years of political history in agricultural and industrial times. From constitutional standpoint the Nine Pillars of History find only two kinds of leadership all through our political history: dogmatic or democratic. Sexuality we have in common with all living species. á the feminine identity is described from tribal to modern time. The author uses philology to describe how religion, The 7 th pillar, was perceived from words in our thought-process and how the Golden Rule from tribal time gave society its social and moral rules. á the Nine Pillars of History together with the Golden Rule are used as common denominators to analyze five world religions. Access to Medicine, The 8 th Historical Pillar, In modern US is compared to that of Sweden .







The Cultural Work of Community Radio


Book Description

Community radio is an established and key site for negotiations of social and political issues for marginalised communities. Given its inherently local nature (both geographically and ideologically), community radio is perfectly placed as a site for articulating community concerns. At the same time, given this local quality, the diverse ways in which stations—and broadcasters—negotiate their community concerns vary substantially from city to city and region to region across Canada and the US. The Cultural Work of Community Radio investigates the multiple modes of community and broadcasting practice at selected community stations, explores how these draw from and reflect ongoing concerns of their host city or region, and examines how on the ground practice maps on to overarching broadcast policy directives and guidelines. Focusing on community production practices with reference to policy frameworks around community representation, this book examines and compares differences in community radio production practices in Miami, Montreal, New Orleans, Toronto and tribal lands in Arizona.




The Cultural Post


Book Description