Arts of Ancient Nubia: Mfa Highlights


Book Description

Ancient Nubia was home to a series of civilizations between the sixth millennium BCE and 350 CE that produced towering monuments, including more pyramids than in neighboring Egypt, and artifacts of enduring beauty and significance. Nubia's trade network reached across the Mediterranean and far into Africa. At the time that Nubian kings conquered Egypt, in the middle of the eighth century BCE, they controlled one of the largest empires of the ancient world. The Museum of Fine Arts, Boston, has the most extensive and important collection of ancient Nubian art outside of Khartoum, mostly gathered during the pioneering Harvard University-Boston Museum of Fine Arts Expedition in the first half of the 20th century. The objects highlighted in this volume include refined early ceramics, monumental statues and relief carvings made for royal pyramids, exquisite gold and enamel jewelry, playful decorations for furniture and clothing, and luxury goods traded from around the Mediterranean world.




Arts of Ancient Egypt


Book Description

Cambridge O Level Principles of Accounts Workbook has been designed specifically to meet the requirements of the Cambridge syllabus. Cambridge O Level Principles of Accounts Workbook has been written specifically for the Cambridge O Level Accounting syllabus. This book can be used in conjunction with the Coursebook Cambridge O Level Principles of Accounts written by the same author, but may also be used independently. This book applies international accounting terminology.




Ancient Nubia


Book Description

A lushly illustrated gazetteer of the archaeological sites of southern Egypt and northern Sudan and named a 2012 American Publishers (PROSE) Awards winner for Best Archaeology & Anthropology Book For most of the modern world, ancient Nubia seems an unknown and enigmatic land. Only a handful of archaeologists have studied its history or unearthed the Nubian cities, temples, and cemeteries that once dotted the landscape of southern Egypt and northern Sudan. Nubia’s remote setting in the midst of an inhospitable desert, with access by river blocked by impassable rapids, has lent it not only an air of mystery, but also isolated it from exploration. Over the past century, particularly during this last generation, scholars have begun to focus more attention on the fascinating cultures of ancient Nubia, ironically prompted by the construction of large dams that have flooded vast tracts of the ancient land. This book attempts to document some of what has recently been discovered about ancient Nubia, with its remarkable history, architecture, and culture, and thereby to give us a picture of this rich, but unfamiliar, African legacy.




Foundations of an African Civilization


Book Description

"Focuses on the Aksumite state of the first millennium AD in northern Ethiopia and southern Eritrea, its development, florescence and eventual transformation into the so-called medieval civilisation of Christian Ethiopia. This book seeks to apply a common methodology, utilising archaeology, art-history, written documents and oral tradition from a wide variety of sources; the result is a far greater emphasis on continuity than previous studies have revealed. It is thus a major re-interpretation of a key development in Ethiopia's past, while raising and discussing methodological issues of the relationship between archaeology and other historical disciplines; these issues, which have theoretical significance extending far beyond Ethiopia, are discussed in full. The last millennium BC is seen as a time when northern Ethiopia and parts of Eritrea were inhabited by farming peoples whose ancestry may be traced far back into the local 'Late Stone Age'. Colonisation from southern Arabia, to which defining importance has been attached by earlier researchers, is now seen to have been brief in duration and small in scale, its effects largely restricted to ľite sections of the community. Re-consideration of inscriptions shows the need to abandon the established belief in a single 'Pre-Aksumite' state. New evidence for the rise of Aksum during the last centuries BC is critically evaluated. Finally, new chronological precision is provided for the decline of Aksum and the transfer of centralised political authority to more southerly regions. A new study of the ancient churches - both built and rock-hewn - which survive from this poorly-understood period emphasises once again a strong degree of continuity across periods that were previously regarded as distinct."--Publisher's website.




Arts of China


Book Description

The Chinese art collection in the Museum of Fine Arts, Boston, is one of the finest outside East Asia, with particularly superb holdings of paintings and ceramics, along with important sculptures, bronzes and examples of the decorative arts. Some 100 objects have been selected here to represent its riches, arranged to explore themes such as religion or the scholar tradition throughout China's long history. The works featured in Arts of China range from Neolithic tomb artifacts to contemporary painting and include exquisite porcelains, paintings, sculptures, lacquerware and metalwork created for worship, court life, foreign trade or everyday use. Many reflect engagement with earlier traditions or with cultures outside China, including those of Central Asia and India as well as Europe and America. Enhanced with illuminating essays, this book offers an ideal introduction to the breathtaking beauty and variety of Chinese art.




Nubian Pharaohs and Meroitic Kings


Book Description

NUBIAN PHARAOHS AND MEROITIC KINGS: THE KINGDOM OF KUSH Necia Desiree Harkless has completed her odyssey of 24 years initiated by a poem that emerged in the odd moments of early morning and her studies as a Donovan Scholar at the University of Kentucky with Dr. William Y. Adams, the leading Nubiologist of the world. The awesome result is her attempt to map the cultural, social, political history of Nubia as a single people as actors on the world stage as they act out their destinies in the cradle of civilization. The underlying purpose of her book is to reconstruct the collective efforts of the past and present Nubian campaigns and their collaborative scholarship so that the African American as well as all Americans can begin to understand the contributions of the civilization of Africa and Asia as a continuous historical entity. The history of the Kingdom of Kush begins with its earliest kingdom of Kerma in 2500 BC. It continues with the conquest of Egypt by the Nubian Pharaohs in 750 BC, reluctantly recognized as the Twenty-fifth Dynasty of Egyptian Pharaohs. They ruled as black pharaohs from their Kingdom at Napatan until they were forced one hundred years later to retreat to Napata by the Assyrians who assumed control of the Egyptians. It was at Meroe, the last empire of the Kush, that forty generations of Meroitic kings and queens continued the Kingdom of Kush reaching monumental and dynastic heights. Their symbiotic relationship with Egypt was over, allowing them to develop their own indigenous culture with a language and script of their own. Their architecture, arts , politics , material and spiritual culture in the minds of many scholars surpassed that of Egypt. Over two hundred pyramids have been investigated. It is an epic that will be long remembered. The dawn of Christianity in the Kingdom of Kush has been found in the treasure cove of the Frescoes of Faras.




Wretched Kush


Book Description

Professor Smith uses Nubia as a case study to explore the nature of ethnic identity. Recent research suggests that ethnic boundaries are permeable, and that ethnic identities are overlapping. This is particularly true when cultures come into direct contact, as with the Egyptian conquest of Nubia in the second millennium BC. By using the tools of anthropology, Smith examines the Ancient Egyptian construction of ethnic identities with its stark contrast between civilized Egyptians and barbaric foreigners - those who made up the 'Wretched Kush' of the title.




Arts of Korea


Book Description

The Museum of Fine Arts, Boston, has one of the finest collections of Korean art outside East Asia, with particularly superb holdings of ceramics, including celadon masterworks from the eleventh to fourteenth centuries, and Buddhist paintings and sculptures. It is also rich in metalwork, lacquer, and ink painting. While some of the hundred objects presented here were created for royals and aristocrats, many others were originally intended for everyday use and tell a story not only about the artisans who made these boxes, mirrors, jars, tiles, and trays but also about the people who used them. The works represented in 'Arts of Korea' reach in time from a Bronze Age dagger to contemporary ceramics and prints, highlighting the creative dialogue of artists with Korea's unique traditions, as well as with those of China and Japan, over more than two millennia. Enhanced with illuminating essays about the objects' cultural history, this book offers an ideal introduction to the splendors and subtleties of Korean art.




The Black Kingdom of the Nile


Book Description

Landmark archaeological excavations that radically revise the early history of Africa. For the past fifty years, Charles Bonnet has been excavating sites in present-day Sudan and Egypt that point to the existence of a sophisticated ancient black African civilization thriving alongside the Egyptians. In The Black Kingdom of the Nile, he gathers the results of these excavations to reveal the distinctively indigenous culture of the black Nubian city of Kerma, the capital of the Kingdom of Kush. This powerful and complex political state organized trade to the Mediterranean basin and built up a military strong enough to resist Egyptian forces. Further explorations at Dukki Gel, north of Kerma, reveal a major Nubian fortified city of the mid-second millennium BCE featuring complex round and oval structures. Bonnet also found evidence of the revival of another powerful black Nubian society, seven centuries after Egypt conquered Kush around 1500 BCE, when he unearthed seven life-size granite statues of Black Pharaohs (ca. 744–656 BCE). Bonnet’s discoveries have shaken our understanding of the origins and sophistication of early civilization in the heart of black Africa. Until Bonnet began his work, no one knew the extent and power of the Nubian state or the existence of the Black Pharaohs who presided successfully over their lands. The political, military, and commercial achievements revealed in these Nubian sites challenge our long-held belief that the Egyptians were far more advanced than their southern neighbors and that black kingdoms were effectively vassal states. Charles Bonnet’s discovery of this lost black kingdom forces us to rewrite the early history of the African continent.




The Oxford Handbook of Ancient Nubia


Book Description

The cultures of Nubia built the earliest cities, states, and empires of inner Africa, but they remain relatively poorly known outside their modern descendants and the community of archaeologists, historians, and art historians researching them. The earliest archaeological work in Nubia was motivated by the region's role as neighbor, trade partner, and enemy of ancient Egypt. Increasingly, however, ancient Nile-based Nubian cultures are recognized in their own right as the earliest complex societies in inner Africa. As agro-pastoral cultures, Nubian settlement, economy, political organization, and religious ideologies were often organized differently from those of the urban, bureaucratic, and predominantly agricultural states of Egypt and the ancient Near East. Nubian societies are thus of great interest in comparative study, and are also recognized for their broader impact on the histories of the eastern Mediterranean and the Near East. The Oxford Handbook of Ancient Nubia brings together chapters by an international group of scholars on a wide variety of topics that relate to the history and archaeology of the region. After important introductory chapters on the history of research in Nubia and on its climate and physical environment, the largest part of the volume focuses on the sequence of cultures that lead almost to the present day. Several cross-cutting themes are woven through these chapters, including essays on desert cultures and on Nubians in Egypt. Eleven final chapters synthesize subjects across all historical phases, including gender and the body, economy and trade, landscape archaeology, iron working, and stone quarrying.