Aspects of Early Viṣṇuism


Book Description

Visnu holds a divinity of highest rank among the Hindus. In the present work, the author has made an attempt to sketch the main features in the character of Visnu as they appeared in different ages. The book has an enlightening introduction, a list of abbreviations, four indices and detailed footnotes.




Visnuism and Sivaism


Book Description

This book contains a detailed discussion of some of the historical, doctrinal, ritual and literary aspects of both Vaishnavism and Shaivism, as first presented – then as Visnuism and Sivaism – at the 1969 Jordan Lecture in Comparative Religion. By comparing both religions, the main characteristics of each tradition is delineated and questions regarding their origins, theological doctrines and practices are reconsidered. Special emphasis is laid on their various interrelations, for example, the partly parallel and often divergent development of their rituals and philosophies.




Drama and Ritual of Early Hinduism


Book Description

Drama and Ritual of Early Hinduism sets out to explore the foundations of theatre in ritual practice. In a careful, systematic way Lidova lays out a process by which the classical Sanskrit theatre may have come into existence. Scholars have wrestled with this question for centuries. Because of this work we have a better understanding of the process. The work is bound to encourage further speculation about this topic in the years to come.




The Strides of Vishnu


Book Description

Books about Hinduism often begin by noting the immense size and complexity of the subject. Hinduism is vast and diverse, they say. Or it doesn't exist at all - Hinduism is merely a convenient (and foreign) term that masks a plurality of traditions. In either case, readers are discouraged by the sense that they are getting only a tiny sample or a shallow overview of something huge and impossible to understand. This book is designed to be accessible and comprehensive in a way that other introductions are not, maintaining an appealing narrative and holding the reader's interest in the unfolding sequence of ideas through time and place. Each of the 13 chapters combines historical material with key religious and philosophical ideas, supported by substantial quotations from scriptures and other texts. The overarching organizational principle is a historical narrative largely grounded in archaeological information. Historic places and persons are fleshed out as actors in a narrative about the relation of the sacred to ordinary existence as it is mediated through arts, sciences, rituals, and philosophical ideas. Although many books purport to introduce the Hindu tradition, this is the only one with a broad historical focus that emphasizes archaeological as well as textual evidence. It will nicely complement Vasuda Narayanan's forthcoming introduction, which takes the opposite approach of focusing on the lived experience of Hindu believers.




Historical Dictionary of Ancient India


Book Description

India's history and culture is ancient and dynamic, spanning back to the beginning of human civilization. Beginning with a mysterious culture along the Indus River and in farming communities in the southern lands of India, the history of India is punctuated by constant integration with migrating peoples and with the diverse cultures that surround the country. Placed in the center of Asia, history in India is a crossroads of cultures from China to Europe, as well as the most significant Asian connection with the cultures of Africa. The Historical Dictionary of Ancient India provides information ranging from the earliest Paleolithic cultures in the Indian subcontinent to 1000 CE. The ancient history of this country is related in this book through a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries on rulers, bureaucrats, ancient societies, religion, gods, and philosophical ideas.




The Skanda Purana Part 1


Book Description




India


Book Description

A spiritual history of the world's most religiously complex and diverse society, from one of Harvard's most respected scholars. India: A Sacred Geography is the culmination of more than a decade's work from the renowned Harvard scholar Diana L. Eck. The book explores the sacred places of India, taking the reader on an extraordinary trip through the beliefs and history of this rich and profound place, as well as providing a basic introduction to Hindu religious ideas and how those ideas influence our understanding of the modern sense of "India" as a nation.




The Rāmāyaṇa of Vālmīki


Book Description

"India has many versions of the story of Rāma composed in Sanskrit, Prakrit, and various vernaculars of the north and south. Yet the ancient Sanskrit version, attributed to the sage-poet Vālmīki, by tradition the first work of true poetry, is the source revered throughout India as the original account of the career of Rāma, ideal man and incarnation of the great God Viṣṇu. This great Sanskrit epic of ancient India has profoundly affected the Literature, Art, Religion and Cultures of countless millions of people in South and Southeast Asia--an influence that is perhaps unparalleled in the history of World Literature. The volumes of this work will present the entire Rāmāyaṇa for the first time translated on the basis of the critical edition, which is based on manuscripts representing all recensional traditions. Translation consortium is as follows: Vol. I, Bālakāṇḍa; Vol.II, Ayodhyākāṇḍa; Vol.III, Araṇyakāṇḍa; Vol.IV, Kiṣkịndhāḳạnda; Vol.V, Sundarakāṇḍa; Vol.VI, Yuddhakāṇ̣ḍa; Vol.VII, Uttarakāṇḍa" --




Cosmos, Chaos and the World to Come


Book Description

All over the world people look forward to a perfect future, when the forces of good will be finally victorious over the forces of evil. Once this was a radically new way of imagining the destiny of the world and of mankind. How did it originate, and what kind of world-view preceded it? In this engrossing book, the author of the classic work The Pursuit of the Millennium takes us on a journey of exploration, through the world-views of ancient Egypt, Mesopotamia, and India, through the innovations of Iranian and Jewish prophets and sages, to the earliest Christian imaginings of heaven on earth. Until around 1500 B.C., it was generally believed that once the world had been set in order by the gods, it was in essence immutable. However, it was always a troubled world. By means of flood and drought, famine and plague, defeat in war, and death itself, demonic forces threatened and impaired it. Various combat myths told how a divine warrior kept the forces of chaos at bay and enabled the world to survive. Sometime between 1500 and 1200 B.C., the Iranian prophet Zoroaster broke from that static yet anxious world-view, reinterpreting the Iranian version of the combat myth. For Zoroaster, the world was moving, through incessant conflict, toward a conflictless state—“cosmos without chaos.” The time would come when, in a prodigious battle, the supreme god would utterly defeat the forces of chaos and their human allies and eliminate them forever, and so bring an absolutely good world into being. Cohn reveals how this vision of the future was taken over by certain Jewish groups, notably the Jesus sect, with incalculable consequences. Deeply informed yet highly readable, this magisterial book illumines a major turning-point in the history of human consciousness. It will be mandatory reading for all who appreciated The Pursuit of the Millennium.




Art and History


Book Description

Art and History: Texts, Contexts and Visual Representations in Ancient and Early Medieval India seeks to locate the historical contexts of premodern Indian art traditions. The volume examines significant questions, such as: What were the purposes served by art? How were religious and political ideas and philosophies conveyed through visual representations? How central were prescription, technique and style to the production of art? Who were the makers and patrons of art? How and why do certain art forms, meanings and symbols retain a relevance across context? With contributions from historians and art historians seeking to unravel the interface between art and history, the volume dwells on the significance of visual representations in specific regional historical contexts, the range of symbolic signification attached to these and the mythologies and textual prescriptions that contribute to the codification and use of representational forms. Supplemented with over 60 images, this volume is a must-read for scholars and researchers of history and art.