Aspects of Love in John Gower's Confessio Amantis


Book Description

Throughout the tales in the Confessio Amantis, John Gower proposes that reciprocal love is the remedy to what ails man and society. This book explores how Gower uses the aspects of love in the Confessio-the notions of kinde, or passionate love, and reason in the sphere of love; honeste love in the Marriage Tales of the Four Wives; passionate and excessive love in the Forsaken Women's tales; and Amans's lovesickness. In her thorough examination of Gower's work, Ellen S. Bakalian shows how Gower emphasizes and illustrates a belief that reason must rule man in all things, including his natural instincts to love.







Mirour de L'Omme


Book Description

The Mirour de l'Omme (The Mirror of Mankind) is an encyclopedia of moral topics, including a vivid allegory of the Seven Deadly Sins. Author John Gower (1330-1408) was a poet, personal friend of Chaucer, and the most prominent member of his literary circle.







The Poetic Voices of John Gower


Book Description

Gower's use of the persona, the figure of the writer implicated in the text, is the main theme of this book. While it traces the development of Gower's voice through his major works, it concentrates on the dialogue of Amans and Genius in the Confessio Amantis. It argues that Gower negotiates problems of politics and problems of love by means of an analogy between political ethics and the rules of fin amour; Amans and Genius are both drawn from and occupied with amatory and ethical traditions, and their discourse produces a series of attempts to find a coherent and rational union of lover and ruler. The volume also argues that Gower's goal is poetic as well as political: through the personae, Gower's readers experience the pains and pleasures of erotic and social love. Gower's personae voice potential responses to exemplary experience, prompting readers to feel and to judge, and moving them to become better lovers and better rulers. Gower's analogy between fin amour and politics brings the affects of the lover to the action of government, and suggests for both love and rule the moderation that brings peace and joy. Matthew W. Irvin is Assistant Professor in the Department of English and Chair of the Medieval Studies Program at Sewanee.




Idleness Working


Book Description

Roman and medieval poets and authors not only explored the physicality and sexuality of love, driven by passion and desire, but also saw love as a labour, a project to be worked on and achieved to reach the final goal.




Confessio Amantis, Volume 1


Book Description

The complete text of John Gower's poem is a three-volume edition, including all Latin components-with translations-of this bilingual text and extensive glosses, bibliography and explanatory notes. Volume 1 contains the Prologue and Books 1 and 8, in effect the overall structure of Gower's poem.




Gower's Confessio Amantis


Book Description

Eleven essays by influential scholars (from C.S. Lewis to A.J. Minnis] provide an introduction for students to Gower's Confessio Amantisand its important criticism.




"Exempla" in Context


Book Description




The Monstrous New Art


Book Description

Late medieval motet texts are brimming with chimeras, centaurs and other strange creatures. In The Monstrous New Art, Anna Zayaruznaya explores the musical ramifications of this menagerie in the works of composers Guillaume de Machaut, Philippe de Vitry, and their contemporaries. Aligning the larger forms of motets with the broad sacred and secular themes of their texts, Zayaruznaya shows how monstrous or hybrid exempla are musically sculpted by rhythmic and textural means. These divisive musical procedures point to the contradictory aspects not only of explicitly monstrous bodies, but of such apparently unified entities as the body politic, the courtly lady, and the Holy Trinity. Zayaruznaya casts a new light on medieval modes of musical representation, with profound implications for broader disciplinary narratives about the history of text-music relations, the emergence of musical unity, and the ontology of the musical work.