Cardano's Cosmos


Book Description

Girolamo Cardano was an Italian doctor, natural philosopher, and mathematician who became a best-selling author in Renaissance Europe. He was also a leading astrologer of his day, whose predictions won him access to some of the most powerful people in sixteenth-century Europe. In Cardano's Cosmos, Anthony Grafton invites readers to follow this astrologer's extraordinary career and explore the art and discipline of astrology in the hands of a brilliant practitioner.Renaissance astrologers predicted everything from the course of the future of humankind to the risks of a single investment, or even the weather. They analyzed the bodies and characters of countless clients, from rulers to criminals, and enjoyed widespread respect and patronage. This book traces Cardano's contentious career from his first astrological pamphlet through his rise to high-level consulting and his remarkable autobiographical works. Delving into astrological principles and practices, Grafton shows how Cardano and his contemporaries adapted the ancient art for publication and marketing in a new era of print media and changing science. He maps the context of market and human forces that shaped Cardano's practicesâe"and the maneuvering that kept him at the top of a world rife with patronage, politics, and vengeful rivals.Cardano's astrology, argues Grafton, was a profoundly empirical and highly influential art, one that was integral to the attempts of sixteenth-century scholars to understand their universe and themselves.




Influences


Book Description

Today few would think of astronomy and astrology as fields related to theology. Fewer still would know that physically absorbing planetary rays was once considered to have medical and psychological effects. But this was the understanding of light radiation held by certain natural philosophers of early modern Europe, and that, argues Mary Quinlan-McGrath, was why educated people of the Renaissance commissioned artworks centered on astrological themes and practices. Influences is the first book to reveal how important Renaissance artworks were designed to be not only beautiful but also—perhaps even primarily—functional. From the fresco cycles at Caprarola, to the Vatican’s Sala dei Pontefici, to the Villa Farnesina, these great works were commissioned to selectively capture and then transmit celestial radiation, influencing the bodies and minds of their audiences. Quinlan-McGrath examines the sophisticated logic behind these theories and practices and, along the way, sheds light on early creation theory; the relationship between astrology and natural theology; and the protochemistry, physics, and mathematics of rays. An original and intellectually stimulating study, Influences adds a new dimension to the understanding of aesthetics among Renaissance patrons and a new meaning to the seductive powers of art.




The Duke and the Stars


Book Description

The Duke and the Stars explores science and medicine as studied and practiced in fifteenth-century Italy, including how astrology was taught in relation to astronomy. It illustrates how the “predictive art” of astrology was often a critical, secretive source of information for Italian Renaissance rulers, particularly in times of crisis.




Astrology in the Renaissance


Book Description




From Masha' Allah to Kepler


Book Description

Astrology has recently become a subject of interest to scholars of the highest calibre. However, the tendency has been to look at the social context of astrology, the attacks on astrologers and their craft, and on astrological iconography and symbolism; i.e., largely looking on astrology from the outside. The intention of this book is to do is to look at the subject from the inside: the ideas and techniques of astrologers themselves. In both Western and Eastern cultures astrology was regarded as a pure science by most scholars, mathematicians, physicians, philosophers and theologians, and was taught in schools and universities. The greatest astronomers of the period under consideration, al-Kindi, Thabit ibn Qurra, Abraham Ibn Ezra, Galileo and Kepler, also wrote about and practised astrology. What did astrologers write about astrology and how did they teach their subject and practise their craft? What changes occurred in astrological theory and practice over time and from one culture to another? What cosmological and philosophical frameworks did astrologers use to describe their practice? What role did diagrams, tables and illustrations play in astrological text-books? What was astrology's place in universities and academies? This book contains surveys of astrologers and their craft in Islamic, Jewish and Christian culture, and includes hitherto unpublished and unstudied astrological texts.




Astrology and Magic from the Medieval Latin and Islamic World to Renaissance Europe


Book Description

Astrology and Magic from the Medieval Latin and Islamic World to Renaissance Europe brings together ten of Paola Zambelli's papers on the subject, four of which are published in English for the first time. The papers in Part I of this volume deal with theories: the ideas of astrology and magic held by Renaissance thinkers; astrologers' ideas on universal history and its cycles; i.e. catastrophes and rebirths, theories; and myths regarding the spontaneous generation of man himself. Part II focuses on the role of astrologers in Renaissance society. As political counsellors, courtiers, and academics, their ideas were diffused and appreciated in both popular and high culture. Part III looks at the Great Conjunction of 1524 and on the long and extended debate surrounding it, which would not have been possible prior to Gutenberg, since astrologers printed numberless booklets (full of religious and political innuendo) predicting the catastrophe - flood, as well as earthquake or fire - foreseen for February 1524 (which, in the event, proved to be a month of extraordinary mild weather). Part IV reprints some review-articles of twentieth century scholars whose writing has contributed to our understanding of the historical problems concerning magic and other connected debates.




Secrets of Nature


Book Description

A fresh look at the role of astrology and alchemy in Renaissance thinking and everyday life.




The Limits of Influence


Book Description

This is a case study of astrology's changing status as an academic discipline in the sixteenth century. It provides fascinating new insights in the practice of Renaissance astrology, its social position, and its profound impact on the changes in early modern European science.




Debating the Stars in the Italian Renaissance


Book Description

An account of the astrological controversies that arose in Renaissance Italy in the wake of Giovanni Pico della Mirandola’s Disputationes adversus astrologiam divinatricem, published in 1496.




The Magic Circle of Rudolf II


Book Description

An intriguing portrait of Holy Roman Emperor Rudolf II, heir to the Habsburg empire, focuses on the thirty-six-year reign and the extraordinary mathematicians, alchemists, artists, astronomers, and philosophers who made up his court--including Johannes Kepler, Tycho Brahe, Francis Bacon, and others--and made Prague the artistic and scientific center of Europe. 25,000 first printing.