Astronomy and the Imagination


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Astronomy and the Imagination


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The Romantic Imagination and Astronomy


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In the nineteenth century the beauty of the night sky is the source of both imaginative wonder in poetry and political and commercial power through navigation. The Romantic Imagination and Astronomy examines the impact of astronomical discovery and imperial exploration on poets including Barbauld, Coleridge, Keats, Shelley, and Rossetti.







Science and Imagination


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imagining the unimaginable


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How is it possible to imagine what is unknown and therefore unimaginable? How can the unimaginable be represented? On what materials do such representations rely? These questions lie at the heart of this book. Copernican theory redefined the role and importance of the imagination even as it implied the moment of its crisis. Based on this claim, Ladina Bezzola Lambert analyzes seventeenth-century astronomical texts – particularly descriptions of the moon and treatises written in support of the theory of the plurality of worlds – to show how early modern astronomers questioned the role of the imagination as a tool to visualize the unknown, but also how, pressed by the need to support their theories with convincing descriptions of other potential worlds, they sought to overcome the limitations of the imagination with a sophisticated rhetoric and techniques more commonly associated with poetic writing. The limitations of the imagination are at once a problem that all of the texts discussed struggle with and their recurrent theme. In the first and last chapter, the focus shifts to a more explicitly literary context: Ariosto’s Orlando furioso and the work of Italo Calvino. The change of focus from science to literature and from the narratives of the past to contemporary ones serves to emphasize that the issues relating to the imagination, its limitations and creative means, are basically the same both in science and literature and that they are still relevant today.




Imagining Other Worlds


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This anthology presents chapters from astronomers, historians and writers who are inspired by the sky. Its topics range from the representation and exploration of the sky in the arts, architecture and literature, and from the ancient world to the digital age.




Astronomy and Spiritual Science


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"Rudolf Steiner was in fact not merely a phenomenally educated and articulate philosopher but also a Man of Destiny.... By comparison, not only with his contemporaries but with the general history of the Western mind, his stature is almost too excessive to be borne." --Owen Barfield The New Essential Steiner is an illuminating, completely new introduction to the philosophy and essential writings of Rudolf Steiner, introduced and edited by Robert McDermott, who also edited the now-classic Essential Steiner. This new volume offers selections from a wide variety of Steiner's published works, presenting a broad, accessible overview of Anthroposophy. In his introduction, McDermott recounts Steiner's life and work, from his childhood and education to his work as a natural scientist, philosopher, scholar, educator, artist, interpreter of culture, and seer. He places Steiner in relation to major traditions of thought and explores the genesis and development of Anthroposophy. Although Rudolf Steiner is considered by many to be the greatest spiritual seer and philosophical thinker of the twentieth century and is credited with major cultural contributions such as the worldwide Waldorf school movement and the ever-growing biodynamic agricultural movement, he nevertheless remains relatively unknown to both academics and the public. The purpose of this volume is to redress that situation by introducing Steiner's work to a broader audience and making his name more universally recognized. Includes selections from Steiner's writings, which are grouped into chapters that demonstrate the breadth of his thinking and spiritual accomplishments. The New Essential Steiner is an invaluable compendium and introduction to the works that form the foundation of Anthroposophy.




The Moon and the Western Imagination


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The Moon is at once a face with a thousand expressions and the archetypal planet. Throughout history it has been gazed upon by people of every culture in every walk of life. From early perceptions of the Moon as an abode of divine forces, humanity has in turn accepted the mathematized Moon of the Greeks, the naturalistic lunar portrait of Jan van Eyck, and the telescopic view of Galileo. Scott Montgomery has produced a richly detailed analysis of how the Moon has been visualized in Western culture through the ages, revealing the faces it has presented to philosophers, writers, artists, and scientists for nearly three millennia. To do this, he has drawn on a wide array of sources that illustrate mankind's changing concept of the nature and significance of heavenly bodies from classical antiquity to the dawn of modern science. Montgomery especially focuses on the seventeenth century, when the Moon was first mapped and its features named. From literary explorations such as Francis Godwin's Man in the Moone and Cyrano de Bergerac's L'autre monde to Michael Van Langren's textual lunar map and Giambattista Riccioli's Almagestum novum, he shows how Renaissance man was moved by the lunar orb, how he battled to claim its surface, and how he in turn elevated the Moon to a new level in human awareness. The effect on human imagination has been cumulative: our idea of the Moon, and therefore the planets, is multilayered and complex, having been enriched by associations played out in increasingly complicated harmonies over time. We have shifted the way we think about the lunar face from a "perfect" body to an earthlike one, with corresponding changes in verbal and visual expression. Ultimately, Montgomery suggests, our concept of the Moon has never wandered too far from the world we know best—the Earth itself. And when we finally establish lunar bases and take up some form of residence on the Moon's surface, we will not be conquering a New World, fresh and mostly unknown, but a much older one, ripe with history.




The Secret Doorway


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A pictorial drama of the creation of Heaven and Earth based upon the awe-inspiring photo images from the Hubble and Spitzer space telescopes. Author, Paul Hutchins uncovers a grand drama on a universal scale that has been playing out since the invention of the telescope. He poses the question, is this grand drama merely in response to an ancient invitation recorded in the Book of Isaiah? It states in Isaiah 40:26, ""Look up into the heavens."" Who created all the stars? Through the use of his imagination and the invention of the telescope, man has discovered a once secret doorway to a world beyond imagination. He has now, in this age of cutting edge technology developed flying space telescopes in his quest to know, how did we get here? What he has found has astounded him. Hutchins farther poses the question; if it took over 400 years of man’s imagination from when the telescope was invented, and countless other inventions including the Hubble and Spitzer space telescopes, to merely take photo images of the universe, then who’s imagination is responsible for the reality those photo images represent? As we peer through this doorway to the heavens and look upon these heavenly cosmic bodies, we find ourselves awed by their grandeur. The pressing question becomes too large to ignore. Who is responsible for all these things? Could it be that we are now peering into the mind of a supreme architect with an imagination far beyond that of mere mortals? Could we be peering into the mind of imagination supreme? Could it be that we have been brought to this point in history unbeknownst to ourselves and given this technology by the one who extended that ancient invitation recorded by Isaiah 2700 years ago?