Foundations of Education, 2nd Edition


Book Description

This book discusses in detail the psychological, philosophical and sociological foundations of education. The text highlights the basic postulates and social concepts of both Western and Indian schools of thought and its contribution to education. Many aspects of Indian philosophy and their role in strengthening the foundations of education are comprehensively covered. Maintaining the salient features of the earlier edition, this book is updated with the recent trends in education.




Vedanta Bodha


Book Description

Swami Akhandananda Saraswati Ji Maharaj of Vrindavan, the greatest living Advaitin of our time shares his wisdom on all aspects of Vedanta in a simple and unique way. Undoubtedly the finest Vedanta book ever printed.




Shiva's Appearance


Book Description

The book will show you how Lord Shiva came to this earth with the present form. Aim is to bring some awareness about Shiva among people who know Shiva only as a destroyer of creation, with attributes different from other Gods in Hindu tradition. This small book will be throwing some light on Shiva’s identity, giving elementary knowledge about Him that I got by His grace. Shiva is the Ishwar, the best teacher and the father of the universe.




AKASHVANI


Book Description

"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio, New Delhi. From 1950,it was turned into a weekly journal. Later, The Indian listener became "Akashvani" (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 29 SEPTEMBER, 1963 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 69 VOLUME NUMBER: Vol. XXVIII. No. 39 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 8-65 ARTICLE: 1. The People of The North Border: Kameng Division 2. Land of Our Birth 3. Civilian Participation in Warfare AUTHOR: 1. T. S. Murty 2. Nayantara Sehgal 3. Col. S. K. Joshua KEYWORDS : 1. Monpas,Chinese,Administrative 2. School,Educated,Buddhism 3. Army, Companies, Defence Document ID : APE-1963 (S-N) Vol-III-01 Prasar Bharati Archives has the copyright in all matters published in this “AKASHVANI” and other AIR journals. For reproduction previous permission is essential.




THE INDIAN LISTENER


Book Description

The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 December, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.From July 3 ,1949,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. NAME OF THE JOURNAL: The Indian Listener LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 05-08-1951 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 48 VOLUME NUMBER: Vol. XVI. No. 32. BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 16-43 ARTICLE: 1. Emergence and Maturity 2. America-As I Saw It 3. Rural Electrification 4. Ferment of Ideas 5. Land Utilisation AUTHOR: 1. Dr. Niharranjan Roy 2. S. N. Ghosh 3. S. A. Gadkary 4. F. Correia Afonso 5. Hon'ble Shri M. Thirumal Rao KEYWORDS: 1. Nandalal, Bengal School, interpretative observation 2. Los Angeles, Rocky mountains, Times Square 3. Industries, electrification, load factor 4. World War II, Russian literature, materialistic outlook 5. Cultivation, geographical area, foodgrains Document ID: INL-1951 (J-D) Vol-II (06)







Mukti Skandha Part 3


Book Description

The Eleventh Canto of the Shrimad Bhagwat Mahapuran Mahapuran by the wisdom of Swami Akhandananda Saraswati Ji Maharaj of Vrindavan.




Atmasiddhi Shastra


Book Description

The Journey of Self-Discovery from the Heart of an Enlightened Master. Humanity has accomplished incredible feats. We have reached for the stars, and achieved things our forefathers considered impossible. And yet, the same key questions that eluded them, have eluded us - Who am I? Where have I come from? What is my true purpose? Questions spark the beginning of an inner journey. Atmasiddhi Shastra is a 142-verse masterpiece, composed by 19th century self-realised saint Shrimad Rajchandraji in a single sitting of about 1.5 hours when He was only 28 years old. Quenching the genuine thirst of a seeker, Shrimadji shares six spiritual truths in this clearest, most cogent outline of the path. A brilliant clarification on diverse perspectives, it prompts you to realise who you are, and who you are not. World-renowned spiritual leader Pujya Gurudevshri Rakeshji reveals the hidden treasures embedded within every verse of Atmasiddhi Shastra. The book is a step-by-step guide to self-realisation written with great compassion and vision by an enlightened Master. An indisputable path to universal truths is presented through an open-hearted dialogue between an experienced Master and an earnest seeker. Exploring the soul, destiny, karma, death, rebirth, God and liberation, Atmasiddhi Shastra weaves scriptural testimony with a scientific approach, philosophy with practicality, doctrine with devotion, and logic with love. It covers every step of the path, with milestones of progress, warnings of pitfalls and perils, and a vivid glimpse of the final destination. A guidebook for those in search of their everlasting nature, the deep spiritual richness of every verse is made accessible to read, retain and ruminate. Nothing that one requires to experience the soul, or to attain liberation is hidden or left out. A revolution awaits all those who seek wholeheartedly within these pages. A masterclass in spirituality for every modern seeker, Atmasiddhi Shastra is a deeply personal experience. Ignite your inner quest. Discover your higher purpose. Reclaim your true identity. Experience your eternal bliss. Gift yourself this ocean of spirituality.




Yesterday’s Melodies Today’s Memories


Book Description

Yesterday’s Melodies Todays Memories is a rare collection of profiles of all important music-makers of the Hindi Film Industry between 1931 and 1970. It not only gives a biographical background of each music artiste, but it goes further to interview many of the surviving giants and completes the task by listing some of the best songs with which that person is associated. Here are singers that include the whole gamut from KL Saigal to Asha Bhosle, lyricists that include Sahir and Gulzar, music composers from Naushad to RD Burman, artistes that were part-time singers and full time actors like Ashok Kumar, melody queens like Noor Jahan and Lata Mangeshkar, gentlemen lyricists like Prem Dhawan and gentlemen singers like Manna Dey, mischief-makers like Kishore Kumar and rebels without pause like OP Nayyar and Majrooh Sultanpuri. In fact, this book is a house in which all these great talents live happily, each in a separate room, given space for self-expression. The serious research that has gone into this book is evident as you move from one chapter to another, opening layers after layers presented non-seriously. Over 100 music makers are presented this way and many more in a huge single chapter.




The Spanda Tattva


Book Description

In the tradition of the siddha (those who have obtained their goal; enlightened Mahatmas), the name 'spanda' was used for the parama tattva (supreme essence, the Brahman) since ancient times. Other names used for this Tattva are, shuddhaatmaa (the pristine Atma), Shankara, Shiva, svabhaava (own nature), gnaataa (the knower), and saamaanya (the common factor, or general principle). It is also known as the Kashmiri pratyabhignaadarshan (the consciousness that illuminates everything. The 'Sarvadarshan Samhita' calls it the 'Shiva Darshan' (a glimpse of Shiva, who we revere). This corresponds with Abhinav Gupta's sadhanaa-paddhati (method used for spiritual progress). Acharya Bhatta Kallata obtained its rahasya (quintessence; hidden indications) from his Guru, Vasugupta, and composed fifty kaarikaa (philosophical verses) as a summery. Utpalacharya wrote a commentary on it in the middle of the tenth century. He called it, 'Spanda Pradeepika'. It is in Sanskrit. It has been published just one, in 1898, by the Medical Hall Press in Varanasi. This is now presented in a succinct form, for Hindi readers.