Atlanta's Parks and Monuments


Book Description

Since the city's beginnings after the War of 1812, Atlanta has had a tradition of building with a regard for becoming a world-class metropolis. Before being burned by Union general William T. Sherman in 1864, the city's appearance was described by noted European architect and urban planner Leon Krier as "looking like London in the 18th century." Atlanta was surrounded by estates and plantations, and many of the plantation builders were influenced by Greek and Roman architecture. The argument of slavery to the contrary, builders saw Greek temples as symbols of democracy and, as a result, embraced Greek and Roman revival architecture as the dominant national style. Great monuments followed in this tradition to the letter in the capital of the South.




Subpar Parks


Book Description

**A New York Times Bestseller!** Based on the wildly popular Instagram account, Subpar Parks features both the greatest hits and brand-new content, all celebrating the incredible beauty and variety of America’s national parks juxtaposed with the clueless and hilarious one-star reviews posted by visitors. Subpar Parks, both on the popular Instagram page and in this humorous, informative, and collectible book, combines two things that seem like they might not work together yet somehow harmonize perfectly: beautiful illustrations and informative, amusing text celebrating each national park paired with the one-star reviews disappointed tourists have left online. Millions of visitors each year enjoy Glacier National Park, but for one visitor, it was simply "Too cold for me!" Another saw the mind-boggling vistas of Bryce Canyon as "Too spiky!" Never mind the person who visited the thermal pools at Yellowstone National Park and left thinking, “Save yourself some money, boil some water at home.” Featuring more than 50 percent new material, the book will include more depth and insight into the most popular parks, such as Yosemite, Yellowstone, the Grand Canyon, and Acadia National Parks; anecdotes and tips from rangers; and much more about author Amber Share's personal love and connection to the outdoors. Equal parts humor and love for the national parks and the great outdoors, it's the perfect gift for anyone who loves to spend time outside as well as have a good read (and laugh) once they come indoors.




Inman Park


Book Description

The story of Inman Park, Atlanta's first planned suburb, is one closely tied with transportation ingenuity, trade, and the progressive determination of its citizens. Situated two miles east of downtown Atlanta, Inman Park was farmland when the Civil War ravaged its rolling hills. In the 1890s, Inman Park bloomed into Atlanta's first residential park, the location of choice for Atlanta's social elite. The growth of Atlanta, however, struck a blow to the development of this utopian suburb. By the mid-20th century, the suburb fell into dilapidation, abandoned by the prominent families of Atlanta. It was not until the 1970s that the neighborhood, like Atlanta itself, was raised from its ashes to become the celebrated example of Victorian restoration that it is today and was added to the National Register of Historic Places.




Atlanta's Parks and Monuments


Book Description

Since the citys beginnings after the War of 1812, Atlanta has had a tradition of building with a regard for becoming a world-class metropolis. Before being burned by Union general William T. Sherman in 1864, the citys appearance was described by noted European architect and urban planner Leon Krier as looking like London in the 18th century. Atlanta was surrounded by estates and plantations, and many of the plantation builders were influenced by Greek and Roman architecture. The argument of slavery to the contrary, builders saw Greek temples as symbols of democracy and, as a result, embraced Greek and Roman revival architecture as the dominant national style. Great monuments followed in this tradition to the letter in the capital of the South.




Atlanta's Parks and Monuments


Book Description

Since the city's beginnings after the War of 1812, Atlanta has had a tradition of building with a regard for becoming a world-class metropolis. Before being burned by Union general William T. Sherman in 1864, the city's appearance was described by noted European architect and urban planner Leon Krier as "looking like London in the 18th century." Atlanta was surrounded by estates and plantations, and many of the plantation builders were influenced by Greek and Roman architecture. The argument of slavery to the contrary, builders saw Greek temples as symbols of democracy and, as a result, embraced Greek and Roman revival architecture as the dominant national style. Great monuments followed in this tradition to the letter in the capital of the South.







Monuments to the Lost Cause


Book Description

This richly illustrated collection of fourteen essays examines the ways in which Confederate memorials - from Monument Avenue to Stone Mountain - and the public rituals surrounding them testify to the tenets of the Lost Cause, a romanticized narrative of the war. Several essays highlight the creative leading role played by women's groups in memorialization, while others explore the alternative ways in which people outside white southern culture wrote their very different histories on the southern landscape. The authors - who include Richard Guy Wilson, Catherine W. Bishir, W. Fitzhugh Brundage, and William M.S. Ramussen - trace the origins, objectives, and changing consequences of Confederate monuments over time and the dynamics of individuals and organizations that sponsored them. Thus these essays extend the growing literature on the rhetoric of the Lost Cause by shifting the focus to the realm of the visual. They are especially relevant in the present day when Confederate symbols and monuments continue to play a central role in a public - and often emotionally charged - debate about how the South's past should be remembered. The editors: Art Historian Cynthia Mills, a specialist in nineteenth-century public sculpture, is executive editor of American Art, the scholarly journal of the Smithsonian American Art Museum. Pamela H. Simpson is the Ernest Williams II Professor of Art History at Washington and Lee University. She is the coauthor of The Architecture of Historic Lexington.




Atlanta


Book Description

When the public envisions Atlanta during the Civil War, two primary imagesof two unparalleled individualsdominate: William Tecumseh Sherman and Scarlett OHara; however, there is more to the citys Civil War heritage than a frowning general and a wily gentlewoman. Within the pages of Atlanta: A Portrait of the Civil War, discover the old city streets, period homes, and military fortifications of Atlanta in a number of rarely reproduced Civil War photographs. Taken from the Atlanta History Centers visual arts collection, the images in this volume tell the story of the city as it was up to and during the Civil War. View the ruins of the Ponder House, the destruction of the rail lines, and the demolition of General Hoods ordnance train. Informative captions complement this engaging collection of images, and include excerpts from diaries, letters, and memoirs regarding life in Atlanta during the war. Many of the photographs were taken by George N. Barnard and his staff during the Federal occupation of Atlanta in the fall of 1864, and again in 1866 as he planned a publication of war views. Atlanta: A Portrait of the Civil War offers a comprehensive view of the city during a war that continues to fascinate both professional and amateur historians alike.