Saturday Review of Literature
Author :
Publisher :
Page : 456 pages
File Size : 23,37 MB
Release : 1926
Category : American literature
ISBN :
Author :
Publisher :
Page : 456 pages
File Size : 23,37 MB
Release : 1926
Category : American literature
ISBN :
Author :
Publisher :
Page : 980 pages
File Size : 34,91 MB
Release : 1925-08
Category : American literature
ISBN :
Author :
Publisher :
Page : 778 pages
File Size : 19,26 MB
Release : 1926
Category : Bibliography
ISBN :
Author : Riva Castleman
Publisher : ABRAMS
Page : 0 pages
File Size : 40,43 MB
Release : 1997-09
Category :
ISBN : 9780810961814
Published to accompany the 1994 exhibition at The Museum of Modern Art, New York, this book constitutes the most extensive survey of modern illustrated books to be offered in many years. Work by artists from Pierre Bonnard to Barbara Kruger and writers from Guillaume Apollinarie to Susan Sontag. An importnt reference for collectors and connoisseurs. Includes notable works by Marc Chagall, Henri Matisse, and Pablo Picasso.
Author : Frank Karslake
Publisher :
Page : 456 pages
File Size : 50,94 MB
Release : 1975
Category : Autographs
ISBN :
A priced and annotated annual record of international book auctions.
Author :
Publisher :
Page : 844 pages
File Size : 40,2 MB
Release : 1880
Category : Agriculture
ISBN :
Author : J. Paul Getty Museum
Publisher :
Page : 380 pages
File Size : 13,26 MB
Release : 1988
Category : Drawing
ISBN :
Author : Brian Cowan
Publisher : Yale University Press
Page : 376 pages
File Size : 19,23 MB
Release : 2008-10-01
Category : History
ISBN : 0300133502
What induced the British to adopt foreign coffee-drinking customs in the seventeenth century? Why did an entirely new social institution, the coffeehouse, emerge as the primary place for consumption of this new drink? In this lively book, Brian Cowan locates the answers to these questions in the particularly British combination of curiosity, commerce, and civil society. Cowan provides the definitive account of the origins of coffee drinking and coffeehouse society, and in so doing he reshapes our understanding of the commercial and consumer revolutions in Britain during the long Stuart century. Britain’s virtuosi, gentlemanly patrons of the arts and sciences, were profoundly interested in things strange and exotic. Cowan explores how such virtuosi spurred initial consumer interest in coffee and invented the social template for the first coffeehouses. As the coffeehouse evolved, rising to take a central role in British commercial and civil society, the virtuosi were also transformed by their own invention.
Author : John Michael Montias
Publisher : Amsterdam University Press
Page : 340 pages
File Size : 13,45 MB
Release : 2002
Category : Art
ISBN : 9789053565919
In this study of Amsterdam's Golden Age cultural elite, John Michael Montias analyzes records of auctions from the Orphan Chamber of Amsterdam through the first half of the seventeenth century, revealing a wealth of information on some 2,000 art buyers' regional origins, social and religious affiliations, wealth, and aesthetic preferences. Chapters focus not only on the art dealers who bought at these auctions, but also on buyers who had special connections with individual artists.
Author : Darius A. Spieth
Publisher : BRILL
Page : 535 pages
File Size : 42,91 MB
Release : 2017-11-06
Category : Art
ISBN : 9004276750
Seventeenth-century Dutch and Flemish paintings were aesthetic, intellectual, and economic touchstones in the Parisian art world of the Revolutionary era, but their importance within this framework, while frequently acknowledged, never attracted much subsequent attention. Darius A. Spieth’s inquiry into Revolutionary Paris and the Market for Netherlandish Art reveals the dominance of “Golden Age” pictures in the artistic discourse and sales transactions before, during, and after the French Revolution. A broadly based statistical investigation, undertaken as part of this study, shows that the upheaval reduced prices for Netherlandish paintings by about 55% compared to the Old Regime, and that it took until after the July Revolution of 1830 for art prices to return where they stood before 1789.