The Chicago Auditorium Building


Book Description

Winner of the Alice Davis Hitchcock Award from the Society of Architectural Historians When the magnificent Auditorium Building opened on Chicago's Michigan Avenue in December 1889, it marked Chicago's emergence both as the leading city of the Midwest and as a metropolis of international stature. In this lavishly illustrated book, Joseph M. Siry explores not just the architectural history of the Auditorium Building but also the crucial role it played in Chicago's social history. Covering the Auditorium from the early design stage to its opening, its later renovations, its links to culture and politics in Chicago, and its influence on later Adler and Sullivan works (including the Schiller Building and the Chicago Stock Exchange Building), this volume recounts the fascinating tale of a building that helped to define a city and an era.




The Chicago Auditorium Building


Book Description

Covering the Auditorium from the early design to its opening, its later renovations, its links to culture and politics in Chicago, and its influence on later Adler and Sullivan works (including the Schiller Building and the Chicago Stock Exchange Building), The Chicago Auditorium Building recounts the tale of a building that helped to define a city and an era."--BOOK JACKET.




The Auditorium Building


Book Description

Commissioned by Ferdinand Peck and produced by architects Louis Sullivan and Dankmar Adler--soon to be leaders of the Chicago School--in 1889, the Auditorium Building was a wondrous complex, housing a hotel, offices, stores, and a theater. Adler's engineering skills overcame the problem of a foundation that had to support an unevenly distributed weight; Sullivan designed the stunning theater, which was spanned by four elliptical arches studded with 3,500 incandescent electric lights and decorated with gold leaf. Adler created a hydraulic stage--with twenty-six lifts--and one of the first air-conditioning systems in a public building. Among the many design features in the interior of the Auditorium were murals, onyx, marble, open loggias, stained glass, filigreed vents, wainscoting, and bronze-plated posts. Scholars considered the Auditorium Building the most important single structure in Chicago. The Auditorium thrived until its closing in 1940. In 1946 Roosevelt University purchased the building, and the Auditorium Theatre Council restored the theater to its former glory. Today, the Auditorium Building is thriving as a showcase for major theatrical events, Roosevelt University concerts, and other events.




The Chicago School of Architecture


Book Description

This thoroughly illustrated classic study traces the history of the world-famous Chicago school of architecture from its beginnings with the functional innovations of William Le Baron Jenney and others to their imaginative development by Louis Sullivan and Frank Lloyd Wright. The Chicago School of Architecture places the Chicago school in its historical setting, showing it at once to be the culmination of an iron and concrete construction and the chief pioneer in the evolution of modern architecture. It also assesses the achievements of the school in terms of the economic, social, and cultural growth of Chicago at the turn of the century, and it shows the ultimate meaning of the Chicago work for contemporary architecture. "A major contribution [by] one of the world's master-historians of building technique."—Reyner Banham, Arts Magazine "A rich, organized record of the distinguished architecture with which Chicago lives and influences the world."—Ruth Moore, Chicago Sun-Times




Reconstructing the Garrick


Book Description

A beautifully designed and lavishly illustrated biography of one of Chicago's greatest lost buildings For six months in 1961, Richard Nickel, John Vinci, and David Norris salvaged the interior and exterior ornamentation of the Garrick Theater, Adler & Sullivan's magnificent architectural masterpiece in Chicago's theater district. The building was replaced by a parking garage, and its demolition ignited the historic preservation movement in Chicago. The Garrick (originally the Schiller Building) was built in 1892 and featured elaborate embellishments, especially in its theater and exterior, including the ornamentation and colorful decorative stenciling that would become hallmarks of Louis Sullivan's career. Reconstructing the Garrick documents the enormous salvaging job undertaken to preserve elements of the building's design, but also presents the full life story of the Garrick, featuring historic and architectural photographs, essays by prominent architectural and art historians, interviews, drawings, ephemera from throughout its lively history and details of its remarkable ornamentation--a significant resource and compelling tribute to one of Chicago's finest lost buildings. A seventy-two-page facsimile of Richard Nickel's salvage workbook is tipped into the binding.




Chicagoisms


Book Description

Chicago has long captured the global imagination as a place of tall, shining buildings rising from the fog, the playground for many of architecture's greats--from Mies van der Rohe to Frank Lloyd Wright--and a surprising epicenter for modern construction and building techniques. In this beautifully illustrated volume, Alexander Eisenschmidt and Jonathan Mekinda have brought together a diverse pool of curators, artists, architects, historians, critics, and theorists to produce a multifarious portrait of the Second City. Looking at events as far back as the 1933 exhibition "Early Modern Architecture in Chicago," Chicagoisms is remarkable for the breadth of its topics and the depth of its essays. From more abstract ventures like tracking the boom-and-bust cycle of Chicago's commitment to architecture and the influence of the Chicago grid system of Mies van der Rohe, to more straightforward studies of the "Americanization" of Berlin, the editors have chosen essays that convey the complex and varied history and culture of Chicago's architecture. More than simply an architectural biography of the city, Chicagoisms shows Chicago to have an important role as a catalyst for international development and pinpoints its remarkable influence around the world. The contributors explore topics as diverse as Daniel Burnham's vision and OMA's student center for the Illinois Institute of Technology, and show them to all be indelibly products of Chicago. This volume is published to coincide with the exhibition Chicagoisms: The City as Catalyst for Architectural Speculation opening at the Art Institute of Chicago, opening in June 2013.




Obsolescence


Book Description

Things fall apart. But in his innovative, wide-ranging, and well-illustrated book, Daniel Abramson investigates the American definition of what falling apart entails. We build new buildings partly in response to demand, but even more because we believe that existing buildings are slowly becoming obsolete and need to be replaced. Abramson shows that our idea of obsolescence is a product of our tax code, which was shaped by lobbying from building interests who benefit from the idea that buildings depreciate and need to be replaced. The belief in depreciation is not held worldwide which helps explain why preservation movements struggle more in America than elsewhere. Abramson s tour of our idea of obsolescence culminates in an assessment of recent tropes of sustainability, which struggle to cultivate the idea that the greenest building is the one that already exists."




The Complete Architecture of Adler & Sullivan


Book Description

"Introductory essays [by John Vinci] about the firm's work are followed by a catalogue raisonne of Adler & Sullivan's projects, with historical photographs and images by Nickel and his contemporaries. ... The catalogue raisonne ... contains essays about each building accompanied by historical images and plans when available."--P. 3.




Downtown Chicago's Historic Movie Theatres


Book Description

The story of downtown Chicago--its early development, later struggles, and current restoration--is mirrored in the history of the theatres that occupied its streets. This vivid chronicle tells the tale of the Windy City's theatres, from mid-nineteenth century vaudeville houses to the urban decline and renewal of the twentieth and twenty-first centuries. Discussed are the rebuilding efforts after the Great Chicago Fire of 1871, the first nickel theaters showing "moving pictures," the ornate silent movie palaces, the move to "talkies," the challenges of the Great Depression and the introduction of television, and urban decline. Today, Chicago has preserved some of its most historic movie palaces, landmarks of cultural vibrancy in its reawakened downtown. With nearly 200 photographs from the Theatre Historical Society of America, this work brings to life all of the theatres that have enlivened Chicago's entertainment district, reflecting the transformation of downtown Chicago itself.




The International Style


Book Description

The most influential work of architectural criticism and history of the twentieth century, now available in a handsomely designed new edition.